Breaking Bad: 504-“Fifty-One”

In the fourth of episode of Breaking Bad‘s final season, much of the season’s plot has been put on hold to take a moment and focus on the dynamic between Walter and Skyler. Their rapidly deteriorating marriage is the major focus of this episode. Words are exchanged, things are said, and Walter continues to be the most intelligent man on the entire show. Meanwhile, Mike, Walt, and Jesse are looking to find a way to handle Madrigal, who may or may not have betrayed them.

What could have been this episode’s strengths end up being the major weaknesses. The emphasis on how much of a raging bitch Skyler is, versus how much of a controlled family man Walt is – makes itself apparent within the first five minutes of the episode, where Walt gets himself and his son extremely expensive cars. The sequence is oddly hilarious and I’m not sure how much I was supposed to laugh, but I’ll admit I was definitely cracking up.

I never liked episodes that focused on Skyler, and here we see everyone in a panic because of her. She’s really the only reason everything isn’t going according to plan, and what she says to Walter at the end of the episode is unforgivable and wrong. She may have proved herself momentarily a couple seasons back, but she’s just reverted to her old nosy, selfish, and frankly unintelligent ways. On the other hand, Marie is proving to be a valuable addition to the White family. She and Hank (who’s losing weight faster than a cancer patient, ironically enough), are definitely stepping up to the plate as both siblings-in-law to Walt and Skyler, but also as aunt and uncle to Walter Jr. and Holly.

Stepping away from all of that, though, another major issue I had with this episode was the mild usage of Jesse and Mike, and the complete absence of Saul. Breaking Bad works mainly because of the chemistry between Walter and Jesse (I swear, these [Breaking]bad puns are completely unintentional), but the lack of that here is really apparent. That is, of course, until the end.

*SPOILERS*

Jesse buys Walt a watch for his 51st birthday. In fact, he’s the only person to get him a gift and it’s a beautiful watch that Walt genuinely likes. He wears it, brings it back to Skyler and explains to her that the watch was given to him by someone who was pointing a gun at his head just a couple weeks ago. They’re now good partners and friends, so if their relationship can be mended, so can Walt and Skyler’s marriage.

He then leaves and takes the watch off, putting it on his nightstand. It ticks, and ticks, and ticks, and as the seconds get closer to the next minute, the ticking becomes louder and more intense until the end where it sounds like a gun cocking or the minute hand changing (or both).

I’m thinking that the watch is either bugged (unlikely) or that it’s merely a visual representation of Walt’s literal ticking clock. It’s possible that the cancer may come back and kill him since, as of this point, there isn’t anyone on the street who serves as some kind of imminent danger. But I guess we’ll have to wait until Sunday to find out.

3/5 Bears


TV TRIVIA: This episode, titled ‘Fifty-One’ in reference to Walt’s 51st birthday, aired the same night as the latest episode of HBO’s Newsroom, which was titled ‘5/1’. Weird. Right? No. Whatever.

Judd Apatow’s ‘This Is 40’ Has A New Trailer, Fills Me With Existential Dread

Judd Apatow is one of those strange curiosities in the filmmaking industry. He made his name blending bro-humor, stoner comedy and genuine emotional earnestness with the 1-2 knockout punch of 40 Year Old Virgin and Knocked Up, and has since put himself on the map as the go to guy for a successful mainstream comedy. Then as his career continued, he started putting in more of the earnest emotional stuff back into his work, which isn’t anything new for him at all. Longtime Apatow fans will be familiar with his TV projects, Freaks And Geeks being the most notable for being a perfect encapsulation of a generation’s awkward teen years, that had a timeless relatability to it despite being set in the 80’s.

Continue reading Judd Apatow’s ‘This Is 40’ Has A New Trailer, Fills Me With Existential Dread

Your Writer/Director for The Avengers 2 is…

Joss Whedon, come on down! You’ve just been chosen to continue on the path of greatness and while adding to your god-like status amongst the human population! According to several news sources, ranging from the Hollywood Reporter, EW.com, Newsrama etc., Joss Whedon is back in the saddle as your writer and director for Marvel’s The Avengers 2.

