Many actors become rappers if they have the talent. Many rappers also become actors if they have the talent. Will Smith, Ice Cube, Xzibit, Drake, and Common are some of the names that come to mind, but now I’ve got a new name to add to that list, Childish Gambino. You may recognize him as Troy on the NBC show Community, or the even more successful Derrick Comedy sketches, the film Mystery Team, and as an Emmy-winning writer for 30 Rock. Truth is, Donald Glover AKA Childish Gambino, is one of the hardest working people in the industry right now, balancing both a music, acting, comedy, and writing career almost seamlessly.
Gambino first began releasing music in 2008 with his self-released debut album Sick Boi. The album was a success on the internet, which inspired five more releases (Poindexter, I Am Just A Rapper, I Am Just A Rapper 2, Culdesac, and EP) from 2009-2011 before he was able to release his debut studio release, Camp. Released on Glassnote records, Camp is not only a stylistic, but also a lyrical step forward for Gambino, whose raps consisted mostly of talking about his d***, his chicks, and his money. Personally I felt like his lyrics became much more relatable and interesting around the release of I Am Just A Rapper 2. He had fully taken on the responsibilities of his Childish Gambino personality, and he ran with it. Although d***s, chicks, and money is still extremely prevalent in his music, there’s a clever and usually wildly funny punchline to accompany it.
Earning a degree in Dramatic Writing at NYU, Glover is a skilled and able wordsmith, which is what makes Gambino’s raps not only smooth, but wickedly clever. One of my favorite lines on the whole album occurs on the album’s first single, “Bonfire”, and it goes, “You’re my favorite rapper now, yeah dude I better be, or you can f***ing kiss my ass, Human Centipede!” I mean, if you guys need any reason to go to college, let this be it. You can graduate, start working with Tina Fey on a daily basis, and then become a world famous rapper as a side-job.
Along with the great lyrics that are expected from Gambino come equally as engaging beats and rhythms. When performing live, Donald tends to use a live band as opposed to pre-recorded background. This may in some ways explain the layered and sometimes surprisingly alternative beats that come from him and his team. The result is not only one of the best releases of the year, but also Gambino’s best release ever. Even if you don’t like his voice, check out Camp just for the lyrics, they’re guaranteed to make you crack a smile or even burst out laughing.
Since 2007, 19 year old Mac Miller has been gaining a well-deserved following, releasing a steady amount of mixtapes since he was only 15. Now, four years later, he’s releasing his first studio album, Blue Slide Park. Garnering an insane amount of hype on Twitter due to Miller himself posting a constant stream of tweets about it, Blue Slide Park is finally here, and it doesn’t disappoint.
As a newer and sometimes skeptical fan of Mac Miller, Blue Slide Park has a miraculous balance of classic Miller, while also boasting his ability to carry an entire album on his own. That’s right, not one guest spot on this joint, just pure rap with some catchy hooks. I have to say this is a refreshing and much-needed change of pace in a day when some songs have as many as 15 guest stars on them (see: All of the Lights by Kanye West). It’s calming in some ways to know that one voice really can carry a whole album from front to back with no pit stops.
For non-Mac Miller fans, this album probably won’t change your mind, but for fans of the Pittsburgh native, you’ll fall even farther in love with him than you already have. A 16-track album with not one dud is a pretty amazing feat considering the state of hip-hop these days. Miller is a young voice that almost every teenager can relate to in some way or another. I remember on his mixtape Best Day Ever, he has a song entitled “She Said” and in the opening he says, “Yo, I’m feelin’ ill! And not like, cool or anything, like I’m coming down with a sickness.” At that point, I knew this white boy meant business.
The only drawback that I can’t think of at the moment is that Miller is known for rapping about three things: weed, parties, and girls. He hasn’t deviated much from this pattern on Blue Slide Park, and yet in some ways he has, thinking of more creative ways to let the listener visualize these things.
