Grizzly Review: Marvel’s The Avengers

The “Dream Team” was thrown around a lot after the 1992 Olympic US Men’s Basketball team gathered Jordan, Magic, Bird and a gaggle of other superior stars to take on the world. These vastly superior athletes were able to put their egos aside for one goal: to conquer the world. It has come and gone throughout the last few decades ranging from the US Women’s World Cup team in 1999 to even the underwhelming 2011 Philadelphia Eagles when Vince Young destroyed his team’s hopes by raising the expectations. It can apply to movies too, like Christopher Nolan and his Batman team. Scorcese and DeNiro. Heck, Scorcese and Leo. It only seems fitting to talk about Marvel’s The Avengers in the dream team concept. However, in this awesomely epic buddy action film, I think the real Dream Team lies behind the scenes: Joss Whedon and Marvel.

This all started with the first Iron Man where RDJ took to the screen and carried the movie with his charisma and stage presence overcoming flaws, but it was an entertaining movie that set the stage for the Incredible Hulk, then the fart noise inducing Iron Man 2. What followed were vastly underrated Thor and a solid Captain America: The First Avenger last year, which set the stage for The Avengers movie. An artifact originating in Thor, called the Tesseract, has been taken by Loki (Tom Hiddleston) and he is harnessing its enormous power to set the stage for the conquest of Earth. Giant wormhole portals ensue and that means the big guns must be called in. Nick Fury (Samuel L. Jackson) heads up S.H.I.E.L.D., a covert agency charged with taking back what may or may not be rightfully theirs and since puny humans failed to protect the artifact the first time around, it is time to call in the big guns. So Iron Man (RDJ), Captain America (Chris Evans), Thor (Chris Hemsworth), Hulk (Mark Ruffalo), Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must form the dream team and solve some issues. Did I forget to mention they really have a lot issues to be worked out internally too?

Turns out Iron Man is a narcissist non-follower, Cap has no team to follow his gung ho lead, Thor is just amused at these white boy problems, the Dr. Banner just wants some peace and quiet. But we all knew these things because of the previous movies. Director/Co-Writer Whedon does an amazing job in creating winks and nudges for the geeks that did watch the previous movies, yet remains accessible enough to where new people can follow the adventure. The danger here was incorporating several ideals from five different movies with seven different heroes to make them mesh as well as show off their individual spark that got them their own movies to begin with. Everyone gets their time in the spotlight, especially the Big Four (Cap, Iron Man, Hulk, and Thor) to establish their own paths and how they, for just this one movie and eventual sequels, have their paths intertwine into a solid team. The audience is treated to the banter and the battles with each other before they all come together with their common goal.

The beginning of the movie does feel like exposition and even felt dangerously close to voiceover narrative territory in trying to set up the plot before the fun begins. The dialogue shines from the Zak Penn and Whedon script which feels like a love letter to Marvel fans as well as accessible to the every man with the humor and levity that spills out of the actors’ mouths. None of it feels forced or unoriginal and really shows off the chemistry between these superheroes that could just turned into a giant awful bomb of apathy. RDJ owns as Iron Man and really should because this is not at all possible without what he has brought to the table with the earlier movies and the personality that exudes confidence and sarcasm. Chris Evans conveys his sense of duty in what would be the corniest role this side of Cyclops but develops his want to belong yet remain strong and self-assured as the leader. Hemsworth continues to impress with his observations and sly humor as the demigod and as the third Hulk actor, Ruffalo just enjoys the moment to stay out of fire long enough to steal scenes as his CGI counterpart. Hiddleston continues his great work from Thor and makes his villain memorable. Plus he just loves to chew scenery and you can tell he is just having a blast going against his heroic counterparts. Nick Fury finally gets his time to shine a bit as the hardass leader that brings them all together. Johansson and Renner do not have the same screen time as their super counterparts and feel a bit shoved in there but that might have more to do with the byproduct of dealing with the Big Four as opposed to whether they belong or not because let us face it, they are equal part of this movie.

The last thirty minutes is a spectacular assault on the senses in visual effects. Nothing seems too terribly out of place and that is a testament to not only Whedon, but Marvel Studios themselves. They have carefully ushered these characters into this movie and making sure that every part meshes together to create a fantastic experience for the audience. Whedon had many critics going into this movie on whether he could handle the scope and vast enormity of the movie but he has proved he can handle this mega franchise. This is the perfect movie to start off the summer movie season with because it’s simply pure fun. No one expects a Dark Knight Rises social commentary, this is strictly a boys being boys type of movie where you want to bash Hulk Hands against the toy Captain America shield you bought at the toy store after leaving the movie theater.

It does not take itself too seriously and nor should it. You will walk out amazed and wonder how the almost two and a half hours went by so fast. Again, credit should go to the dream team of actors that had the right chemistry and ego to make this an enjoyable experience but it was Whedon and Marvel Studios that came in with the cape to save us from boredom.

“F–k You Boredom!”

‘The Expendables 2’ Trailer Has Arrived! Explosions! One-Liners! More Explosions! Chuck Norris!

There are a lot of haters out there for The Expendables, which I don’t understand. Out of any movie franchise out there right now, it clearly knows what kind of movie it wants to make, and packs it full of the actors who are going to do that well. It was a star-studded action movie that provided action and stars. Great success. So believe me when I tell you how excited I am for the second one. The cast list has expanded to include almost every possible action star from the 80’s on including some new faces and a hell of a lot more action.

Continue reading ‘The Expendables 2’ Trailer Has Arrived! Explosions! One-Liners! More Explosions! Chuck Norris!