In the deal, Mr. Joss “I Own The World, Bow Before My Awesomeness” Whedon, signs a deal with Marvel Studios that keeps in the fold through the end of June 2015. In that, he will cover his duties as director and writer for The Avengers 2, as well as helping develop a live action series for ABC and, according to the Marvel Studios’ press release, “will also contribute creatively to the next phase of Marvel’s cinematic universe.” Basically, as I have read it, he will take the Jon Favreau role in making sure that the universe that Marvel Studios has cultivated will be ushered into the next set of movies, culminating in The Avengers 2 movie. You can bet that the TV show will deal in the Avengers universe and it is safe to say that it is NOT the Guillermo del Toro Hulk series being developed for ABC apparently. Excited much? Yessir. Let us face it, Joss Whedon knows his characters and his television. While not successful all the time in terms of nielsen ratings, his television shows always are great and at least will cater to the cult crowds and die hard geeks his drops his wisdom on. Plus if it’s set in the Marvel Universe, umm, insta-hit?

A live feed from the Whedon household after the deal

From a Hollywood perspective, this should be zero surprise of course. The Avengers has made 1.5 BILLION worldwide. A large part is because not only the commercial acclaim of putting together the most brilliant way to market your movie (uhh, Iron Man, Iron Man 2, The Incredible Hulk, Thor, Captain America: The First Avenger? Yeah, those were basically marketing teasers for that movie, profitable ones too at the very least), but the critical acclaim that got people coming back for more. The onus on Whedon and Marvel was making sure the characters were enjoyable to watch and developed to where they both electrified the screen individually AND as a team. Whedon solidified the Marvel Studio’s universe in this movie because he made sure this ambitious project did not implode like a dying star. With egos and sheer enormous size of this project, this could have been an unmitigated disaster with everything that was going on but instead, Mr. Firefly himself controlled the movie and its stars (and the future of this universe) and made sure the next several movies are events flicks that people of all walks and sizes will need to see.

So let’s recap, this will be Joss Whedon’s universe for the next three years and with Iron Man 3 for May 3rd, 2013; Thor: The Dark World in November 8th, 2013; Captain America: The Winter Soldier for April 4th, 2013; Guardians of the Galaxy launching on August 1st, 2014; with possibly Edgar Wright’s Ant-Man figuring into the equation too, this will probably confirm Avengers 2 hitting theaters in 2015, right when the contract ends. Not too mention the TV show that, crossing my fingers and just a hypothetical guess, will probably be S.H.I.E.L.D. related? Excited? You know it baby. So much that this ScarJo pic will be used to match the badassness of this news.

Could Marvel Studios Get Back Some Characters?

How’s this for something to make a person stroke their chin in equanimity: A certain character or characters could be returning to a movie home with Marvel Studios in the near future from their very abusive home at Fox. I mean let’s face it, Fox has screwed up with nearly every Marvel movie they’ve churned out of their mediocre studio. Wolverine, the Fantastic  Four movies, Daredevil, Elektra and the Ghost Rider movies have all blown goats of the highest caliber! The only franchise they’ve had some good results with is the X-Men franchise, and even that took a couple stutter steps. I’m always hoping that Fox can step it up and I’m hopeful that Wolverine 2 (The Wolverine) and Josh Trank’s forthcoming Fantastic Four reboot can begin setting things right. Daredevil is another matter entirely and one of the big reasons as to all of the talk and rumors about certain characters reverting back to Marvel.

Like the Hellraiser franchise last year, Dimension needed to do something with the rights or risk losing them. So they produced a crappy movie that was finished in weeks and released on DVD, and now they are supposedly working on a reboot for the franchise. This is the same issue that Fox has with the Daredevil rights. If they don’t start production on a Daredevil movie by October 10th, then ‘the Man Without Fear’ would return to the Marvel Studios stable. This then brings up the rumors of a deal where Fox would trade the characters of Galactus and Silver Surfer back to Marvel so they can retain the rights to Daredevil. Because really, would Fox have the balls to produce a cheap piece of crap like Dimension did with Hellraiser just to hang onto it? I doubt it. They fail at even trying to make legitimate comic movies, let-alone an intentionally crappy one. Studio insiders at Fox are denying all of this of course and as I said it is all rumor at this point, but there has to be some truth to it or no one would be reporting on it.