Overall, Blue Slide Park is an extremely solid release, as well as one of the best albums of the year. It’s available now wherever music is sold (iTunes is probably your best bet though).
Love has been represented on film since cameras could capture imagery. For hundreds of years, love has been the sole representation of many artists through all kinds of artistic mediums. Music, paintings, sculptures, and even buildings have been created due to love.
So, why is it that love can’t be honestly captured through cinema? Is it because “love knows no bounds” and is impossible to represent through a picture? Or is it because we really don’t want to know what love actually is, rather a more, well, romantic version of it.
Like Crazy, which is director Drake Doremus’ debut film, is about a pair of college students who fall for each other during their senior year. Jacob (Anton Yelchin) is an aspiring furniture maker, while Anna (Felicity Jones) is hoping to make it as a journalist. The two meet after Anna leaves a romantic, and somewhat long, note on Jacob’s car. They go on a date, and the chemistry is immediate. For the rest of their final year at college, they’re inseparable, but when graduation rolls around, Anna has to go home because her student visa has expired. She’d have to be out of the country and out of Jacob’s arms for two and a half months. Not able to bear this almost insurmountable amount of time, she decides that she’s going to stay, and Jacob stupidly agrees.
The two spend the rest of the summer together, until she really has to go back for a family member’s wedding. When she tries to come back to the states, though, she is denied access due to violation of her prior visa. She is sent back to London alone and heartbroken. The film then fades to what we can presume is a couple of months later since Jacob and Anna don’t seem to be talking much anymore. Finally, Jacob breaks down and goes to London to visit her, where again the two are madly in love. During the end of their holiday together, Anna suggests that Jacob be allowed to see other people for “his benefit” because she feels like he’s “not able to live the life he wants to.” Jacob is hurt by this, and goes back to the states lonely and heartbroken (sensing a pattern here?).
The film proceeds to fade again to what the audience must presume is months later again. Jacob is now with a girl named Sam (Jennifer Lawrence, oddly enough, as Yelchin’s love interest for the 2nd time this year, after the far superior ‘The Beaver’). Anna is alone, and begs Jacob to come back and marry her because she’s so madly in love with him. Jacob then stupidly agrees again, breaks Sam’s heart, and goes and marries Anna.
They are then separated again for six more months while Anna’s visa application processes. When the six months are up, they go to get everything validated, only to find out that her visa is still not eligible for validation to due the first incident. Angry and annoyed by this, they have another huge fight, which prompts them to divorce.
Jacob goes back to the states lonely and heartbroken yet again.
You guys know the drill by now. Film fades, Jacob is back with Sam, and Anna is with Simon (Charlie Bewley), a neighbor that was a little too friendly with Anna when Jacob wasn’t with her. Both Simon and Sam seem exponentially happy with their relationships whereas Jacob and Anna still aren’t fulfilled even though it clearly looks like they are. I know you must hate me by now as I’m giving away the entire plot, or shreds of what can be called a plot, but I feel required to for numerous reasons.
For one, Like Crazy is a mostly aimless film. Written only in outlines, and having the cast improvise all of the lines, Like Crazy is simply a selection of scenes rather than a coherent story. At first, I thought that the improvisational approach the film took was both experimental and innovative, but seeing how conventional the story is, and how bland the characters are, it seems more like a lazy cop-out than an artistic decision. Our protagonists are borderline unlikable in the way that they toy with the feelings of not only each other, but also all the other people around them. Anna’s parents, whose roles end up being more of an extended cameo than anything, have the most fascinating and funny scenes in the film. They represent a much happier, more decisive couple that knew what they were getting into before they rushed to get married.
In my opinion, Sam was a much better match for Jacob than Anna, but love does what it wants, and in this case, it kicked her heart in the ass, twice I might add, which I felt was extremely unfair to her character. As for Simon, he was also a great guy who truly cared about Anna’s well-being and future. Not that Jacob didn’t, but I felt like Simon took a much more proactive approach to life than Jacob did.