The Reboot of ‘Van Helsing’ Nobody Asked For…

It seems like only 8 years ago, people were watching and being disappointed by the movie Van Helsing, starring Hugh Jackman and Kate Beckinsale. Now if you’re thinking to yourself, “Man, isn’t it time they remake that film?” then I have to ask, what the hell is wrong with you? But according to the  boys over at FilmDrunk, that’s exactly what is happening. Ait get’s better folks, Tom Cruise is said to be attached to this remake.

Continue reading The Reboot of ‘Van Helsing’ Nobody Asked For…

Grizzly Review: Comic-Con: Episode IV- A Fan’s Hope

The annual San Diego Comic-Con is one of the most popular and most attended events in the world. Boasting more celebrities than the Oscars, what used to be a place for aspiring artists and vendors has now become home to the most valuable press in the world; grass-roots marketing. By packing all these movie stars in one place, promoting a franchise, and getting the masses to attend, Comic-Con has found a way to garner even more buzz for a film than what was originally thought possible.

Continue reading Grizzly Review: Comic-Con: Episode IV- A Fan’s Hope

Elijah Wood Set to Star in Indie Thriller “Grand Piano”

Looks like Frodo is finally growing up. Directed by Eugenio Mira and written by Damien Chazelle, Green Street Hooligans star Elijah Wood is set to star in Grand Piano, an independent thriller produced by Adrian Guerra and Rodrigo Cortes, two of the men behind the claustrophobic-Ryan Reynold’s thriller Buried.

This is what The Hollywood Reporter has to say about the film’s plot:

“The story concerns a once-great concert pianist who suffers from stage fright and comes back to perform after a five-year hiatus. Just when he’s about to play the first bar, he notices somebody has written a threatening note on his music sheet. He’s now forced to play his best concert ever to save his life as well as his wife’s. Think Speed at a piano.”

At first glance, this might seem like an absolutely horrid idea for a film, but considering Buried made quality entertainment out of a man in a coffin, I’m sure Grand Piano has some tricks up its sleeve to keep the audience guessing. Also, the film’s exotic location (Ciudad de la Luz in Alicante) promises some excellent scenery shots and hopefully a little bit of a cultural bite.

Wood has had a very busy schedule these past couple of years. With a leading role in the upcoming Disney XD show “TRON: Uprising” and the upcoming second season of the FX hit “Wilfred”, Wood’s got a lot on his plate. He’ll also be reprising the role of Frodo in the upcoming film, The Hobbit: An Unexpected Journey. Also, his other major project, Maniac, which was co-written by Piranha 3D director Alexandre Aja, will be premiering at the Cannes Film Festival later this month.

Grand Piano is slated to begin production later this summer.

Grizzly Review: God Bless America

The most recent generation of human beings, and more specifically American human beings, is known as the “generation of entitlement”. We’ve been given the most technology, the most variety, and most of all more career options than any generation before us. We can do, or not do, anything we want. Yet, as time goes on, it seems like all we want to do is nothing or everything. We’re either changing the world, or watching the world change right before our eyes.

Everyone over the age of 30, and a lot of people under, have had thoughts of killing the idiots who are supposedly educating the young minds of our great country. On the conservative side, it’s the Barack Obama’s and the Bill Maher’s and the Rachel Maddow’s of the world who are ruining the world. But on the liberal side it’s the Rush Limbaugh’s and the Bill O’Reilly’s and Michael Savage’s and Mitt Romney’s who are damning the United States to the deepest layer of Dante’s Inferno.

Meet Frank (Joel Murray), a middle aged, overworked, underpaid, and depressed man who decides to literally live the dream. After wrongly being fired for sexual harassment and being told that he has a brain tumor, Frank gives the ultimate middle finger to the world and starts killing our nation’s most repellent and atrocious citizens. He gets the idea after seeing a copy-cat “My Super Sweet 16” on TV. Completely disgusted by the state of our nation’s youth, he adopts the mentality of “If you can’t change ’em, kill ’em”. And that’s exactly what he does.

After his first, sloppy assassination, he picks up Roxy (Tara Lynne Barr), a 16 year old sociopath ADD child who wants nothing more than to take the life of guilty filth. Reluctantly allowing her to come along, the two form a strong bond and become something of a “Mickey and Mallory” for the YouTube age. From state to state, target to target, Roxy and Frank witness firsthand the ins and outs of America’s worst personalities.

When I was going to rent God Bless America from iTunes, I saw a comment that said: “…my wife started playing ‘Words with Friends’ 5 minutes in.” That beautifully worded sentence is, in a nutshell, what God Bless America is essentially about. We’re a society that revolves around technology. We victimize the weak and exploit them for our own entertainment. We’re consumed by technology and all that is has to offer. In fact, if you’d like to hear me rant more about the product of a generation of inept children, read this right here.

At times heartwarming, at times extremely violent, and at times overly preachy, God Bless America is one hell of a film that doesn’t really know what it wants to be. Uneven as a see-saw, God Bless America is good, but not great. While I agree with almost everything the film had to say, its method of saying it was rather amateur, especially considering how gifted writer/director Bobcat Goldthwait is when it comes to screenplays.

The central performance by Joel Murray is one of the best I’ve seen all year, and he definitely elevates the sometimes unrealistically long winded monologues. Tara Lynne Barr is also excellent as a blood-thirsty high school student out for revenge against her generation.

Is God Bless America quality entertainment? Probably not, no. But is it entertaining as all hell with a good message to move it along? You bet your ass it is. If God Bless America isn’t great, it is one thing; original. And in a world of sequels and remakes, that in itself is something to be thankful for. And for that, I say not God bless America, but God bless Bobcat Goldthwait. For having a voice that isn’t conventional in the least.

3.5/5 Bears