Star Trek is a thing that is near and dear to my heart. Granted, there was a time, when I was young and foolish, and didn’t get it. I remember seeing my Mom watch the movies, liking the ships, but not understanding the story and thinking it was boring, especially compared to Star Wars. Only as I got older, and found myself appreciating the original series, did I REALLY start getting into it. I even started catching episodes of The Next Generation from time to time, following the story when I could, in between bouts of Goldeneye 64 matches, or Wrestlemania 2000. I even got into the movies, and, found that the original series movies were way more awesome than I remembered, and First Contact was probably the best space/cyborg/zombie film of all time. So unlike a lot of people, I wasn’t born a Trekkie, I slowly became one. Bit by bit, won over by its charm, writing, characterization, and social commentary.
Jonathan Frakes’ gorgeous beard helped as well.
I have a feeling that that’s how a lot of the populace felt in 2009, after JJ.Abrams took the concepts and characters of Star Trek, and made them accessible to a new audience, not pre-conditioned to Sci-Fi fandom. Despite the film having some plot holes, inconsistencies, and weird “What’s canon? What’s a reboot? What’s ret-conned?” issues, managed to be massively entertaining to an entire new generation of fans, who might have never given Star Trek a chance otherwise. Factor in the advent of Netflix bringing all 5 live action series being readily available, and it seemed like the dawn of a new era of fandom for Star Trek. I personally know several people who only are fans of the movies, or are fans of the shows, or both, or one particular show and not another, and multiple combinations of all. Star Trek is unique in that it really does have something for everybody, and the newer fans from 2009 have been waiting for a sequel pretty patiently for 3 years now, along with all the other die-hard Trekkies.
So after 3 years, with only set photos, and the occasionally purposely leaked screenshot, we’ve gotten yet another tasty morsel of information from the project, and this time, it’s the alleged confirmed title of the film:
Star Trek Into Darkness
My first thoughts on the title? I’m not really impressed. It’s actually kind of corny, and borders on almost being a pun. But, I suppose the attempt to make a title that’s memorable has succeeded, because everyone expected the typical STAR TREK 2 COLON SUBTITLE style of title instead. In that way, it goes along with the previous movie’s intentions to subvert our expectations and help keep things new and fresh. Will the second sequel continue in this fashion? Star Trek Where No Man Has Gone Before? Actually, holy shit, they could totally use that for the next movie if they wanted. This whole title sets up a precedent. Here, I’ll come up with some more for them.
Potential future Star Trek Titles:
Star Trek Where No Man Has Gone Before
Star Trek Across The Universe
Star Trek Back Home
Star Trekkin’
Star Trekkin’ AGAIN
Star Trek to Electric Boogaloo
Star Trek Over To Bennigans, I Hear Their Broccoli Bites Are Amazing
All jokes aside, the actual movie does sound pretty awesome. What little we know of its plot, is mostly due to Karl Urban, who plays Doc McCoy. During an interview, he made one revealing comment about Benedict Cumberbatch’s role in the film.
At a promotional junket for Dredd, Karl Urban looks to have let slip to SFX who Benedict Cumberbatch is playing in the forthcoming Star Trek sequel. When asked what it was like having the Sherlock actor on set, Urban said:
“He’s awesome, he’s a great addition, and I think his Gary Mitchell is going to be exemplary.”
For those of you who aren’t familiar, Gary Mitchell was a pretty big deal back in The Original Series. Basically he was an officer who came into contact with an energy barrier, and it gave him godlike psionic abilities.
Bad ass silver eyes too!
He started using them in increasingly dangerous ways, until he was stopped by Kirk and Company, as is to be expected. What was fascinating about the episode, was seeing an everyday man, transcend past humanity, into figurative Godhood, into believing he was actually above all of humanity entirely. It’s one of the best episodes from the original series, and I always thought that his character was intriguing. Hopefully, we’ll get to see an interpretation of his character, now with a much larger budget, and modern special effects crew to really demonstrate what a powerful, godlike being he is/became. I know a lot of fans were a bit disappointed we won’t get to see the new continuity’s version of Khan in this movie, but he’s coming. We all know he is, and I wouldn’t be surprised to hear a few mentions of the “Eugenics Wars”, or whatnot, in the background of this film. Khan is a role that was pretty solidly Ricardo Montalban’s, and casting that role is just as hard, if not harder than casting the entire crew of the Enterprise. Factor in that Star Trek II: Wrath of Khan is by far the most popular Original Trek film, and I really don’t blame JJ for trying to hold off on that for a while. If I had to cast Khan right now? Benicio Del Toro. The guy has the unique look, voice, and acting skills to make you forget all about Ricardo Montalban’s Khan, and would work tremendously. I have a feeling he’d be a bit too old for the role though, and my back up would be Jason Momoa, known most widely as Khal Drogo, from Game Of Thrones fame.
It goes without saying that I’m stoked for the film to come out already, and I’m really looking forward to seeing JJ Abrams’ new interpretation of all the original series concepts that were so wildly imaginative, but limited 47 years ago by technological and budgetary restraints of the time. Hopefully, we’ll get to see more and more of those ideas re-imagined for the big screen, where they can be appreciated by a wider audience. I’m always supportive of Science Fiction being more readily accepted and viewed by the mainstream public, because in my opinion, it’s the best genre out there, and Star Trek, is, has been, and always will be the best example of it around.
…Except for this news that Worf is getting his own series. Worf was the worst Lieutenant ever.
Welcome to Comic Rack! My pick of the top five comic news stories in no particular order…
Rob Liefeld Quits DC, Thousands Rejoice?
Liefeld is a pretty infamous name in the comics world. He’s generally known for his 90’s work, which showcased his startling lack of attention or care to basic human anatomy, and a bizarre fascination with ridiculously sized guns and an inordinate amount of pouches. I know, it’s very hip to hate on Liefeld, but the dude really did contribute to the boom, and subsequent giant bubble burst of comics collecting in the 90’s, and the stigma his art and writing left on the industry is something from which they’re finally recovering. Well it seems he’s quitting DC, and as much as I’d like to celebrate, his reasons, are actually pretty concerning.
“This is the 4th time I quit in the last 4 months. This time it will stick,” he wrote from a theater, where he was watching The Expendables 2. “Never thought the Image section of my book would be topped. This last year was a humdinger. The DC52 chapters will go top all of it. […] Reasons are the same as everyone’s that you hear. I lasted a few months longer than I thought possible. Massive indecision, last-minute and I mean LAST minute changes that alter everything. Editor pissing contests… No thanks. Last week my editor said ‘early on we had a lot of indie talent that weren’t used to re-writes and changes … made it hard.’ Uh, no, it’s you.”