In defense of Like Crazy, the performances, music, and direction were all fantastic, but its lackluster and frankly boring story, as truthful and real as it may seem to be, drags its 89 minute running time to extraneous and unfair lengths. Like Crazy plays out like a hybrid of (500) Days of Summer and Going The Distance, but neither as funny, entertaining or insightful. If you want to see love in all different forms, go to a wedding. There’s more drama, more dancing, and free food.
I’m not sure if this is the case for you, but when I think animated series, I usually don’t think about things like Napoleon Dynamite or Harold & Kumar, but it seems like I’m going to have to start thinking about it, because believe it or not, it’s happening. An animated version of Napoleon Dynamite was announced in October of last year, whereas the Harold & Kumar series was announced during the 3rd film’s opening weekend. Napoleon has a trailer (which is much less funny than I expected) as well as a network, FOX. Harold & Kumar has neither of these, but the original cast has already signed on, and there have been reports of many offers by networks.
Let me run down Napoleon Dynamite first since it seems to have a more concrete stance as of right now. I first saw the preview back in February or so, and I was extremely under whelmed. Despite the return of the entire cast as well as the writer/directors of the original film, it seems like Mr. Dynamite and crew have completely lost all the wit and subtle humor that made the original film so damn funny. With that being said, I can be as skeptical as I want, but I’m going to have to wait until the show actually premieres to make a decision, and I might be waiting a long time since an official premiere date has not yet been released.
The details on the Harold & Kumar series are much more ambiguous, as the show was just confirmed. Both John Cho and Kal Penn who play Harold and Kumar, respectively, have signed on to the show. The writers of the original three films, Jon Hurwitz and Hayden Schlossberg, have also signed on to be the lead writers for the series. This is all great and dandy, but one crucial thing is missing, NPH. Many people are concerned that NPH will be reduced to the occasional cameo due to his commitment to How I Met Your Mother, but I have a different theory. HIMYM, which is on its 7th season, has only one more to go after this. That equates to about one and a half more years of Barney Stinson before the show’s inevitable end. Correct me if I’m wrong, but wouldn’t that give NPH enough time to do everything?
The most interesting thing, in my opinion, about this whole situation, is that both of the series are based off of modern cult classic films. What’s next, Piranha: The Animated Series? The success of these shows is either going to be immediate or non-existent. Animated shows on FOX have proved to be moderately successful, with both Family Guy and American Dad on their roster. Harold & Kumar’s success though, depends solely on the network that picks it up. The films themselves are known for raunchy content and habitual drug use. If a network like NBC were to nab the show, the censors would be almost devastating to the show’s basic premise. We don’t want a watered-down H&K do we? Another problem I predict is that the antics of the duo will become stale after a season or two. Unless an ongoing issue or plot is introduced, seeing 22 minutes of different fiascos every week may get old quickly. As much as I want to be excited about this, I’m also very scared that it’ll ruin the lore, appeal, wit, and heart that makes the Harold & Kumar films so appealing.
While everyone loves a good animated series, will the fact that they’re based off of movies kill it, or make it worth watching. Let’s look at the track record of other shows based on movies. Clerks: Uncensored was a 2000 animated series based on the successful Kevin Smith Viewaskewniverse. The show itself only lasted six episodes, but has a surprisingly large cult following consider its extremely short screen life. Another film to animation series was The Real Ghostbusters, an extremely successful show that lasted five seasons, totaling 147 episodes. Other big to small screen adaptations include Tales From the Cryptkeeper, Police Academy: The Animated Series, Droids: The Adventures of R2D2 and C3PO, Star Wars: The Clone Wars, RoboCop: The Animated Series, Star Trek: The Animated Adventures, Back to the Future: The Animated Series, and Beetlejuice. Some of the shows were successful, but many of them weren’t. With the mostly successful return of Beavis and Butthead, who knows what’s next?
