All posts by Lucy Shaw

Your friendly neighbourhood atheist.

Judge Dredd Returns to the Silver Screen – Led By Karl Urban & Lena Headey

Judge Dredd – Old Stoneyface; the law man of the future – is coming back to the silver screen. For those of you who don’t know who Dredd is (do you live on the moon or something?) here is a quick history lesson:

Judge Joseph Dredd first appeared in the second issue of the British SF anthology comic 2000AD – dated the 5th of March 1977. He was created by writer John Wagner and artist Carlos Ezquerra – with some input from then editor Pat Mills.

Dredd is a law enforcement officer in a massive, violent city – Mega City One – in the distant future. The government of the city is the Judges. Judges are police, judge and jury. And, in the overpopulated city – where city ‘blocks’ are enormous sky scrapers housing thousands of, mostly unemployed, citizens – are all that stands between order and outright chaos. Dredd is – as he puts itThe Law.


The current Judge Dredd film is being shot in Cape Town, South Africa. It isn’t the first however. Back in 1995 Sylvester Stallone stared as Dredd in a film that also featured Diane Lane, Rob Schneider, Armand Assante and Max Von Sydow (The Exorcist, Strange Brew).

The plot saw Dredd framed by his clone ‘brother’ Rico (Assante) after the latter was released from prison by corrupt Judge Griffen (Jurgen Prochnow). Chief Judge Fargo (Von Sydow) – Dredd’s former mentor – blames himself for Dredd’s apparent failure, resigns his post and takes ‘The Long Walk‘ in to the wasteland outside the city. Griffen takes his place as Chief Judge – his plan all along.

Dredd is sent to prison in the wastelands, but, due to a huge coincidence, escapes and heads back to the city – after learning, from Fargo (who he – coincidently – bumped into) that he and Rico are clones.

Meanwhile Rico – on Griffen’s orders – has been causing chaos so that Griffen can reopen the cloning project that created Dredd and Rico, and take full control of the whole city. Dredd arrives back and saves the day, with Rico falling to his death from atop the Statue of Liberty. And if you want to know more details you’ll have to go and watch it yourself.

Whilst it is not a truly terrible action film – there are far worse – it’s just not Judge Dredd.

One thing that many fans complained about at the time – and still do – is that, for most of the film, Dredd doesn’t wear his helmet. While this doesn’t seem like a big thing – and in a sense it’s not – Dredd, in the comics is never seen without his helmet on – a conscious decision to help show the facelessness of the law.

A much larger problem with the film was its lackadaisical plot and use of elements from the comics – some of which just feel stuffed-in in an attempt to woe fans. For example, in the film the ‘Angel gang‘ attacks Dredd in the wastelands. They are an important part of the Judge Dredd mythology, but here they are reduced to cannibal rednecks – with only Mean Machine coming close to the comics – and are all dispatched in the space of 10 minutes. Pointless.

The film was a wasted opportunity, and quite disappointing. Hopefully the new film will help to erase at least some of it from the memory. So far there has only been a trickle of news about the film – a few photos of the sets, which remind me more of Robocop than the 2000AD comics (not that that is a bad thing). So it’s nice to see a new picture of Karl Urban as Dredd (via Bleeding Cool), and it looks really good.

The new film is being directed by Pete Travis and will feature, along with Urban, Olivia Thirlby as Psi Judge Anderson, and Cersei Lannister Lena Headey as the films villain Madeline ‘Ma-Ma’ Madrigal.

It’s slightly disappointing that the Dark Judges don’t appear to be in the film, but the word is that Dredd will keep his helmet on for the entire film. Fan boys can breathe a sigh of relief.

It’s rumored for release in the U.K. on the 1st of December 2011 – yup, this year. Odds are it will actually be 2012, so far no word on an official release date for the U.S. (or anywhere else).

Starz & the BBC Team Up For “Torchwood: Miracle Day”

This week (in the U.S., next week in the U.K.) sees the return of Torchwood and of Captain Jack – Harkness, not Sparrow – for a fourth series. Now I’ve been told I need to explain what Torchwood is to our mostly North American readership, so here goes with a really brief summary…

Torchwood is a spin-off series from Doctor Who, about a top-secret British organization called the ‘Torchwood Institute’ – which was set up on the instructions of Queen Victoria after she had a run in with an alien werewolf and the 10th Doctor. It’s lead now by the aforementioned Captain Jack (John Barrowman). He is a handsome, charming, heroic, bi-sexual, immortal, ex-time agent. Was that enough adjectives?

The other main character is Gwen Cooper (Eve Myles). She is an ex-cop with the South Wales Police, and is currently the only other member of Torchwood. They are also joined by her husband Rhys (Kai Owen).

Torchwood is aimed much more at an adult audience, unlike Doctor Who which is more family orientated. The Starz (Spartacus, Camelot) channel is co-producing the new series with the BBC. It’s set mainly in America, and was filmed in Los Angeles – except for two weeks in Wales. The stops have been pulled out, with the budget of each of the 10 episodes being, apparently, over £1 million (roughly 1.6 million in US currency).