There are a few different ways that this could boil down.

– Fox could make a piece of crap Daredevil movie and keep his rights, as well as those of Galactus and Silver Surfer, and then make a potentially decent Daredevil flick somewhere down the road.

– Fox could cut a deal with Marvel, letting Galactus and Silver Surfer go back with Marvel and avoid having to make a crappy Daredevil just for the sake of hanging onto the rights.

– ORRRRRRR Fox does absolutely nothing with Daredevil and loses him to Marvel while hanging on to Galactus and Silver Surfer.

Who knows what will happen at this point as the talks continue.

Joe Carnahan (The Grey, The A-Team) is currently in talks with Fox to direct the Daredevil reboot, and as stated before, Chronicle director Josh Trank is going to be rebooting the Fantastic Four franchise for Fox. I don’t see why Fox would have a problem letting Galactus and Silver Surfer go to hang onto Daredevil, because Trank would still have plenty of villains to draw on from the Fantastic Four comics. Dr. Doom is the obvious first choice and could carry over into any sequels. Then they can still use the Skrulls, Annihilus and the Mole Man. Regardless of how stupid the Mole Man looks, they could absolutely change him up to be a legitimate threat in a Fantastic Four movie.

This may just all be wishful thinking on my part since it appears that Marvel is certainly ramping up their foray into the cosmic scene with Thor, Avengers and now an upcoming Guardians of the Galaxy movie. Imagine if they had Galactus and Silver Surfer to add into the mix? The Galactus Seed storyline from the Mighty Thor comic in 2011 comes to mind as a great possibility for a crossover movie between Thor and the Asgardians squaring off against Galactus and the Silver Surfer.

I would honestly hate to see Daredevil made into such a terrible film again, but one could only hope that Fox sees how badly it botched the first one. You know, when they cast Ben Affleck and made DD look like the Gimp from Pulp Fiction? And I’d be willing for the trade off of Fox potentially doing that film right in return for Marvel Studios to add more players to its cosmic sandbox.

Monday Night Raw Recap & Review 8/6/12

Tonight’s show opens up with a new credits sequence, and new logo. Why they waited until the 1002nd episode of Raw to debut a new credits sequence, or logo, beats the hell out of me. I guess the guy who edits all of the promos went insane after the ridiculous amount of video packages he had to make for last weeks show. Well the new Raw GM AJ skips out, and announces right off the top of the show, a series of matches featuring Big Show vs Randy Orton, and Daniel Bryan vs John Cena. Before she says what her third match up will be, CM Punk interrupts her, and walks out to a kinda-sorta mixed applause from the crowd. The fans seemed to mostly be on CM Punk’s side, despite a few fans giving thumbs down here and there.

Punk begins to make a promo explaining his actions last week, with him yelling in AJ’s face, demanding respect. He does get “What-ed” by the audience while making his apology, and booed as well. He then starts to make the typical coward-heelish action of trying to butter up the GM and asking for the Triple Threat match between Punk/Cena/Show to be cancelled. AJ says her decisions stands, and Punk accuses her of getting revenge for his refusal of AJ’s marriage proposal a few weeks ago. He also points out how lame it would be if she started acting like yet another one of those Evil-GM’s for no reason, which falls in line with his “No bullshit, tell the truth” character. He’s riding a pretty thin line between actual truth teller, and tweener heel. Then John Cena comes out and says words about respect. I don’t know what the rest of what he said was past the word “respect”, because I passed out from boredom. The gist of it, was CM Punk and John Cena measuring each other’s dicks. Their insults and taunts were pretty grade-school.

” I beat you last year!” ” No you didn’t!” “Yes I did!” “Nuh uh!”

