Tag Archives: Elisabeth Moss

Elisabeth Moss To Star In Neo-Noir Anthology Series Black Match For Hulu

In the wake of the success of The Invisible Man, Elisabeth Moss has started crafting several new and interesting genre projects, including what sounds like a nifty little piece of anthology television that could see one of the best actresses working today taking on Femme Fatales and a neo-noir Los Angeles.

It’s being reported that Moss is developing an anthology titled Black Match for Hulu, in which she will star. The series is described as a psychosexual neo-noir thriller set in modern-day Los Angeles and comes from an original script written by Ian McCulloch. Mike Barker is attached to direct the pilot, who previously directed Moss in twelve episodes of The Handmaid’s Tale, and has shows like Fargo and Outlander on his resume.

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Shirley Trailer: Elisabeth Moss Tackles Haunting Of Hill House Author In Twisty New Thriller

Neon has released the first trailer for Shirley, its Sundance Film Festival pickup that stars Elisabeth Moss and Michael Stuhlbarg.

The Josephine Decker-directed thriller is set in the mid-1960s and centers on Rose (Odessa Young) and Fred (Logan Lerman), a couple that moves to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. They receive an offer for free room and board from professor Stanley Hyman (Stuhlbarg), as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson (Moss). The ensuing psycho-drama becomes the inspiration for Jackson’s next work.

Check out the trailer for Shirley below:

The trailer showcases the film that displays one of Moss’ most gloriously demented performances to date. Moss has already delivered one of the year’s best performances thanks to her work in The Invisible Man, which debuted in theaters and hit PVOD in March. An actress who feels like she can do no wrong, this movie, in particular, finds her playing in a narrative full of spiraling musical melodies and twisting cuts. Moss also produced the film alongside the likes of screenwriter Gubbins, Christine Vachon of Killer Films, and former HBO Entertainment president Sue Naegle.

Shirley marks director Josephine Decker’s return after earning raves for Madeline’s Madeline. And also finds Decker marking new collaborations with cinematographer Sturla Brandth Grøvlen (Rams, Victoria) and composer Tamar-kali (Mudbound). Sarah Gubbins penned the script for the film, based on Susan Scarf Merrell’s 2015 novel of the same name.

Neon acquired Shirley for a low-seven figures deal when the film premiered at the Sundance Film Festival, where it won the U.S. Dramatic Special Jury Award for Auteur Filmmaking in Park City. Neon is coming off a bit of a hot streak. The studio is still riding high after Parasite‘s awards-season run that ended with a historic Best Picture Oscar win.

Shirley

Shirley hits VOD and digital on June 5.


Source: Neon

The French Dispatch Trailer: Wes Anderson Returns With An Ensemble Cast

Searchlight Pictures has unveiled the first official trailer for Wes Anderson’s latest film, titled The French Dispatch. The comedic drama follows a group of journalists at an American newspaper bureau set in a fictional 20th-century French city.

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Mad Men’s Summer Blues

AMC does a good job of spreading out its popular shows throughout the TV viewing seasons. That means that right now is a great time for those Breaking Bad lovers out there as the fifth season rolls along, but it’s the summer blues for Mad Men viewers and Dish subscribers. Recently though, there was some good news from the notoriously tight-lipped helmsman of the Mad Men experience, as Matthew Weiner admitted that Elisabeth Moss’s ‘Peggy Olson’ will still be a regular character on the show.

Weiner was quoted in that recent interview as saying:

“When people leave Sterling Cooper, sometimes it is the end for [the character],” Weiner allows. “But I will spoil that one tiny piece of anticipation and tell people that Elisabeth will be showing up to work.”

This is certainly great news for fans of the show, as Peggy has consistently been one of the most interesting characters on Mad Men from the word go. It really comes as no big surprise however, probably why Weiner was OK spilling the news, and having Peggy work for one of SCDP’s biggest rivals should only add to the intrigue of the storylines.

Speaking of storylines and Mad Men‘s love of the nostalgic reference, I went onto Wikipedia 1967 to see what interesting historical tidbits might make it into season six’s episodes. The Civil Rights Movement has already been embedded into season 5, but in 1967 there were numerous race riots across the country so we should expect a lot more of this topic along with a nod to Thurgood Marshall; the first African-American elected to the Supreme Court. The Vietnam War and protests at home were still a big news item so it will be interesting to see whether or nor we see a reappearance of Dr. Greg, or hopefully Dr. Greg’s corpse. The worst of the Vietnam years is still to come so I don’t think it will be a major presence, but if there is any major nod this season I would guess it to be Muhammad Ali’s refusal to serve in the Military after being drafted.