The general synopsis of the new series – Miracle Day – is as follows.

One day, all across the world, nobody dies. And the next day, and the next day, and the next day… People age, people get sick, people get hurt, but nobody dies. Births continue though. The population sky rockets overnight. Experts predict that in four months the human race will cease to be viable. CIA agent Rex Matheson (Mekhi Phifer) investigates and discovers a global conspiracy that leads him to a secret British institution. It also features Alexa Havins as Esther Drummond and Bill Pullman as convicted murderer Oswald Danes.

Here’s the trailer:

The series starts on Starz in the U.S. on Friday the 8th of July, and on BBC One in the U.K. on Thursday the 14th of July.

Vintage Reviews: The Black Cat

The Black Cat (aka The House of Doom) is one of the Universal horror movies from the 1930’s, and stars two of the greatest names in horror: Boris Karloff and Bela Lugosi. Unlike the more classic horror films that Universal made around this time – such as Dracula, Frankenstein, The Mummy and The Invisible ManThe Black Cat is much less known – even though it was Universal’s biggest hit in 1934.

Continue reading Vintage Reviews: The Black Cat

Vintage Reviews: Phantasm

The problem with Phantasm is that on one level it’s rubbish. And that is as far as some people will see, but if you look a little deeper you’ll find a gem – although it is in the rough.

Phantasm is about Jody (Bill Thornbury), his younger brother Mike (A. Michael Baldwin) and their friend Reggie (Reggie Bannister) – who is an ice cream man – and their attempt to stop ‘The Tall Man’ (Angus Scrimm – Femme Fatales) from stealing corpses to turn into an undead, dwarf slave army. It’s that simple.

It is – unsurprisingly – a horror film, but it’s more of an old school horror film. It’s quite low on gruesome horror and gore. Most of the film is blood free – or yellow gloop free, as that passes for monster blood here – and there are only three on-screen deaths. It isn’t low on terror though. It’s the slow building kind.


The Tall Man and the glimpse of a hooded dwarf figure is all you get at the start of the film. Even though it pretty much begins with a death. It isn’t untill Mike breaks in to the funeral home that things change and the horror becomes full force.

It’s at this point in the movie that one of the most famous – iconic, no doubt – horror creations appears. The thing that most people will associate with Phantasm. The Silver Ball.

If a person knows nothing else about Phantasm they’ll probably know about the ball. It’s more recognizable than The Tall Man. So it is a surprise how little it’s in the film. It appears at this change point in the film, when the terror goes from unknown dread to full on attack. It whooshes into the film with no explanation, looking impressive. It’s here that the second death occurs. And it is the most bloodiest.

Picture courtesy of Phantasm Archives…

The ball only appears once more. It’s on-screen for less than 5 minutes. But boy does it create a lasting impression. However, there is no explanation for it. Like the old fortune-teller near the start of the film, it’s introduced and the it’s gone. No reason.

There are other elements that show up; things that make no sense; apparent holes in the story. From the Lady in Lavender to the weird red planet to the strange photograph Mike finds in the antique shop that’s never mentioned again. There is Myrtle, the house maid, who is introduced just to startle Reggie and is never seen again. The list seems long…

The Lady in Lavender…

This slightly haphazard approach to story telling could be seen as a weakness, but it wasn’t the original intention. Most of it occurred through editing of the film to get it down from a bloated – though more logical – 3 hours to a more cinema friendly 90 minutes.

The film gets more and more bizarre untill it reaches its climax, and doesn’t so much end as implode! The ending could leave you scratching your head, in which case you’ve kind of missed the point. The whole film plays out like a nightmare. The sort that starts out strange and then drags you into the darkness.

There are dark lonely roads. Endless pursuit. An evil presence that just can’t be stopped. The terror when you think you’ve awoken, but you’re still asleep. This why it seems to make no sense, because dreams – and nightmares – seldom do.

There are a few niggles. The acting is, at times, hammy, and the special effects are a little ropey. Considering though that most of the actor where fairly inexperienced, it was made on a small budget, and this was only the third film made by Don Coscarelli, I’m willing to over look these. Released just a year after John Carpenter‘s Halloween, this movie helped to usher in the ‘Decade of Horror’ know as the the 1980’s.

It is, over all, extremely entertaining, as long as you’re willing to just go along for the ride. Try and make too much sense out of it all and you’ll not enjoy it – and have a headache.

I’m giving it 4/5 Bears.

‘In Case You Missed It’ Review: Rubber

Rubber wont be to everyone’s taste. Words like ‘weird’ and ‘stupid’ will be used against it. Understandable really, considering it is a film about a psychic killer tire, but not an assessment I would necessary agree with. Weird without a doubt – although absurd is better – but definitely not stupid. It’s just that you have to look a little deeper.

This isn’t really a horror film as such, it’s more of a black comedy. Sure there are no belly laughs, and there is definitely violence, death and gore, but it is the absurdness of it all that is more noticeable.