Awful. Punk, you’re better than that. Anyhow, Big Show enters because he legally has to. He doesn’t do anything, but he shows up, because that’s the law. AJ then says that CM Punk will be opening the first match of the night, with the WWE Universe picking his opponent. The selections were picked on twitter, and were: #PunkMiz, #PunkKane, and #PunkMysterio. I voted for #PunkMiz, because Kane is Kane, and I hate Rey Mysterio. Also Miz could use the push. I kinda like the idea of being able to push the stars we like, but a part of me thinks that the whole damn thing is rigged to begin with, either that or I really underestimate how much people inexplicably like Rey Mysterio. http://youtu.be/gfGuEvdoHyI So even though I dislike Rey Mysterio, I have to admit he’s a pretty good worker. Add to that that I’ve never really seen Punk have a bad match, and we had the makings of a decent match unfolding. Jerry Lawler made some idiotic comments about Punk needing to “earn respect”, which means either in the canon of WWE that ROH doesn’t exist in its entirety, or he’s just retarded and forgot all the events of last year, because if ANYBODY has “earned” respect it’s Punk. I literally cannot understand how you could think he hasn’t. Arguably you could say John Cena has “earned” it, except his whole Robo-Cena act bores me to tears, because it’s so repetitive.

This is every match of his. Every single one.

I gotta say the match made both of them look pretty good. Mysterio’s acrobatics work well on a guy with the build of Punk, because he’s not a Goliath style monster for him to overcome, and thusly his moves are more believable in their effectiveness. Punk though, did manage to pick up the win by pulling up his knees when Mysterio attempted a dive off the top rope, and landed the GTS. He then (shoot?) sold a mouth injury from Mysterio’s 619 finisher, and let out his patented BEST IN THE WORLD top rope yell.

Coming back from the break, we see an actually pretty badass comeback promo for Wade Barrett. The guy’s sporting a beard now, and seems to have a new “bare knuckle boxer” gimmick, that’s reminiscent of the UK’s Charles Bronson. The guy looks leagues tougher than he used to be, and the promo was effective at communicating that he’s not to be messed with. Good Job Video Package Editor Guy!

Back to the actual show, and Alberto Del Rio shows up backstage to talk with AJ. He butters her up, and tries to push for his whole “I don’t need to wrestle these plebes” thing. She says she had nothing planned for him, and is happy to hear it. But, he makes the mistake of saying that he thought she was going to do something “Crazy”, and she takes offense. She then puts him in a match, immediately. AJ seems to be a very wrestling oriented GM, who is eager to actually make wrestlers wrestle, and not have stupid goddamned tag team matches all the time. I knew she wouldn’t let me down. Oh AJ, shine on you cra- I mean uh… sexy diamond. Yeah. Then they had, “Hey guess what, TRIPLE H/BROCK LESNAR VIDEO PACKAGE. THE SAME ONE THEY SHOWED 5 TIMES LAST WEEK. SUMMERSLAM! IT’S HAPPENING! TRIPLE H! BROCK LESNAR! CARE ABOUT IT! CAAAAAAARRRE” promo, yet again. If I ever see Brock Lesnar or Triple H in person, I’m going to be the most annoying, autograph demanding, horrible fan I can possibly be to them. Annoy them as much as these promos have annoyed me.

ADR enters the match with a boot still loose, presumably from having “just gotten ready.” I’m guessing that ADR’s whole “I don’t wanna wrestle until Summerslam” thing, was actually a meta attempt to get pushed more by whoever actually books the matches. As a heel he says he doesn’t want to do something, and falling into a cliched reverse psychology trap, the booker gives ADR match after match, where he pummels people relentlessly until he snaps their arms in half with his cross armbar. Christian this time, is the victim, and Christians around being Christian, until ADR pulls off his loose boot, and conks Christian in the head with it when the Ref isn’t looking. Because an empty boot to the head is somehow more damaging than one with a foot in it.

After ADR wins (duh), Sheamus shows up on the Titan-Tron, and steals Alberto Del Rio’s car that we previously saw him park backstage. Sheamus is the worst face in the world. I think from now on, whenever Sheamus does something really shitty or stupid or boring, I’m just gonna write “SCREW SHEAMUS”, and save myself another repetitive paragraph wherein I am trying to find a new creative way to say just that.