The first thing I saw when I pulled up to the Odd Future concert in Tempe, Arizona was the last thing I wanted to see; a line. Not just any line, mind you. A line that went from the front door all the way across the street to the other end of the street. Needless to say this wasn’t a very good start to what was supposed to be the greatest concert of all time.
Two hours, two bottles of water, several panic attacks, and a thorough backpack search later, I had finally entered the Marquee Theater. I rushed to buy a shirt quickly before the show started, and then made my way into the auditorium. As I entered, I realized that it really wasn’t as crowded as I had original anticipated, which was a definite relief. I made my way into the crowded, nudging between the drunk and the scary, hoping to find a good spot. Alas, no standing room of the such was found. Everything was blocked by people that were far too tall to even be allowed in an auditorium or concert hall. At this point it was about 8:15-8:30 PM. The ticket advertised an 8 PM show time, which in most cases means 8:30. I had to be home at 11:30, so I was trying to be as time conscious as I could. As careful as I was to look at my phone every now and then, the minutes kept moving, and there was still no sign of a concert starting.
This is the latest of a whole series here at Grizzly Bomb. For each feature we will examine an individual genre and the quality of its films produced within a specific decade. These lists will be compiled from a point system determined by votes from each member of the staff. It’s very scientific, we used Excel.
For this topic, in addition to my list, I asked 13 members of my staff to give me a list of their “Top 10 Action Movies of the 1980s”. The action movies of the 80s, more than any other decade or genre, have an identity. Big muscles, big explosions, and witty one-liners. There are even movies that came out in other decades that you could consider 80s Action. Stuff like Point Break (1991), Cop Out (2010), and The Expendables (2010). Though we’re only counting stuff actually from the 1980s, you get the idea. Now, Schwarzenegger and Stallone of course owned the decade, but it wasn’t just them kicking ass back in the day, but several other action stars will pop up on this list as well.
Anyhow, as for the results: From the 13 people asked to make a Top Ten list, plus my own Top 10, it resulted in 43 different movies being named. I’ve tallied up the points, and I now give you the Top 25 of them…
25. Highlander (1986)
24. The Protector (1985)
23. Indiana Jones & the Last Crusade (1989) 22. Escape from New York (1981)
21. Above the Law (1988)
20. Lethal Weapon 2 (1989) 19. No Holds Barred (1989)
18. The Untouchables (1987)
17. The Running Man (1987)
16. Bloodsport (1988)
15. Rocky IV (1985)
14. Mad Max 2: Road Warrior (1981)
13. Big Trouble in Little China (1986) 12. Cobra (1986) 11. Roadhouse (1989)
And the TOP 10….
*Something new this time around is the AFI Box Office, which is ‘Adjusted for Inflation’…
10. Tango and Cash
Ray Tango and Gabriel Cash are narcotics detectives who, while both being extremely successful, can’t stand each other. Crime Lord Yves Perret, furious at the loss of income that Tango and Cash have caused him, frames the two for murder. Caught with the murder weapon on the scene of the crime, the two have alibi. Thrown into prison with most of the criminals they helped convict, it appears that they are going to have to trust each other if they are to clear their names and catch the evil Perret.
This movie so full of one-liners and unnecessary violence it amazing Schwarzenegger isn’t in it.
Trivia:Patrick Swayze was originally cast as Cash, but he dropped out and went to star in Road House.
9. Aliens
This one is where some debate came in, mostly from Rev Kaiser who argued this movie was more Sci-Fi than Action, but to me there are just too many great Action elements present to leave this off the list. That, combined with Kaiser’s main motivation for his argument being he wanted Roadhouse in the Top Ten, he was outvoted. Aliens is so much more than just Sci-Fi, as Alien delivered us one of the greatest horror/thrillers ever, here we were given some of the most heart-pounding action scenes ever filmed.