I’m not Liefeld advocate by any means, but it’s hard to not see where he’s coming from. Things at DC do seem pretty haphazard, and just barely thrown together. I love DC, and they really do have some great writers telling great stories, but lets face it, their editing team has always been one huge clusterf***. With the departure of Morrison for similar reasons, and other writers like George Perez also giving similar complaints, things on the editing front over at DC seem at the very best, shaky, and that’s putting it as nicely as I can. It does kind of explain why George Perez’s run on Superman was total dogshit boring though, and I’m a HUGE Superman fan. I’m just hoping the same thing doesn’t happen to any of my other favorites like Jeff Lemire, or Scott Snyder. That’d be a pretty huge loss to the company that not even a thousand Geoff Johns writing on a thousand typewriters could fix.
In A Startling Move, Mark Millar Is Not A Horrible Person For Once!
You’d almost never guess he’s pure evil inside. Also, Scottish.
So despite being a terrible comics writer, who shits out bad comics purely to be optioned into films, he still somehow is popular, and has a rabid fan base. This fan base has in turn, made him very rich and successful. In a shocking movie, he’s finally decided to use this fan base for good, rather than more evil. It would seem some horrible, sexist, racist, misogynist, generally all around asshole, (the twist is that it’s not Mark Millar!), has been harassing various female comics writers and artists on twitter for quite some time. The guy has posed as several different names on twitter, and has been doing this for about 2 years, according to Sue from @DCwomenkickingass The tweets, emails and god knows what else, all are pretty lousy, terrible things to say, and the lot of them are far beyond typical “Lol you suck” hater tweets, venturing into downright harassment and outright online bullying. Here are collected few: via [BleedingCool].
@happysorceress Vixen? Seriously? LOL. She’s the most usless black female character in comics. And that’s saying something.
@kellysue Captain Marvel sucks. Just sayin. Put that hot little piece of blonde pussy back in black thigh highs and move on already
@CertainshadesL I’m guessing you wouldn’t be as amused if you were being gang raped by black guys in lois lane masks. Yeah, I’m thinking no.
@ronmarz right, because it’s easier to go after spelling when you’re to f***ng lame to deal with the actual point. Nicely played, cunt face
@gimpnelly and being a liberal, you certainly love to embrace hate. You’re just jealous that you’re too ugly to be in porn, f***ing mutt.
@GailSimone calls Condoleeza racial slur and liar, African American fans shocked at Simone’s uncharacteristically intolerant/cruel comments
@MarkWaid refuses to disavow claims that he called Romney’s wife “white corporate whore”, fans shocked at Waids comment
@maguirekevin Kevin Maguire calles Condoleeza Rice an “ignorant ni**er war monger”. Fans are shocked at artists racist comments
@MarkWaid geyser of lies, you mean like when he said that Mitt gave a woman cancer? Whoops! F***ing hypocrites like you make me laughKind of like the time
@laura_hudson said “white people are ruining comics”. Yeah, that’s not irrational, I’m just entitled for not agreeing
@Curicon @valeriegallaher @TheNerdyBird eh…bunch of no talent bitches that need a few hours as the star in a tentacle filled hentai film.
@Curicon @valeriegallaher @TheNerdyBird poor choice of words. Should have said “victim” instead of “star”. The tentacles are the star.
So Mark Millar finally went and used his powers for good, by writing this on his message board: via [CBR]
So I’m asking you guys a favour. I’ve managed to secure this guy’s name and address, but he’s stateside and I’m unsure what the next step should be. In the UK, he would be charged by the police under the Malicious Communications act, but we have a lot of smart cookies on here and I know there’s several US attorneys who post here regularly. If we have his details and copies of his communication, how can he be prosecuted? If any of the pros who have been attacked here would like to make a case against him I’ll personally cover the legal costs. Twitter, I would imagine, can confirm his IP address if the artists make a formal complaint to the police.Apparently several of those he’s harassed took Millar up on the offer, as today he came back and posted:Thank you very much, but I engaged a criminal lawyer in LA yesterday and have one of the women involved co-ordinating with the others today, hopefully. I don’t want to say much more in a public forum just now as it may prejudice the case and between the details we’ve got and the tweets we saved the police have everything they need. Even if this doesn’t go to court the guy should hopefully be publicly outed in California and the shame of this will not only stop him attacking women online, but also discourage others from trying this in future. I found out last night that this idiot had been making sexual threats to some of the women concerned for over two years now.Again, I stress that readers shouldn’t try googling the names he’s using as innocent parties may get targeted. He’s using false names for the most part, as you might expect. His IP address is all that matters and we’ve nailed the clown. This is a police matter now.
Basically, Millar used some old-fashioned Internet Detectives to get the guys details, and had his police goons send him a cease and desist, or a subpoena, or a effin’ bomb, I don’t know, I have no idea what cops actually do. All of my knowledge about them is from The Wire and Breaking Bad. Regardless, screw that guy, and good on Millar for finally attempting to apprehend horrible, sexist, racist, misogynist assholes on the internet. If somebody shows him Reddit though, he might have a stroke and die, and ironically there’d be one less sexist, racist misogynist left in the world. Hmm…. No.. No that’d be murder. Or at least manslaughter, as so McNulty tells me.
Venom Moves To Philly, Says It’s Always Sunny There.
Alright, I haven’t read a Spider-Man book, in about, oh going on nearly 4 years now. I’ve never been a big fan of his, and despite my hope, that his new movie would be good, it was the worst piece of dogshit I’ve seen since Ang Lee’s Hulk. I’ve never really been that big a Spider-Man fan, when it came to the comics. I remember liking him when I was younger, but that was mostly because of the cartoon on FOX, and really, the toys were pretty cool. When it came to comics I was always a Superman/Batman guy. I know, my predilection for DC is showing again, I’m sorry. But stuff like Venom moving, is something I find innately funny. Especially the entire concept of him going to Philly, just makes me laugh. I know the current Venom is no longer Eddie Brock, and has been Flash Thompson for a while now, and the concept behind the move is actually pretty sound. via [Newsarama]
“Now, he’s trying to do the right thing,” series writer Cullen Bunn told the AP. “He’s reassessing what it means to be a hero. And he’s looking for a fresh start. This means a lot of things for Flash. He’s surrounding himself with new people — such as tabloid journalist Katy Kiernan and his new love interest, the Asgardian Valkyrie. He’s changing his approach to being a superhero. And he’s looking for a change of scenery.”Series editor Tom Brennan, a graduate of Philly’s Drexel University, said it’s time Philly had a hero of its own, putting it in the same league as L.A. and New York, among other real-life cities that populate the Marvel Universe.“All the while that I lived there, I wanted a superhero for the city of Philadelphia, a town full of heart, hustle and hope — and I don’t care what anyone says — some of the nicest people I’ve ever met,” Brennan said. “Sure, they don’t suffer fools, and you’ve got to be mindful if you cross against the light, but I found the City of Brotherly Love to be a character in and of itself that I thought more fiction should explore.”