Hey, how cool is scheduled wrestling matches actually happening? Like, you know, an actual card being announced and followed through, and not full of tons of filler? Even though Randy Orton annoys me, I’ll support the idea of actual wrestling being the focal point of my wrestling show, any damn day of the week. So I don’t like Randy Orton. He’s dumb, his tattoos are dumb, and his “viper” gimmick is stupid and dumb. He’s a big dumb dummy who is so dumb he reverts me back to an age where I can only make infantile insults about what a doody-head he is. So I enjoyed seeing him get clobbered by Big Show, and was really fearing his typical mid-match momentum shift, where he body slams the guy from an irish whip, and then hulks out or whatever that weird ground pounding thing he does is, and RKO’s his opponent. Well, it was happening, and I was about to begin audibly groaning, when Show countered it into a choke slam. Then Orton kicked out of the choke slam, and the match continued. They then kept exchanging blows outside of the ring, resulting in a stalemate between the two of them, when the match came to a double count-out. Which I have to admit, was legitimately surprising, and somehow not a disappointing end to that match. They built up Orton without making Show look bad, and Show gets to still seem strong. Of course, after the match Show tries to hit the WMD on Orton, who finally lands the RKO on him, looking pretty ridiculous while doing so.

It seems like The Ryback shows up sometimes on Raw, and occasionally he’ll have a burst blood vessel in his left eye. Or a very bad case of pink eye. Or he’s having some kind of weird half-stoner stroke, and every time he smokes pot only half of his body gets high, thus resulting in his one bloodshot eye. I’m guessing they want us to think that he’s a hardcore fighter, and someone is always smashing him in the face hard enough to do that to him, but I’m inclined to think he’s really prone to quick fits of anger for no reason. What’s that? Big Bang Theory is eclipsing Community in the ratings again? THE RYBACK MUST RYBACK TV WITH HIS HEAD. THE RYBACK HUNGRY FOR GOOD THURSDAY NIGHT MUST SEE TV. FEED ME MORE DANNY GLOVER.

Yeah, that can’t feel good.

As for the match, The Ryback Ryback’s Curt Hawkins and Tyler Reks again, in a match identical to his previous matches with them. While I like The Ryback, he’s starting to reach Funkasaurus levels of repetition. Blegh. Feed ME more, The Ryback. Feed me an original match.

Alright! This is how it should be! One wrestling match, immediately followed by another wrestling match! Awesome! Either this means they’re actually putting more wrestling into their 3 hour show, or the next hour after the other two previously announced matches will just be endless promos and skits that will make me eat my words about the WWE actually taking steps towards improving their product. I was about to start writing about how these guys were imprving in ring, because their match was building up in a nice fashion, until the Primetime Players, AGAIN do the whole “we had enough of this” thing, and backwards walk out of the ring. Then Kofi Kingston’s horrible music comes on, and the mere presence of the Tag Team Champions stuns the Primetime Players long enough for Primo and Epico to pull them forcefully back into the ring, where they pulled off a clean win. Yay. After a video package reminder of who Damien Sandow is for the unwashed masses, we see Josh Matthews interview him about his actions last week, where he attacked the Funkasaurus. Damien then goes on to say, more or less, that he hates dancing, and considers it foolishness that contributes to the delinquency of society. How goddamned hilarious is that? Damien Sandow hates dancing. Dancing! I can imagine him seeing the trailer for Step Up 5: Back 2 Tha Streets: Tha Reckoning 4 Tha Streets That Step Up AGAIN, and sneering derisively at it. I’d be right there with him, and then we’d play a game of chess together while sipping fine whiskey. Amazing.

Finally, FINALLY somebody comes out, and just beats the shit out of Funkasaurus during his long, ostentatious, unnecessary dance intro. He just comes out, tackles him, and just laus into his leg pretty horrifically. Then he just stands over his writhing body, and yells I TOLD YOU. YOU DID THIS TO YOURSELF, over and over. Then, when off camera, presumably cartwheels his way out of there. This is why Damien Sandow is awesome.