This is 57 years after the first movie and Ripley must once again face off against the alien menace, but this time she’s backed by an entire team of Marines. US Release: July 18, 1986 Director: James Cameron Notable Cast: Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, and Jenette Goldstein. Oscar Wins/Nominations: 2/7 (Sound Effects Editing, Visual Effects) US Box Office: $85,160,248 (AFI: $182,715,788)
Best Quote: “We’d better get back, ’cause it’ll be dark soon, and they mostly come at night… mostly.”
Trivia: The Alien nest set was kept intact after filming. It was later used as the Axis Chemicals set forBatman. When the crew of Batmanfirst entered the set, they found most of the Alien nest still intact.
8. Robocop
‘New Detroit’, a hell hole spawned by the predicted progression seen in the 1980s real Detroit. It was only logical in the late 80s to assume Detroit would get worse, and so it made sense that one day they would look for an answer to crime though technology. Hence Robocop. The fact that Officer Murphy is killed and then resurrected in a Jesus like fashion to right the wrongs of the city, is only made sweeter by the fact that his killer was Red Foreman. This is a story about corruption at the highest levels and an underdog desire to do whats right and fix a once great city. And the fight was so bloody and violent, this marks the first time ever that a movie was rated X for violence. Oh how I miss the 80s, I‘d but that for a dollar!
US Release: July 17, 1987 Director: Paul Verhoeven Notable Cast: Peter Weller, Nancy Allen, Ronny Cox, Kurtwood Smith, Miguel Ferrer, Leeza Gibbons, and Ray Wise. Oscar Wins/Nominations 1/3 (Sound Effects Editing) US Box Office: $53,424,681 (AFI: $108,762,266)
Best Quote: “Bitches, leave.”
Triva: The repeated line ‘I’d buy that for a dollar!’ comes from Cyril M. Kornbluth‘s short story ‘The Marching Morons’, which presents a similarly cynical view of an over-commercialized future that’s desensitized to violence and war. A radio game show in that short story uses the line ‘I’d buy that for a quarter.’ as its signature phrase.
7. First Blood
In a departure from the source material, which saw John Rambo ultimately killed in the end of the book, this ended up being the franchise that saved Stallone’s career. And the funny part is, after shooting he hated the movie so much he tried to stop its release. This movie turned into a direct message about the treatment of soldiers returning from Viet Nam and say what you want about Stallone’s acting ability, but the end scene in which we see Rambo break down and cry in front of Col. Troutman is both powerful and moving. That, combined with one man, manhandling an entire police department made for the birth of a pop-culture icon. “Rambo” is now synonymous with ‘Badass”.
US Release: October 22, 1982 Director: Ted Kotcheff Notable Cast: Sylvester Stallone, Richard Crenna, Brian Dennehy, and David Caruso. Oscar Wins/Nominations: 0/0 US Box Office: $47,212,904 (AFI: $127,828,135)
Best Quote: “If you want some friendly advice, get a haircut and take a bath. You wouldn’t get hassled so much.”
TONI X: “I’ll be the first to admit that Die Hard is a better movie, hell, it’s the greatest action movie of all time – But Commando is the 80’s. It has a fantastic soundtrack that is all about the decade, slick cars, slick scumbags in slick clothes, a pre – Who’s the Boss? Alyssa Milano and most importantly – It has Schwarzenegger in it. No movie can be the definitive ’80’s Action Movie’ without Schwarzenegger. Not only this, but Schwarzenegger starts this movie by carrying a tree – for reals. They had to show this dude being such a beast in his first goddamn shot just so you know he means absolute business.
Commando also created the Schwarzenegger archetype, granted, there were other movies where Arnie showed superhuman feats of strength, but in those flicks he was playing either a macho fantasy warrior, a killer cyborg or Hercules himself. Commando implies he was just a human being who could rip a pipe out of a wall and impale Wez with it. This is the starting point for the now classic Arnold one liners and insane logic bending shootouts.