Bahahaha what? Guns? Seriously? Oh man…
I mean that makes sense. Why shouldn’t Philly have its own hero? Superheroes are all around the place in the Marvel U, so lets throw Philly a bone. If Detroit gets RoboCop, why shouldn’t Philly get Venom? But still, the thought of Venom eating Cheese steaks, hanging out on the street, drinking a 40 and singing Biz Markie, just goddamn cracks me up. If they don’t throw in The Gang from It’s Always Sunny In Philadephia in a background panel or something, that’s gonna be a pretty huge missed opportunity.
Scott Pilgrim Creator’s New Project!
If you haven’t read it by now, you owe it to yourself to go and pick up all 6 volumes of the Scott Pilgrim comics, or some collected version and read it. Seriously. It’s one of those things that you wish you could forget about so you could read it for the first time, again. Stunningly, it was turned into a movie that was somehow EVEN BETTER than the comics, by the sheer amount of raw skill in story condensation used, as well as creative filmmaking in general. But I digress, the real hero here is Bryan Lee O’Malley, who really seem to has his finger on the pulse of the current generational zeitgeist, as his work in Scott Pilgrim alone truly speaks to the current generation of young adults. Any project of his is immediately worth noting for this reason alone, and with that, comes the news of Seconds, his latest graphic novel. via [CBR]
“I came up with the general idea for Seconds right after completing the first volume of Scott Pilgrim,” O’Malley says. “I worked in a restaurant in Toronto for a little while to pay the bills while writing the second volume and planning the rest of the series, and I had a few ideas for this other story, a story about a restaurant. So, Seconds is about a restaurant, and the restaurant is called Seconds, and 90 percent of the story takes place within it. Beyond that it’s really hard for me to explain and I’m going to have to work on that so I can talk about it properly when it comes out. But it’s funny and weird and kind of big and crazy despite the mundane setting.”Asked whether Seconds will be “realistic” like his 2003 graphic novel Lost at Sea, or feature more fantastical elements like Scott Pilgrim, O’Malley continued, “Seconds is grounded in the reality of this restaurant environment, and I did do plenty of research, so there’s that. It takes place in a town that is like a kinder, gentler fairy tale version of reality. Then it takes off into a story that is very strange, very mental. So it’s a little of both, I guess. The protagonist, Katie, is a loveable spaz, and she’s in practically every panel; her personality drives the story in a way that’s basically identical to my other work. They’re all very subjective worlds. But this is a new subject, so it’s got its own feeling.”
Some might say a comic about a restaurant just sounds like a strange setting, but that’d be ignoring the tons of great indie books that take place in normal everyday settings. I’m really looking forward to this book, and you should be too. Now go, go out and read/watch Scott Pilgrim if you haven’t. Seriously. I’ll wait.
Lois Lane And Clark Kent, Not Happening In New 52.
The current big hoopla in DC fandom is the newfound relationship between Wonder Woman and Superman. However, most fans seemed to treat it as unofficial Official canon, that sure, it’s happening, but it won’t count, and eventually Clark will end up with Lois, because c’mon, Lois & Clark. Duh.
This picture is seconds before hot, sexy, Super-Penetration.
Not so says DC, as they seem intent on not going down the whole Lois route once again. via [Newsarama]
In an interview with the Associated Press, Johns and Lee hinted that the other elephant in the room, Lois Lane’s previously-thought destined relationship with Clark, simply doesn’t exist. AP writer Matt Moore even went so far as to say “She’s still around, but the two have never dated, nor are they likely to.”Lee added to the assumption, and noted that this relationship will reach far beyond just the pages of Justice League or just the reactions of other superheroes.“The way Geoff unfolds the story and the implications of 2 of the most powerful characters in the DCU becoming a team is something that goes beyond the question of ‘What about Lois and Clark?” This is a statement to every nation and geopolitical organization in the entire DC Universe giving creative teams ample material to explore this relationship on so many different levels.”Meanwhile, at the New York Daily News, Lee says he likes that this will get people talking.“If you change anything from the length of a cape to the shape of a belt buckle, there’s always some fan that notices and is appalled.“We’re very lucky to have a very passionate fan base.”
That last quote is really kind of a fancy way to say, “Stop whining nerds, geez”, and get away with it. And you know, I’m okay with it. We’ve seen Lois and Clark together for decades, why not let him have a shot at somebody who can, you know, bear the full brunt, if you will? A woman who can take what he can give? Who doesn’t have to worry about his daring exploits? Sex. She can have sex with him without fear of horrible death. Is what I’m saying. Because she’s wonderful. She’s a wonderful woman. Ugh. I’m annoying myself now. Anyhow, I’ll be interested to see how the whole relationship plays out, because holy hell, that break up will be HORRIBLE. Entire cities laid to waste because of emotional outbursts from both parties. Well, maybe not Superman, but possibly Wonder Woman? Maybe? Oh god am I being sexist? Will Mark Millar send after me now? What’s that knock at the door? OH FU-
After the typical last week recap, tonight’s Raw opens up with CM Punk and Jerry Lawler fighting backstage, in plain clothes. I should say, it opens up with Jerry Lawler attacking Punk, and Punk then knocking him to the ground and being carried away by referees, and faded away into the credits on a sprawled, unconscious Lawler.
Immediately after this, Sheamus enters the arena, ostensibly to get cheap Face heat by mentioning how great Chicago is, to a Chicago audience, and to talk about how baaaaaddd he’s gonna beat up Alberto Del Rio at the next PPV. Then of course, CM Punk interrupts him, to a pretty damn loud cheer from the crowd, who are clearly psyched to see CM Punk, and a very clear, very LOUD CM Punk chant starts. It was refreshing to actually see Punk get some damn respect for once. What proceeds is CM Punk utterly destroying Sheamus on the mic, with every single one of Sheamus’ very obviously rehearsed pop-inducing face comments, being utterly ignored or booed by the Punk loving audience. In a situation where the script obviously called for Sheamus to be the guy the crowd rallied behind, the whole thing failed miserably for him, simply because the writers forgot to factor in the fact that Chicago frigging LOVES Punk, and were hanging on his every word. A highlight was seeing Punk toss back the word “Fella” at Sheamus derisively. Another was Sheamus desperately trying to remind an audience that clearly hates him, that he’s the World Heavyweight Champion. It was glorious watching him go all, “Hey Punk fella, I’m the WHC, that sure does matter doesn’t it? Right guys? Hey… is this thing on? Oh god…”
Love me? Please?
Punk makes a solid, long promo, defying anyone to say he’s turned their back on the WWE Universe, to uproarious applause from the audience, and continues his “disrespect” rhetoric, until AJ comes out to make a match between the two, saying it’s a Champion VS Champion match, and just leaves.