He is the best heel.

Backstage, AJ is sitting with Daniel Bryan. She tells him she thinks he has anger issues, which may or may not be true. He does mention how it’s probably because she left him at the altar, but stipulates that if he beats John Cena tonight, she should turn the Cena/Show/Punk match, into a 4 way match. She then tells him no, and that he already has a match at Summerslam, against Kane. Bryan then stands up and starts NOing at AJ, while she YES’s back, until they do it simultaneously, which somehow makes AJ defeat him verbally. He stomps off in a huff, and I’m left feeling really bummed we won’t get another chance for Daniel Bryan to become WWE champion.

There hasn’t been a Diva’s match on Raw in a long time, and while I love women’s wrestling, what the WWE Divas do barely counts as wrestling. But they’re both so goddamn gorgeous it’s still entertaining to watch. The thing about Kelly Kelly, is she’s just a relatively athletic model, and not really a wrestler, so all of her moves are really shout-ey and simplistic. Eve, while not a great wrestler either, is a slight step up against Kelly Kelly in terms of wrestling talent. That being said, they managed to give a fairly long match, for Divas anyway. In fact, I found myself surprised that it was as long as it was, and managed to make them both look good, in more ways than one. Mostly because Eve was dressed like this: Holy crap. And Kelly Kelly was in her typical barely not lingerie garb as well.

Oh… oh my.

Ahem. So yeah. Diva matches. Of notable length relative to past Divas matches. In skimpy clothes. Let’s have them actually improve their wrestling ability, and hot damn. I’m ready. Don’t let me down WWE. Don’t let me down. Who am I kidding? They’re totally gonna let me down.

Look folks! HBK is back! He was back as recently as two weeks ago, but he’s BACK! Again! He can’t really do his entrance that well anymore, and his hips are clearly hurting him, and his voice sounds like he’s been gargling asphalt every morning for the last 10 years, but HE’S BACK! Cheer for his ineptitude!

I know, I know, HBK is awesome, but man, it’s like watching your beloved old uncle slowly wander into senility, and he doesn’t even know it’s happening, so he keeps walking around talking about how much the WWE Universe appreciates him while making comments about he can’t walk that well or do his entrance anymore. Ok, I might have gotten metaphors and commentary mixed up there, but my point stands. I think. Also I wish HBK was my uncle. So HBK continues his promo, talking about Triple H and then mentions Brock Lesnar, so of course, Brock Lesnar’s music starts up. Before they even finished thie promo, I understood the purpose of it, and how it’s been done before. For a few years in a row, they had HBK come out to basically taunt Triple H/Undertaker into fighting each other, because for some reason, HBK is Triple H’s big brother/rival/frenemy/cypher, who constantly must make all of Triple H’s affairs his. He’s like a needy friend who’s also really nosy and butts into business that isn’t his. I had a few friends like HBK Then I challenged them to a Hell In A Cell match, and tombstoned them horribly. I believe all social problems can be solved with a modified pile driver or a quick suplex. Awkward date? Elbow drop the waiter! Weird party where you don’t know anyone but have to attend? Choke slam the host through the punch bowl! Can’t get an erection during sexy time? Stone Cold Stunner your cock, and spin into a repeating ouroboros of infinite pain and humiliation! I’m really torn, because I shoot hate Brock Lesnar and shoot love Paul Heyman, so their pairing makes me all conflicted inside. I like the idea of Paul Heyman promoting his “client” as an actual wrestler hellbent on wrestling. I also really like him legitimately referring to Brock Lesnar as “The Baddest Dude” in WWE today.

Pictured: Brock Lesnar.

But this promo was more or less just more boring fluff for that Triple H match, where HBK pulls out the “YOU MENTIONED HIS KIDS! THAT’S AWWWWFULLLL” thing, because that somehow makes the match more important or something. Blah blah blah. More wrestling please. Or alternatively, have Brock Lesnar actually quit WWE just like he has every other damn thing in his life. That’s right Brock, COME AT ME BRO.*

Then of course, Triple H comes out, and it gets all tense and shit, and points really hard at both of them, while vaguely threatening HBK. Lamesauce. After that we get to watch Sheamus’s Tout (ugh) of him with Alberto Del Rio’s car. Michael Cole and Jerry Lawler argue over whether or not it’s grand theft auto (it is), and then we get another match.