Not only that, but every great 80’s action movie trope is here-the pointless nudity just for the sake of it, the hardass military brass trying to recruit Arnold, the country of Val Verde, a palatial mansion where all hell breaks loose and Bill Paxton – Straight Up 80’s.
But the most significant reason that Commando trumps Die Hard as an 80’s action movie is this. Die Hard is actually an adaptation of a novel called “Nothing Lasts Forever” by Roderick Thorp, Hollywood initially adapted the novel into a screenplay as a sequel to Commando. If it wasn’t for Schwarzenegger turning down the role and retooling the script for Bruce Willis – Die Hard would have been Commando 2. Commando is not only the greatest 80’s action movie of all time, but it is responsible for the greatest Action Movie of any decade. That’s why it’s number one in my book.”
Best Quote: “Remember, Sully, when I promised to kill you last? I lied.”
Trivia: Arius (Dan Hedaya) is said to be a deposed dictator from the country of Val Verde. Val Verde was a fictionalized South/Central American country used by Hollywood from the 1980s to early 1990s to depict a Spanish-speaking country similar to Cuba or Nicaragua without encountering diplomatic problems. It is also referenced in the films Predator, Die Hard 2, and the made for TV movie Deadly Enemies (Pilot).
5. The Terminator
Arnold was already known in some circles. Multiple winner of the ‘Mr. Universe‘ competition 4 times, and he had just stared twice as ‘Conan the Barbarian’, but it wasn’t until he played a near unstoppable killing machine in 1984 that he became a household name. The movie itself changed the genre forever, and kick started the career of James Cameron. The mythology sprouted from this movie led to 3 sequels, a TV show, and countless comic books and parodies. The Terminator is sent back in time to assassinate the mother of the still unborn leader of the future’s human resistance. That’s badass. This was a bad day to have middle name starting with the letter ‘A’…
US Release: October 26, 1984 Director: James Cameron Notable Cast: Arnold Schwarzenegger, Michael Biehn, Linda Hamilton, Paul Winfield, Lance Henriksen, Dick Miller, Bill Paxton, and Brian Thompson. Oscar Wins/Nominations: 0/0 US Box Office: $38,371,200 (AFI: $90,903,200)
Best Quote: “Listen, and understand. That terminator is out there. It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead.”
Triva: O.J. Simpson was considered for the role of the Terminator, but the producers feared he was “too nice” to be taken seriously as a cold-blooded killer. In 1990, (years, ironically, before Simpson’s first trial) Dark Horse Comics printed issues using his likeness.
4. Raiders of the Lost Ark
Indiana Jones is one of the greatest action characters of all time, and Raidersof the Lost Ark was fresh and exciting, and it achieved that by looking to the past for inspiration. George Lucas wrote this movie based of the old serials he would watch as a kid. Constant action throughout, from fleeing booby traps to fighting Nazis to poisonous snakes and ancient desert prisons, Dr. Jones time and again beats the odds and achieves the impossible. And unlike most of the movies on this list, this was actually marketed to the whole family, so I think people in their late 20s and into their 30s have a special nostalgia attached to these movies having grown up on them. It’s as good as an action movie can be without gratuitous boobs and swearing. US Release: June 12, 1981 Director: Steven Spielberg Notable Cast:Harrison Ford, Karen Allen, John Rhys-Davies, and Alfred Molina. Oscar Wins/Nominations: 5/9 (Art Direction, Visual Effects, Editing, Sound, Sound Editing) US Box Office: $242,374,454 (AFI: $693,993,041)
Best Quote: “The Bible speaks of the Ark leveling mountains and laying waste in entire regions. An Army that carries the Ark before it… is invincible.”
Triva: Renowned British wrestler Pat Roach gets killed twice in this film – once as a giant Sherpa left in the burning Nepalese bar and once as the German mechanic chewed up by the plane’s propeller.