After the break, we get a quickly set up match between Randy Orton and Dolph Ziggler. The thing as a whole was more or less pretty good, despite the fact that I just can’t stand Randy Orton. I love Ziggler but the fact that I found this match forgettable, is a testament to just how boring I find Randy Orton. The man is the King Midas of boring matches. In fact, I’m having a really hard time remembering ANY Randy Orton match I’ve ever found interesting, or at the very least, not forgettable. This is the case of a stellar performer like Ziggler, being dragged down by a mediocre worker, who for reasons I’ll never understand is popular. I can’t help but think if the match was Ziggler and anyone else, this would have been a highlight for me, but it’s just not the case. Regardless of what I think, the match had a few interesting bits, because seeing a superplex will always be cool, and the fact that Ziggler managed to pin and beat Orton clean, was a goddamned saving grace. If Orton had won, it would have been possibly the most forgettable match of the night, and another amongst the plethora of reasons to hate Orton.
At the end of the match, The Miz walks out, and joins Michael Cole at the commentary table, to replace Jerry Lawler, who they previously announced is all hurt and injured, for realsies. FOR REALSIES GUYS. I presume Lawler wanted his Labor Day off, probably to go hit on 16-year-old girls, so having him replaced was pretty great. Unfortunately, The Miz wasn’t nearly as awesome on the commentators mic as I hoped he’d be, which was really disappointing. I had high hopes for him, and he really kinda let me down the whole night.
Next, we cut to Daniel Bryan and Kane in Anger Management Therapy again, and this time, they’re presenting their anger collages. Bryan presents his, which is a paper with the words YES and NO scrawled over and over, and he expresses the fact that he feels everyone is mocking him by continuing to say YES at him, which is at least consistent with his character, since months ago he DID say he felt the people were mocking him. It was a cheap way to deflect how over he was with everyone after hie Wrestlemania debacle, but they ultimately made the right choice by deciding to keep him Heel rather than use that heat to quickly turn him Face again. In the long run, it’s only benefitted him more anyway. So next we see Kane’s anger collage, which is a blank piece of paper. The counselor asks him if that blank piece of paper represents what Kane feels inside, and Kane stands up, throws the paper into the trash can, and then summons a burst of flame from the can, presumably incinerating the paper. He sits back down, and Daniel Bryan calls him a teacher’s pet.
I love the idea of Kane using his pyrokinetic abilities in real life situations. He’d be great guy to call to help set up bonfires, or if you needed to get your BBQ lit, because those coals were being extra stubborn. I think they even did that once, at the Great American Bash. So in fact, there is someone out there like me, writing ridiculous, retarded ways for Kane to be relevant outside of the wrestling ring. I’m glad there is, because I see the only way to make his character new and exciting again, is to just go full meta like they seem to be doing, and just have him become the Deadpool of the WWE. Having him apologize to Josh Matthews while choke slamming him because HE CAN’T HELP IT AUUURGHHH, is great. Having him reference his insane litany of history that’s canon in WWE is another way, and following it up by having him continue to be willfully absurd is a pretty great thing. It works, in an insane way, and is the kind of comedy wrestler I actually can enjoy.
Ugh. Man. Tensai. I honestly had half a mind to just write “TENSAI IS STUPID.” a couple dozen times instead of this paragraph, but I’ve probably said that enough times in this column. The match itself wasn’t actually half bad, and seeing Cody Rhodes against Rey Mysterio, made both of their move sets work better, since they’re lighter performers, and their whole dynamic worked well, since it made all of their moves make more sense. I can buy the fact that the 619 is a damaging move for a guy like Rhodes, because it makes sense.
When you do what amounts to a running spin-around drop kick through the ropes, I’m sorry, but I just don’t buy that you running and kicking someone like, oh let’s say Big Show, Cena, Kane, or even Randy Orton, is at all damaging. It doesn’t look good no matter how well they try to sell it. When someone like Rhodes does his Crossroads finisher, which is just a spinning face plant neck breaker thing, when it’s one someone bigger than him, it looks lousy. When it’s on someone his size or smaller, he effin’ slams their whole body into the mat by rapidly twisting their neck, and it looks painful as hell. I guess what I’m saying is, they need to create some kind of cruiserweight division again, where guys their size can fight other guys whose moves will complement each other, and we can get more faster paced, athletic matches from them, while still keeping the heavy hitting, methodical, grapple-fests from the bigger guys. You don’t even have to call it a cruiserweight division, just have those guys wrestle each other.
What? Right. The match. Rey Mysterio and Sin Cara win. Shocker, I know.
Back to Anger Management, we see the group Daniel Bryan and Kane are in, demonstrating trust falls. Daniel Bryan is hesitant, but lets Kane catch him, executing a successful trust fall. Kane catches him, and everyone applauds. The Counselor asks Bryan and Kane to work together, to catch their peer Harold. They extend their arms out ready to catch him, and both let Harold fall to the ground. Bryan asks Kane if he knew that he was not going to catch him, and Kane asks him back the same. Bryan says he feels like they are finally beginning to understand each other. Then we find out Harold may need medical attention, as he apparently took a pretty nasty fall.
Sheamus enters the arena again, ready to begin his match with CM Punk. Initially, this pissed me off, a lot. The fact that this CHAMPION VS CHAMPION match was what, the first of the second hour? It just seemed SO insanely disrespectful to BOTH of them (eff Sheamus), and the titles they hold. I got so upset I even TOUTED it to WWE, and in my mind’s eye, Michael Cole saw that Tout later that night, and thought, “This is true. Something must be done about this. Thank you Adam Popovich, your insight is invaluable. By the way, AJ says she totally wants to go out with you. Here’s her number.”
So when Punk comes out, he’s still dressed in plain clothes, and has a mic. He makes the perfectly reasonable point that a CHAMPION VS CHAMPION match is a Wrestlemania worthy main event, and uses the goodwill of the crowd to take the day off of work. He then leaves the arena, to mixed cheers and some boos from the crowd. On one hand, good on him. It’s Labor Day. If Lawler gets the day off, why shouldn’t he? On the other hand, I’m positive Chicago really did wanna see their Second City Saint wrestle that night. Sheamus tries to make some half-baked point about him “turning his back” on the fans, as well do Michael Cole and The Miz. Really though, the dude’s just taking a day off. I guess in the WWE Universe taking a day off might as well be up there with kicking puppies or loving Hitler, because they continually try to sell it as cowardly, or treacherous to his fan base.