The basic plot is not extraordinary, in fact – if the central protagonist was a human instead of a tire it could be a fairly standard slasher/loner psycho film. The fact that it is a tire is one of the things that raises it above the ordinary. There is something else that helps it too, but I’ll come to that later.

The name of the tire is Robert – a name that is only on screen in the end credits – and he is a confused and angry individual, pushed into a world he does not understand. This truth  actually comes across surprisingly well. Robert – who does not talk or make any sound, and has not a face – is the deepest character in the film. You can actually feel the emotion coming off him, although you probably wont sympathize with him too much.

The other characters, whilst not flat, are not quite as rounded (no pun intended, but I like it). This is not really surprising as it is Roberts ‘birth’ in the dessert, through his wild killing spree, to the, inevitable, final confrontation that drives the film, leaving little place for character development.

This film is, however, deeper than just a confused outsider trying to find his place in the world. This is just the central reality in the movie.

Just outside of Robert’s reality is another one where spectators watch. This film has it’s own built in audience, which some of the characters in the internal film are aware of. This adds another layer of absurdness to it all, resulting in some truly surreal moments. For instance the opening scene – which is quite beautiful in it’s surrealism – that includes a monologue about the amount of ‘no reason’ in films and real life. It’s this ‘no reason’ that drives the film along.

As well as all this the film looks gorgeous. The California dessert setting is used well, and gives the proceedings another worldliness. Some of the cinematography is stunning. The special effects – all of which are analogue, no digital – are quite impressive as well. The acting is of a high standard and played straight. The music is also good and doesn’t overpower the images. Plus it has a plot that goes somewhere.

Some people will still claim it’s weird rubbish. I, on the other hand, think it is a brilliant film.

If you only see one ‘psychic killer tire’ film this year make it this one.

5/5.

Return of The Doctor…Who comes to America

Series 32 of Doctor Who starts on Saturday the 23rd of April, and will be shown on BBC One, BBC One HD and BBC America. And I, for one, am so excited I could wet myself! No, really, I could.

This is all the information I know up to now (no, not just the date, what I am about to impart to you.) There will be a few light spoilers, but not too many as I don’t want to know too much either.

First up is the fact that this years series will be split in two. The first seven episodes will end on what has been promised to be a ‘memorable and shocking cliffhanger’. Then a summer break in July and August before the final six episodes are shown in autumn (or fall, for all you Americans). It is also going to be more dark and spooky. Time to hide behind the sofa?

The first two part story is by Steven Moffat. Episode one is entitled ‘The Impossible Astronaut’ and episode two is ‘Day of The Moon’. It’s set in America in 1969 (there has been filming in Utah and Arizona) and sees the return of River Song (Alex Kingston).

The general plot, as reported by Doctor Who Magazine, goes as follows.

July 1969. Man takes his first, tentative steps on the Moon. That’s one small step for man, one giant leap for… okay, you’ve heard that one before. But a lot more happened on Earth that year than mankind remembers.

Four small TARDIS-blue envelopes. A date, time and map reference. “We’ve been recruited,” ponders River Song. All roads lead to Lake Silencio, in Utah, on one balmy day in April. And an astronaut. An Apollo astronaut in the lake. Impossible? Not today. For the heavens have become a part of man’s world, and this is the day that some one is going to die.

Someone is going to die, and it’s going to be either The Doctor, Amy, Rory or River

Yes, you read that right, one of them will die! Apparently.

Really? Didn’t Rory die last series? You can’t kill The Doctor, surely? River Song seems the most likely candidate, but… really? I guess we’ll just have to wait and see.

All this and, what are being called, the scariest monsters yet! Even more terrifying than the Weeping Angles. And this is just for starters.

Episode three will be ‘The Curse of The Black Spot’. Hugh Bonneville will feature as a pirate captain and Lilly Cole as a mysterious creature that haunts his ship.

Episode four is ‘The Doctor’s Wife’, written by comic legend Neil Gaiman. This is the story they ran out of money for before filming last year. It sees the return of the Ood (the only returning monsters this year).

Episode five – ‘The Rebel Flesh‘ – and episode six – ‘The Almost People‘ – are a two parter, and episode seven (written by Moffat) will be ‘A Good Man Goes to War’.

The only two episode titles, for the second part of the series, so far announced are episode nine (by Mark Gatiss), which will be called ‘What Are Little Boys Made of?‘ and episode eleven, titled ‘The God Complex’, which will see David Walliams (of Little Britain fame) as an alien character called Gibbs.

The other news of the second part of the series is that James Corden and Daisy Haggard will be reprising their roles as Craig Owens and Sophie from last years episode ‘The Lodger’.

In also news a new magazine is out now for North America, Doctor Who Insider, from the publishers of Doctor Who Magazine.

And to finish off, here is the trailer for the new series, plus the prequel to ‘The Impossible Astronaut’.

 

Now please excuse me whilst I go find dry underwear.