This was actually his real argument.

Chris Jericho comes out to join Cole and Lawler ringside to give commentary on Dolph Ziggler’s match. He then explains why he’s been wearing Dolph Ziggler’s pink shirt, by saying he found it in the trash, which is somehow meant as an insult, but really it makes him sound like a dirty trash picker. As for the actual match, Dolph Ziggler was dominant against Alex Riley. Big surprise. The only thing that made the match was when Dolph Ziggler started showing off doing Jericho’s classic cocky pin, and Jericho stands up to Tout Dolph right then and there, and of course, this distracts Dolph long enough for A-Ry to get the roll up pin. Normally I hate the “distraction/roll up” ending to matches, but they haven’t done it in a while, and the us of Tout (ughh) made it novel. Another Tout from Sheamus is shown. Seriously? What we’re getting now is footage of footage being touted? I like the amount of wrestling i’m getting tonight, but little dumb moments like this add up to make the overall pie shittier in flavor. So to speak.

So I guess Kane and Miz were gonna have a match tonight no matter what, and if the people had voted like I did for #PunkMiz, we’d be seeing Rey Mysterio vs Kane right now, or some combination of the three choices we were given. Either way, the big surprise was seeing Miz hold his own against Kane. It’s fascinating how a big-boy haircut and a new attitude can improve a wrestler who people previously took only as a joke. I give Kane a shit pretty passively, but sometimes he’s able to tap into a talent reserve and make a match really work. Miz and him traded a lot of spots until Kane got the upper hand, and ended the match with a choke slam, but the effort put out by Miz was noticeable, and the match did a good job of making Kane still seem strong, while not making Miz look like he’s being squashed or jobbed into hell. Coming back from the break, we see Sheamus deliver ADR’s Ferrarri, absolutely trashed and covered in dirt, making him an impolite bastard, as well as a felon. Screw Sheamus.

I’m loving Daniel Bryan’s new “insane” character, who is obsessed with nobody but him saying “Yes”, and now is fixated on saying NO all the time at people. Plus he keeps walking around clutching his head like the brain-grubs are hatching, and they crave the YES YES YESing from the audience to grow and thrive. The match opens up with a rousing clamber of anti/pro Cena chants, that Daniel Bryan detests, and John Cena seems confused by. Throughout the whole match in fact, they seemed to bewilder him, as if he’d never heard them before. Daniel Bryan at one point does an awesome face to face with another fan, where he yells NO right in their face, while they YES him right back. I’d mark the eff out if that happened to me. Anyhow, Daniel Bryan get’s the upper hand during the commercial break, and the inevitable Robo-Cena countdown clock begins. Eventually he hits the 5 moves of doom, but just as Cena goes for the Attitude Adjustment, Daniel Bryan locks him into a guillotine headlock. After a minute in the headlock, Bryan gets the advantage again, and builds up his newfound insanity powers to land a flying headbutt on Cena, but Cena still manages to kick out. After that, Daniel Bryan starts his signature kicking thing, which Cena counters in the STF, which Bryan re-counters into the YES-Lock, and for brief shining moment, I thought we were about to see Daniel Bryan beat Robo-Cena, but of course, he countered it again into the AA somehow. After he pins him, CM Punk’s music starts, and Punk enters the ring. He then raises his belt, as he has done to Cena so many times before. Suddenly, Cena throws CM Punk out-of-the-way, and Big Show enters to fight Cena. Cena raises Show into the AA, but in a repeat from last week, he knocks Show off Cena’s shoulders. He then grabs a headset and berates Jerry Lawler again, pointing out that he’s been letting people disrespect him, and that he won’t any longer. That he won’t let people say he’s “turned his back” on the WWE Universe, and even makes a comment referencing how Raw ends the same way it did the last two times. He then goes int he ring to take out Big Show, who catches Punk’s kick, and WMD’s him hard. Show follows it up with a WMD to Cena as well, and ends the show by grabbing the WWE title triumphantly, standing tall over Punk and Cena.