Every single moment Punk was on stage/screen, that crowd loved him, and the only reason they booed him was because they wanted to see more of him. To try to spin that as anything else, makes you no better than Lawler. Besides, this whole angle is counterintuitive, because the goddamned WWE belt is SUPPOSED to mean you’re the best, and for them to try to say he somehow isn’t, doesn’t undermine Punk, it undermines the value of the BELT. Punk may not be the TRUE Best In The World, but goddamnit, right now, by definition, HE IS. Respect him for that. Let him, I dunno, compete in the MAIN EVENT of your PPV’s. Let’s see someone beat Punk clean, and then you can start trashing him about how he’s not the best, he never was, etc, etc.
On his way out, AJ tries to stop Punk from leaving. Punk reminds her of his contract (Is it Ironclad!?), that guarantees personal days. Not Josh Matthews comes to ask AJ what she’s gonna do for the match, and AJ says she’ll find Sheamus an opponent.
Back from a commercial break, Alberto Del Rio enters, and holy god, I was about to shit bricks with how uncreative a choice that was, but instead he takes seat ringside and starts giving commentary. Then Jack Swagger walks in, the sacrificial lamb in Punk’s place, because c’mon, there’s no way Sheamus is gonna lose to Swagger, and thus, no stakes in this match, or meaning. This is when you pull someone out like Tensai, or Big Show, and have it seem like some semblance of a challenge to Sheamus, who is riding so high on his Invincible White Guy gimmick right now they literally call him The Great White. A couple of times during the match, the crowd even begins to chant “BORING”, right up until Sheamus puts Swagger in a texas cloverleaf, which causes Michael Cole to freak out with excitement at seeing Sheamus use a submission for the first time ever. To give Sheamus credit, a man of his size, twisting your legs that way and place pressure on your back does seem pretty painful, so I can’t fault Swagger for tapping out, thus not making the whole ordeal look like a TOTAL cheap win.
Of course, then Del Rio jumps in to attack Sheamus, because screw it, it’s what Sheamus would do anyway right? Isn’t ADR supposed to be the Heel anyway? So it’s consistent with his character? Right. Anyhow, Sheamus gets the upper hand, because reasons, and Ricardo Rodriguez, who is an announcer, and Alberto Del Rio’s friend, jumps in to break up the fight, or at least hold back Sheamus from continuing his beating on ADR, gets brutally Brogue kicked. I mean, sure, you could argue that Sheamus was “aiming” for Del Rio, but Ricardo very clearly jumps in to push him out-of-the-way, and Sheamus had plenty of time to stop his kick, but does it anyway. He then continues to taunt in front of Ricardo’s broken body, while Alberto Del Rio screams in worry and shock for his friends health, who now appears to be in a minor coma. I’m having a hard time trying to rationalize more and more how Sheamus is the good guy in this feud at all, and at this point, his entire reason for disliking ADR is that ADR is kind of a cocky jerk who flaunts his wealth, and is mexican. Everything ADR has done has been in retaliation for the scores of terrible things Sheamus has done to him. So despite the fact that these two guys have literally been fighting each other for the last 5 PPV’s in a row, I’m really rooting for ADR to just break his damn arm, and slap him with a restraining order, because it’s ridiculous how terrible Sheamus’ character is at being a good guy.
So after all of that noise, we get a divas match. Layla enters, and sits at ringside, giving commentary. Why they’re using this exact same trope again, beats me, and I’m guessing they’re hoping we won’t notice. Layla starts up some petty argument with The Miz about Eve’s character, who lately has attempted to try to turn Face again by acting, guess what? Honorable, Kind, and showing Good Sportsmanship! She insists that Eve is “phony”, and doing all of it as a ruse, and while she may end up being right, and I’d have to end up eating my words, the way things are in the WWE at this point I literally do expect the Heels to act far more honorable, kind and sportsmanly than any of the Faces.
As for the match itself, despite Kaitlyn’s weird man arms, they actually wrestled pretty well together. Eve even manages to win cleanly, and pins Kaitlyn, but still somehow, Layla manages to try to spin it as deceitful. Eve then checks on Kaitlyn to make sure she’s ok, congratulates her, and then exits the ring to shake Layla’s hand, in a show of good sportsmanship all around. I don’t understand how she’s supposed to be a bad guy anymore, but screw it. I mean, AM I IN GODDAMNED BIZARRO WORLD? Is there some universe where the WWE has its moral properties straight, and guys like Sheamus are vilified for being the goddamn hooligan assholes they are, and perfectly reasonable guys who are just kind of douchey aren’t seen as inherently bad?
The downside of that alternate universe would be that in real life, stealing, insulting, and beating people would be considered virtues, and sure Sheamus-2 would be a Heel, but Adam-2 would be complaining about why he isn’t a Face, when he’s clearly a good guy, based on all the lying, cheating, stealing and unprovoked attacks he does. Basically, no matter what universe I’m in, Sheamus pisses me off.
After that, we see Jack Swagger leaving the arena, with AJ following him. She asks him what he’s doing, and he says he’s leaving because he’s better than this. She acts like this is a big surprise, which is confusing for a multitude of reasons. Isn’t his match over? Why shouldn’t he leave? But really, he states that’s he’s LEAVING leaving, for a few months, probably because he’s goddamn sick of being buried so hard. AJ begs him not to leave, because Brock Lesnar, Jericho, and Punk have left, and now he is too. He tells her to get bent, and leaves back to his home planet. A planet called TNA Wrestling. Maybe. Hopefully.
And Jesus. AJ. You’re killing me. YOU were the one who made Jericho leave. You can’t have a “Loser Leaves WWE” match, and act like the guy abandoned you when he loses that match. I know, in real life Jericho left to focus on his band, but c’mon girl, kayfabe. Sometimes, I’d just rather attribute character inconsistencies or illogical choices due to breaking kayfabe, rather than just shitty memory/writing. Sometimes, I give the WWE too much credit. Ugh. Ok, sexy AJ pic time.
That’s better.
Back to Anger Management, we see Daniel Bryan expressing how his anger problem is cured, and is happy to give Kane a rematch for their match at Summerslam. Kane accepts it, while politely threatening him. They start to get in each other’s faces, with Bryan saying he’d make Kane tap out, and Kane threatening to destroy him in this very room. Harold pipes up, apparently recovering from his cranial trauma, and is quickly and angrily silenced by Daniel Bryan and Kane, who both yell at him to shut up. They continue taunting each other, and The Counselor tries to break up their fight, until he totally snaps, screams at them both, and storms off in a huff.
“Don’t let him hurt me Kane!”
Back to Michael Cole, who announces the WWE Interactive feature of the night, where he gives the WWE Universe the choice to choose what kind of match they’ll see. Tonight’s choices were:
You’re not misreading that. In a brilliant creative decision, someone decided to finally let the Raw Active thing do something useful, by putting up a hilarious “joke” choice as one of the selections, and you better believe I tweeted that #WWEhug like a mofo. In fact, ALL of twitter was lighting up with #WWEhug, singlehandedly justifying the use of Twitter, and Raw Active in one fell swoop. Some people complained about the overwhelming choice of @WWEhug, but goddamnit, why would you not want to see that? Why?