Richard Speck, who was the guy who killed the nurses and was featured in the “Mystery Date” episode, was sentenced to the electric chair in 1967 so that would be a nice opportunity to put a bow on that storyline, and possibly comment on the moral dilemmas of corporal punishment. The very first Superbowl was in 1967 between the Green Bay Packers and Kansas City Chiefs, but Mad Men doesn’t make a lot of sports references so it would be a long shot for show material. The space race is still somewhat prevalent in the 1960’s so you might see the mention of the ‘Apollo 1’ disaster that killed three American astronauts. There are some other long-shots for episode material including the capture of Che Guevera, jokes about Allen Ginsberg and character Michael Ginsberg, but my favorite if I could put money on it is when John McCain was shot down and captured by the Viet Cong.

Mad Men as a cultural reference machine has always done a great job of incorporating and referencing relevant music and 1967 provides a lot of great candidates. The Beatles of course start to explode and diversify their sound, and the other side of the rock and roll coin – The Rolling Stones make their first appearance on the Ed Sullivan Show to be the next big thing. Dark Horse candidates include the debuts of Velvet Underground and Pink Floyd, but you would probably be safer betting on references to The Doors and Ed Sullivan as well as Monterey Pop, the first famous major outdoor music festival.

Any way you shake it out there is plenty of material out there for the Mad Men writing staff to flesh out some more interesting plot lines, and after stepping up the actual drama last season I expect nothing but a more exciting season 6. For those of you who still haven’t gotten into Mad Men, or who are still catching up, there’s nothing like 7-8 straight hours of the show to get you hooked and take a break from snarky American swimmers. Any chance Ryan Lochte can make an appearance next season so he can get punched in the face like Pete Campbell?

Mad Med Episode 513: “The Phantom” Finale

Considering that in the past two weeks the notoriously slow-paced Mad Men had one of its oldest and most popular characters leave the firm followed by one of the partners killing themselves I was expecting, as probably was the fan base at large, some sort of momentous season finale cliff hanger. That clearly was not in the cards. While the season finale, by regular episode standards, did have a couple of surprises, as a season-ender it fell a bit short as far as drama goes.

The episode was titled “The Phantom” and we are treated with phantoms both literally and figuratively. Don, feeling the stress and guilt of Lane’s suicide, is habitually visited throughout the episode by his brother, whom was also a suicide victim and receiver of Don’s tough love. We also get a Peggy Olson appearance this week, and hopefully this will quell the rumors that Elisabeth Moss is done with Mad Men, and she is more than a Phantom. Peggy has her own storyline in fact as she is handed a new account for women’s cigarettes that will, as we know, eventually become Virginia Slims and a major marketing success in its own time. We are witness to a nice conciliatory meeting between Don and Peggy at the movie theater, sans handy I would assume, and the puzzling image of dogs humping outside of Peggy’s Virginia hotel room. It looks like Peggy is here to stay and thank goodness for that.

The other major phantom of the episode comes in the form of Pete’s on-again off-again affair partner whom we learn is the frequent victim/consumer of electroshock therapy. After an uncomfortable encounter on the train, Pete gets a booty call from Beth Dawes and skips out on the Partners meeting for the liaison. Here he learns about her treatment and her desire to have one last fling before her memory is erased and all memories of Pete Campbell are gone. I’m sure there are some people out there who would jump at the chance to have all memories of Pete Campbell erased from their mind, but he does such a good job of being a dick you just shouldn’t do that to yourself. As an added bonus we also get to see Pete punched in the face two more times this episode! He really is a despicable character when as soon as you start to feel for the guy after he opens his heart to the post trauma Beth and confronts her scumbag husband, he acts like a total prick to the good-natured train cop and you are once again cheering as Pete takes another shot to the kisser. Whomever came up with this gem will have to update it with the new footage.

The cliff-hanger for the season finale hinges upon Don and Megan’s relationship. Megan’s acting career has continued to flounder and in this episode she gets desperate and stabs her friend in the back by asking Don to consider her for a commercial that SCDP will be producing instead of her considering her friend who had asked the favor. Megan’s mother is in town, rekindling her romance with Roger Sterling, and Megan’s depressive ways lead to a confrontation between her and Don which may have been the key to changing Don and Megan’s relationship as a whole. Megan’s mom describes her as someone with an artist’s sensibility without the artists talent. Don, after watching Megan’s test reel, acquiesces to her desires and gets her the commercial gig. The big question though, the one we are left with as the woman down the bar hits on Don asking “if he is alone”, is whether or not Don has lost respect for Megan. Did he give in and get her the gig because he really thinks she deserves it and just hasn’t gotten her break, or is he secretly disgusted at her lack of gumption and willingness to work hard at her art and gave her the job because it’s proof to her callous need to be spoiled. Fortunately the wait for season 6 will be significantly shorter than the wait for season 5 was, but still is too long if you ask me.

Two other things from the finale. SCDP is apparently making money hand over fist and will be moving into a larger space and Roger Sterling is doing LSD again… see gratuitous man ass.