Woo Woo Woo. You know it.

So wow, tonight’s Raw seemed almost like an apology for last weeks. What with the entire IWC reacting pretty goddamned negatively to the entire hour of stupid Lesnar/Triple H promos, they jam-packed this Raw with wrestling, with nearly 10 whole matches, almost all of good length, and none of the skits or promos were overly long, and the annoying ones were kept thankfully short. I’m hoping this is a portrait of things to come, because it’s a definite step in the right direction for the WWE. Except for Sheamus. Screw Sheamus.

*actually please don’t come at me, you’d friggin’ kill me.

Newly Released ‘Hellraiser’ Concept Art Hopefully Indicates Reboot Isn’t Dead!

You may or may not be aware, but Hellraiser, one of Dimension’s classic horror franchises, has kinda been stuck in direct to DVD/production hell (sorry), for quite a while now.

Even the characters in the movie agree.

While the 8th movie, Hellraiser: Hellworld seemed to finally put the nail in the coffin of the series, an attempt at a remake/reboot has been underway for years now. Initially the film was helmed by Alexandre Bustillo & Julien Maury, who were best known for ‘Inside’, but they departed from the project. It picked up steam again, when Pascal Laugier, who is most well known for his unflinchingly brutal ‘Martyrs’, a film that will deeply affect even the most jaded horror-hound set his sights on the film. It seemed like it was headed to being fast tracked, but he then left the project entirely as well. Then yet another team of directors picked up the project, Patrick Lussier and Todd Farmer, but the studio wanted them to make it a watered down PG-13 affair, and goddamned HELLraiser should be anything but PG-13, as Lussier and Farmer expressed.

via [Empire Online]

“We developed several versions for Dimension, but in the end we never saw eye to eye,” says Lussier. “The current story is extremely different from the story we pitched. It’s changed dramatically since we started, and it will probably change a lot more before it’s all over. Originally what they wanted was epic and dark, rated R. It was in our contract. So… if we do Hellraiser, it’s rated R; if they want to do PG-13 then they have to get rid of us.”

So thankfully we were spared some horrific PG-13 Hellraiser abomination, but this has again, unfortunately left the entire project on the back-back-back burner, destined to become whatever the celluloid version of Vaporware is. What am I getting at then? Well while the project does seem doomed, little tidbits here and there sprinkle out from the production being done, like the infamous “New Pinhead”, pictured below:

But more interestingly, and hopefully, there’s the recently released early concept art, for…. some version of Hellraiser, at some point of production, indicating just how much the conceptual team truly got what Hellraiser should be.

via [Bloody-Disgusting]

In July Paul Gerrard and Mike Le Han produced a teaser trailer to accompany the pitch document which has many more conceptual designs that revision Hellraiser. Paul designed the new look for Pinhead and was production designer on the shoot and Le Han pulled in all of his film resources and directed the teaser on the new Alex 4:3 camera with anamorphic lenses.

With a crew of 47 an over 100 bloodied extras, the shoot was completed and is now in the depths of post production with a massive amount of VFX work being undertaken. Method Studios, Fugitive Studios and Flipbook Animation are helming the chi/VFX with the talented Glen Southern designing the new Hellraiser box.

When the teaser is complete they’ll be presenting it to Dimension Films along with an outline of the first film story and conceptual art pitch document with the hope to work on rebooting the Hell raiser franchise and bringing it into the 21st Century.

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That art is amazing. Some of it looks like a re-imagination of the Hell we saw in Hellbound: Hellraiser 2, which in my opinion, is the best of the series. Even concept art like this is something I’m chomping at the bit to see, because the Hellraiser franchise is one that is just begging to be brought back to life, with a creative mind behind it to explore all the brilliant ideas put out by the first two films. Hopefully, someone will pick it up soon, and make it happen for real this time.