Backstage, Not Josh Matthews is asking a tearful Alberto Del Rio about Ricardo Rodriguez’s condition, and David Otunga shows up, saying that his “client”, will not be answering any questions at this time. I love Lawyer/Wrestler David Otunga, and think this kind of role is the perfect choice for him. I’m looking forward to the fake lawsuit ADR and Otunga will file against Sheamus.
So this was a match that happened. The Ryback Ryback’s Jinder Mahal. Is this supposed to be a feud? Are we supposed to suspend our disbelief to think that Jinder Mahal has a chance against The Ryback? The most interesting thing was The Miz saying he would go the distance in a match against The Ryback, which I’d actually like to see. This match was exactly like every The Ryback match ever, right down to the obligatory GOLDBERG chants. The Ryback wins. Also, the sky is blue.
Backstage again, we see Not Josh Matthews asking AJ what her plans are for tonight, since things are somehow falling apart, in his words. She tells him to tell Alberto Del Rio and John Cena, that their match will be a Falls Count Anywhere match.
Daniel Bryan makes his entrance into the ring, trying to calmly no… no… no… his way into the ring, followed by Kane. They stand in the ring, awaiting the results of the WWE Universe’s Raw Active choice. It’s announced that the winning match type is #WWEhug, meaning they have to “Hug it out”. What transpires, is probably one of the funniest damn things I’ve seen in WWE history. The two of them, both awkwardly trying to accept hugging each other, Daniel Bryan complaining that Kane didn’t hug him back, and the both of them finally, tenderly embracing, was priceless.
And EVERYONE cheered.
They then start to do the uncomfortable Bro-slap on each other, which escalates into them fighting each other, but holy hell, #WWEhug was a goddamn success. The whole thing as a de facto “match” being refereed, and The Miz spouting the “rules” of the match, was amazing. Of course, once they started fighting, Kane gets the upper hand and tries to put Daniel Bryan’s head inside a chair, and jump on it from the top rope, but he’s distracted by a group of Ref’s, and Daniel Bryan hits him with the chair and gets away.
I take it back. The official most forgettable match of tonight was between these two. Listen, I love Claudio Castignole. I do. But give him someone real to wrestle against. He’s goddamn great. Let him give the title some meaning. On the most part, this whole match consisted of Cesaro destroying Santino, and retaining his title pretty definitively. The best part of the match was Cesaro stomping on the stupid Cobra sock angrily. I honestly think the entire match was about two minutes long at best, so really, have Cesaro show his skills against someone real already.
This was probably the most underrated match of the night. The fact is, Zack Ryder, gimmicks and stuff aside, is a competent worker, who should be utilized more. So is Heath Slater. They’re both pretty much on the same caliber right now. Heath Slater may be playing resident jobber right now, but dammit if he’s not innately watchable. Zack Ryder’s enthusiasm is also very infectious, so really, the both of them ought keep doing what they’re doing, and we can get totally decent mid card matches like this. The only thing that would make them better is if they were longer. Zack Ryder gets the pin on Slater, and celebrates his official second win on Raw. I think. He’s never won more than twice? Damn. I didn’t notice. Anyhow, as harsh as that is, hopefully it’s changing.
Right after the match ends, Vickie Guererro walks into the arena, demanding a chair, to have a sit in, saying she needs to be heard. We cut to a commercial, and all I can imagine is that for 4 whole minutes, that poor Chicago crowd had to deal with Vickie just sitting there, boringly, while the live show they’re taping waits for the break to end, so they can continue the show. Perhaps something in timing was screwed up, because I’m feeling like the match should have gone on longer, and her coming out, and asking for a chair should have happened during the break, and we just come back to her in the ring with the chair.
And the whole thing is a setup for Vickie to reiterate her point last week, that AJ is abusing her power and “making things personal”, (GOSH A GM HAS NEVER DONE THAT BEFORE), but also, she demands a personal apology from AJ. She then starts to make the most retarded, already dated, shitty parody of the stupid Clint Eastwood/Chair thing that happened this last weekend. Thankfully it’s cut short, and never discussed again, as AJ comes out, and admits that the WWE Board of Directors have said she cannot place her hands on any of the WWE Talent, Staff, or Referees.
Vickie then embarrasses and humiliates AJ by demanding she apologize again after she already had. Then uses the whole “Board of Directors Mandate” thing, to insult AJ to her face, condescend to her, and then ends up actually slapping her in the face TWICE, knowing AJ can’t do anything about it in retaliation. It actually was pretty goddamned horrible, and made me feel for AJ again. I kept expecting AJ to announce her sudden resigning, and to kick the crap out of her, but instead she just takes it, accepting defeat.The crowd went insane the entire time, chanting SLAP HER, and USE THE CHAIR, right up until Vickie does her insane witch laugh out of the arena. AJ then grabs the chair, and smashes it against the ring floor in frustration. Really, I can’t blame her, and this segment went a long way towards endearing her to me again, whilst simultaneously making her appear somehow even more unhinged.
The main problem though, is that AJ has GM powers. Can’t she just fire Vickie? Or reprimand her for some reason? Or write her up for you know, assaulting the GM? C’mon girl, that Board of Directors thing goes both ways right? Right?
It’ll be okay girl. You smash that chair.
Despite Cena, this whole match was actually fairly long, and pretty damn decent. They opened up in ring like usual, and things proceed to spill to the outside of the ring, where surprisingly, Alberto Del Rio started to really dominate Cena, which was actually pretty surprising. At one point a LETS GO CENA/CENA SUCKS chant started up, and the interesting thing to note, is literally every single time that chant starts up, the LETS GO part is very high-pitched, and the CENA SUCKS part is significantly lower pitched. This is because only stupid kids are John Cena fans. Everyone else hates him. Eventually, Cena tries to slam Del Rio through the announcer’s table, and tries dragging the steel steps over the table for a platform to suplex off of, but Del Rio counters it, and suplexes him through it instead. After a while, they end up heading backstage, and right as it looks like Cena is about to win, CM Punk shows up. Punk kicks Cena in the head, and rolls ADR on top of him, and surprise, surprise, Alberto Del Rio wins!
Punk then lifts up Cena, and slams his face into the hood of his a car. Punk kneels next to Cena, says the word “Respect”, hoists his belt in to the air, and Raw ends as we see that Paul Heyman is driving the car.