3. Lethal Weapon
The pinnacle of Buddy Cop movies, this is the king of mismatched partners at the start – the suicidal young hot-shot cop, paired with old crotchety about-to-retire veteran. This is the movie that created the clichés we now recognize in almost every cop movie released in the last 20 years. Riggs and Murtaugh investigate the apparent suicide of a friend’s daughter, and end up getting sucked in for more than they expected. The whole case culminates in a Christmas season street brawl between Riggs and Mr. Joshua (Busey) in a hydrant downpour out in front of Murtaugh’s house. The movie would spawn 3 more sequels and prove to make Mel Gibson one of Hollywood’s biggest stars over the next 15 or so years. US Release: March 6, 1987 Director: Richard Donner Notable Cast: Mel Gibson, Danny Glover, Gary Busey, Mitch Ryan, Grand L. Bush, and Al Leong Oscar Wins/Nominations: 0/1 (Nom. – Best Sound) US Box Office: $65,207,127 (AFI: $132,749,036)
Best Quote: “Well, I’ll tell you what. You make it through tomorrow without killing anybody, especially me, or yourself, then I’ll start trusting you.”
Triva: Film’s soundtrack includes Elvis Presley song I’ll Be Home for Christmas. Darlene Love, who plays Murtaugh’s wife, was background dancer in Elvis’ production Elvis.
2. Predator
After The Terminator made him a star, and Commando created his archetype, then it was Predator that made him an icon. The story of an elite group of commandos that are sent into the jungle on a rescue mission, only to soon discover they were sent there under false pretenses and find themselves under attack by an unseen assailant. It is here, even more so than in Commando, that we see Arnold Schwarzenegger in the fight of his life. This movie is all about survival and it was a shocking experience in ’87 to see something hunting Arnold, and not the other way around. From the gratuitous bicep closeups to the frequent use of mini-guns, this is about as “Guy Movie” as it gets.
Triva: Shane Black, who plays ‘Hawkins’, is far more famous for his screenwriting than his acting. His writing credits include stuff like The Last Boy Scout, Kiss Kiss Bang Bang, and our #3 on this list – Lethal Weapon.
1. Die Hard
This is, sure-fire, without debate, the single greatest action movie of all time. Due on to the fact that this came out in 1988 and not 1990 that Predator misses out on topping our list. The ultimate story of the wrong time – wrong place, this time it was the right guy. A seemingly average cop from New York, without the muscles and armory of Schwarzenegger and Stallone (both of whom are referenced in the movie) John McClane must save his wife and her co-workers from a group of terrorists, and he has to do it barefoot.
John McClane has become the standard for actions stars since, and this is the movie that ushered in the beginning of “90s Action”. After this, even in Stallone and Schwarzenegger movies, it was no longer about shirtless bodybuilders cutting down trees with bullets. This was a cop, with kids and marital problems and he was forced to handle a situation. He wasn’t called in because he was the best (IE: Predator, Rambo II, ect…), he just happened to be there.
Now with the announcement of a 5th Die Hard movie coming, the franchise is still relevant over 20 years later. This movie made Bruce Willis. But who doesn’t get enough credit is Alan Rickman. A hero is often times measured by the strength and quality of his villain, this is maybe what hurts Commando’s legacy. This was Rickman’s film debut, and he delivered one of cinema’s all time great villains. It was Hans Gruber than made John McClane great, and that is what spawned the sequels.
Oscar Wins/Nominations: 0/4 (Nom. – Film Editing, Sound Editing, Visual Effects, Sound) US Box Office: $83,008,852 (AFI: $160,766,536)
Best Quote: “Yippee-ki-yay, motherf–ker. “
Triva: Bruce Willis was also shooting Moonlightingconcurrently which accounts for why nearly all of McClane’s scenes take place at night. Willis would shoot his TV series during the day and then come to the Fox lot in the evening to work on this film.
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