Which was supposed to be surprising, but it shouldn’t be SHOCKING to anyone who actually knows anything about wrestling, or pays attention to continuity, or you know, remembers anything that happened longer than a week ago. Last year, when Punk made his infamous “pipe bomb” shoot speech, he flat-out said he was Paul Heyman guy. In fact, that’s probably what got Paul Heyman back into the WWE scene. That and Brock Lesnar’s inability to talk on the mic, at all. Anyone who is surprised to see Mr. Paul E. Dangerously, and CM Punk, a wwECW alum, working together, is clearly just not paying attention, or is ignorant. I’m totally psyched for the whole damn thing, and even if WWE will keep straddling the line of Punk being a kinda sorta heel/tweener, if you have smark crowds like Chicago, you’re gonna have to change your storyline to reflect that. Period.
One funny side note, is that a fan had a sign saying “We Want Ambrose”, which made me laugh pretty hard. Keep waiting buddy.
It’s no secret here at GB we’re fans of RoboCop. Something about the combination of humanity, steel, justice, and violence [in Detroit] that’s perfectly captured by RoboCop speaks to our heart of hearts. Which is what makes the following news pretty surprising, that unlike previously reported, Hugh Laurie will NOT be playing the villain of the remake. Taking his place is Michael Keaton, who I’m positive is a familiar name to all of you out there.
“Michael is the final addition to the amazing cast we have assembled for this film and it is so great to have the last puzzle piece in place. It is thrilling that everything has come together to bring this innovative new vision of RoboCop to life. We’ve got a great script, a great cast, some killer ED-209’s and I can’t wait to get Alex Murphy back on the streets,” said Padilha.
Now, I love Michael Keaton, and I’m positive he’ll do a great job, but the fact Hugh Laurie left before he even started isn’t a good sign. Actors leaving projects before they begin is almost never a good thing for pre-production. Along with that slightly disheartening blow, is a much greater one, hearing that apparently the studio behind Robocop is making things “Hell” for director Jose Padilha. According to his close friend and Director of City Of God, Fernando Meirelles, Padilha is having the stereotypical, Studio-Makes-Things-Impossibly-Difficult-For-Director woes.
Here’s Meirelles’ quote, translated from his native Portuguese:
“I talked to José Padilha for a week by phone. He will begin filming Robocop. He is saying that it is the worst experience. For every 10 ideas he has, 9 are cut. Whatever he wants, he has to fight. ‘This is hell here,’ he told me. ‘The film will be good, but I never suffered so much and do not want to do it again.’ He is bitter, but it’s a fighter.”
Out of every 10 ideas, 9 are cut? Ouch. That really sounds rough. To make things worse, the script was reviewed recently, and Drew McWeeny of Ain’t It Cool News posted a series of tweets describing some of the plot points and ideas behind the film, including the idea of “re-vamped” Robocop suits.
I’ll share this one detail. In the film, when Murphy is turned into Robocop 1.0, it’s described “a high-tech version of the ’80s suit.”
Then they show a focus group scene where criminals laugh at the design. “He looks like a toy from the ’80s!”
So they redesign him to look “meaner” as Robocop 2.0, who passes focus group approval.
So they not only make sure to include the original design, they also point out it’s dated and stupid. *facepalm*
Hold onto your sides for more hilarious “Robocop” details. They outsource his construction to China. #seriously
And we meet the ED-209s in the field in Iran, where they’re used to subdue suicide bombers. #ineedallthedrinksnow
Ahhh… now they just dropped Robocop 3.0 onto an Al Queda training camp to see what he does.
“He should be programmed to incapacitate in all scenarios.” “Agreed. Let’s keep him PG-13, Dr. Norton.” No. No. No. No.
By page 54, they are already onto Robocop 4.0, who looks like a “cop on steroids painted metallic blue.”
That… That whole thing sounds pretty awful, and really seems to be “borrowing” the idea of the Iron Man Mark 1/2/etc armor pretty heavily. I know the whole movie is supposed to be contemporary, and that’s not really the issue I have, but the thought of watching a scene of people in a focus group, talking shit about the classic, totally awesome ’80s RoboCop suit, seems really disingenuous and insulting to the RoboCop franchise in totality. Part of his appeal is his unique look, and to strip it down, or make it more streamlined or modern, would really leave a sour taste in fans’ mouths.
Plus, there’s this concept art floating around the web, which in all likely hood is fake…
It makes me cringe to look at, because it’s SO generic and boring. This is what the nameless villains in any random dystopian movie should be wearing, NOT RoboCop. I know it’s just a concept art, but if this is the direction the studio is steering Padilha towards, I wouldn’t be surprised to have to be writing a report about his leaving the project in a month or two. Hopefully all of this negativity is for naught, and we’ll end up with a great movie out of it, but so far, things aren’t spelling out an easy beginning.
Welcome to Comic Rack! My pick of the top five comic news stories in no particular order…
A New Justice League In 2013!
Jim Lee and Geoff Johns have been hitting it off pretty hard with the New 52’s Justice League, a book that’s been breaking sales records in an industry that people thought was growing stagnant. Now with a book that’s selling well and a movie that’s in the works, it’s clear that the Justice League is back to the forefront of fans’ interest. Accordingly, Geoff Johns, DC”s head maestro, is looking to re-debut the more traditionally named Justice League Of America, next year.
“This is a very different kind of team book,” says Geoff Johns in a DC blog post. “On first glance, people might think the heroes of the JUSTICE LEAGUE OF AMERICA stand in the shadows of Superman, Wonder Woman and the rest of the JUSTICE LEAGUE, but [they] thrive in the shadows. They’re underdogs who have everything to prove and something to lose. They’re a team of unlikely heroes who will help one another discover they’re as A-List as anybody — yes, even Vibe. Though getting there won’t be easy. Why they’re formed, why each member joins, what they’re after and who the society of villains is they’re trying to take apart will all be clear in the first issue when it hits early 2013. David and I are really focused on delving deep into what it’s like to not be a member of the big seven and why, sometimes, the grass isn’t always greener on the other side.”
The roster of heroes to be joining will be Green Arrow, Katana, Martian Manhunter, The New Green Lantern (Baz I presume), Star Girl, Vibe, Hawkman, and Catwoman. Which really does sound like an… eclectic team to say the least. But if there’s one thing that Geoff Johns is good at, it’s making lesser, forgotten, or wayside characters shine and pop like they’re brand new again. Case in point being Aquaman, which is one of my favorite DC books right now, and that in and of itself is a sentence I never thought I’d type. So I’m looking forward to the new JLA, since at the very least, it’ll be interesting to see Green Arrow try to hit on Catwoman.
Invincible’s Spin-Off Finally Looming Into Becoming A Reality.
For a while in 2010, Invincible was probably the best superhero book on the shelves. Not that it’s gotten bad or anything, just the opposite, but back then the Viltrumite War was happening, and that story arc was really kind of the climax of the entire story that Invincible had been building up to. Now it’s rebuilding it’s world, and it’s heroes to that effect, and in doing so, is expanding it’s actual line up by bringing back the Guardians Of The Globe, who fans of the book will remember as the Justice League analogue in the book. A few months ago,the book’s writer, Phil Hester, spoke about the book, and where it falls into place regarding the Invincible Timeline:
Via [Newsarama]
“The Invincible Universe has outgrown its parent title and I’m very excited about being able to tell larger, more in depth stories with some of the key players from that book in this series,” said GUARDING THE GLOBE creator/writer Robert Kirkman, “Phil Hester and Todd Nauck are well known to fans of superhero comics and I think people are fully aware that they’re going to knock this book out of the park.”
I’m interested to see where he takes the heroes we’ve come to know and care about in the Invincible/Image universe, and the idea of seeing Brit back in action sounds pretty great. Best of all, you can even check a 6-Page preview of the book right here.(link)
The New Green Lantern, Baz, Is Arab-American.
I know, for some of you, this shouldn’t mean anything, and good on you for thinking it doesn’t, because it shouldn’t. However, it unfortunately does, and a small section of xenophobic comics fans, whether they want to admit it or not, will have a problem with this.
“The confirmation comes from an unlikely yet reliable source: Green Lantern writer and DC Chief Creative Officer Geoff Johns is appearing on Sept. 8 at the Arab American National Museum in Detroit to mark the hero’s debut, according to a story in the Detroit Free Press.
The article, which called the hero the “first Arab-American Green Lantern,” is also the first DC confirmation of the character’s name — ‘Baz’.”
Believe me, I want to say that this kind of story should be no big deal, but the fact is that some people will make it out to be. A similar thing happened a long time ago when they had Nightrunner back in 2011 for Batman Inc. Nightrunner was a Muslim character who lived in France, of all places, who was taking up the mantle of Batman there. Unfortunately, the mere fact he was Muslim led people to thinking he was “Terrorist Batman”, (which is literally what Mark Millar does, but that’s neither here nor there), and people judging the character before even reading anything or knowing anything about him, and that’s without that character even BEING Arab or anything. Hopefully, I’m over-speculating, and it’ll be no big deal at all, but I do have to give kudos to Geoff Johns for trying to expand the idea of an establishing the idea that a superhero doesn’t need to be a white person, and having a representation in the book there for the plenty of Arab-American comics fans.
Wait, what? Why are they beating him up? Oh Man…
Uncanny Avengers Spearheads The Lineup of Marvel Now, Marvel Insists It’s Not A Reboot.
Fans of Marvel will have a lot to look forward to in the coming months, as we’ve previously detailed here at GB. But what’s interesting is the basic idea of trying to unite the two different sides of Marvel fandom. One being the Avengers/Marvel U fans, and the other being the longtime X-Men fans. This summer’s big event AvX was an attempt to start this, and really has kicked things off for them to cancel, revamp, and re-begin (I’m trying to avoid the word “re-boot”) certain main titles in the effort to make all X-Men fans, Marvel fans, and vice versa.
“It’s a team of characters comprised of characters coming both from the Marvel heroes, Avengers side of the fence and characters from the X-Men side of the fence,” said Brevoort. “It’s our cats and dogs in the same pen book.”
Alonso added that part of the major appeal of “AvX” is that it spans the entire Marvel Universe as opposed to just the Avengers, Spider-Man or the X-Men segments — something he hopes will continue with “Uncanny Avengers.” “With ‘Uncanny Avengers,’ you’re going to see a book that’s going to be relevant to both types of fans: the fans who gravitate towards the Avengers and the larger Marvel Universe and fans who are all about the X-Men.”
That’s just one of the main focal points that they’re trying to get across to their fan base, but along with that is their plans to with Marvel NOW! Point One, which is a collection of stories by big name Marvel Creators such as Brian Michael Bendis, Steve McNiven, Jeph Loeb, Ed McGuiness, Nick Spencer, Matt Fraction and more.
“Marvel NOW! Point One’ is sort of the kickoff of our entry into Marvel NOW! and also gives a new setup and little taste,” said Brevoort. “Completely all-new stories that are not the first eight pages of the individual books that are involved of a number of new titles that are coming out in the context of a full story. All — I think it’s 50 pages of this thing — are new content by the biggest creators.”
There’s a ton more in the article where they even mention the New 52, and it’s switching of creative teams early on, as an example of what they will NOT be doing. Along with that, there’s the brief mention of digital content codes being included in books priced at $3.99, and a few other tidbits that are all very enlightening about the longterm goals of this re…launch. Ahem. Anyhow, make sure you go back to CBR and read the whole thing, because there are loads more interesting anecdotes from the Marvel VP of Sales and Marvel’s Editors on the whole shebang.
In Case You Didn’t Know Or Forgot, This Week Was Jack Kirby’s Birthday!
August 28th was the day, and if the man was still alive today it would have been his 95th birthday. If for some sick reason you don’t know, Jack Kirby is the one who many believe to be TRULY responsible for the myriad Marvel characters you enjoy, and that the credit is unfairly balanced towards Stan Lee in his stead. Personally, I’ve always loved both, but it is pretty prevalent that Kirby, outside of the comics world, has never gotten the recognition for his work that Lee has. Regardless, Kirby has contributed to the comics landscape with unforgettable, imaginative characters and worlds that are timelessly evocative and creative. He was the guy who brought us Captain America, many of the X-Men, The Fantastic Four, Hulk, Thor, Darkseid, The Fourth World, The Anti-Life Equation, The New Gods, and so many others that we love.
I’m not hating on Stan Lee, but there’s a reason he’s Stan “The Man”, and Kirby is “The King”.
If you’re not watching Fringe, you’re missing the best science fiction show on television, hands down. No other show takes such enterprising risks week to week with its narrative technique, story, character development, and concepts. It’s pretty daring to try to get the average viewer to accept such off the wall things as time travel, multi-verses, transhumanism, bio-engineering, genetic manipulation, and still have it all centered around a humane, emotional center. Last season, they pulled the most daring thing the show has done yet, and flash forwarded 20 years into the future, and showed us the true nature of the dystopian future we saw a glimpse of in Season 3. This season looks to show us how we get to that future, where the Observers start to do quite a bit more than observe.
That promo alone is packed with lots of juicy flashes there, a number of which have me speculating quite wildly. Will The Observers take Etta forcefully? Are they growing/harvesting organs? Why are they torturing Walter? And what’s the deal with the hatch they’re looking down into? Is a Scottish man in there, pushing a button to save the world?
It’s probably just a visual reference, since both shows are produced by JJ. Abrams, but I can’t help but wonder. On a website, somewhere, there’s probably mind-bending fan fiction being written, based on this shot alone. Either way, we’ll all have to wait until September 28th, to find out exactly what the hell is gonna happen to our favorite Fringe scientists, and whether or not they’ll stop the dire future we saw from happening.