Comic Legend Joe Kubert Passes Away at 85

The comic community was rocked on Sunday by the news of  an industry legend’s death. Joe Kubert passed away on  August 12th due to multiple myeloma – a form of cancer that destroys bone marrow.

His work in the comic field is outstanding. Contributing to numerous titles in his overwhelming career, he is most famous for his work on Sgt Rock, for which he was still contributing right up to 2009. He dabbled with other comic companies, but was most well-known for his work at DC comics where he contributed his penciling talents to Hawkman and JLA among others.

DC Comics had this to say about the comic legend which can be found on http://www.wired.com

 We are saddened to learn of the death of our colleague and friend Joe Kubert. An absolute legend in the industry, his legacy will live on through his remarkable talent, with his sons and with the many artists who have passed through the storied halls of his celebrated school. An important member of the DC Comics family, Joe made an indelible mark on the entire DC Comics universe including his renowned and award-winning work on iconic characters such as Sgt. Rock, Enemy Ace, Hawkman and most recently Nite Owl. We are so honored to have worked side-by-side with such an unforgettable force in both comics and in life.”

– DC Entertainment Executive Team.

This statement has caused a bit of an outrage with comic lovers everywhere, because it essentially sounds like an advert for the new Watchman comics and not a tribute to a man that had been doing outstanding work for them all the way back to 1943. That’s near 70 years of service, and it’s been boiled down to ‘most recently Nite Owl ‘.

In addition to being one of the biggest names in the industry for the better part of the last century, but Joe also set up his own school for aspiring artists, and won Harvey Awards’ Jack Kirby Hall of Fame Award in 1997, and Will Eisner Comic Book Home of Fame in 1998. His two sons Adam and Andy are massively popular comic artists too, and it’s great to know that he has been an inspiration to so many people. My first experiences of him were through his sons. I’m a big fan of their work and it was through their work that I heard about their father. His work on Sgt Rock is still some of the best war stories I have ever read and his artwork is so distinctive you can spot it a mile away. The thing that struck me about his work is the way it seems so realistic. These people’s lives can be easily seen written on their face and in Sgt Rock’s case you can see the pain of war in his visage. Much how Harvey Pekar expertly showed what it was like to just be an average Joe Kubert’s work on Sgt Rock made me feel what it was like to be a member of the army.

He will be missed by the many fan that his work has touched, me included. To finish here are some touching words from the The Kubert School of Art …

Monday Night Raw Recap & Review 8/13/12

Tonight’s Raw opened up pretty uniquely, in that it was a wrestling match, immediately. Not 20 minutes of talking, or backstage skits, or video packages, and for that, I was thankful.

So while I was looking forward to seeing a straight up match between Show and Punk, it obviously was interrupted, At first, Daniel Bryan comes out, demanding a title match at Summerslam, allowing Punk to gain momentum against Show, until Bryan interferes and slaps Punk in the Yes (No?) Lock, resulting in a DQ. The moment Show stands up however, John Cena arrives, to ostensibly take down Show. Why there’s this weird power play between who is or isn’t better at knocking down Big Show between Cena and Punk, I don’t quite understand. It’s like they’re ignoring the fact that Show is a person too, and not just an obstacle in between them and the title, although I suppose that’s the point. To that end, as much as I like Punk, it really makes Big Show out to be the underdog in a way here, despite being the proverbial “mountain” that has to be climbed for either Punk or Cena to be champion. Maybe I’m thinking too much into it, but despite my lack of enthusiasm for Summer-Slam, I will be very pleasantly surprised if Big Show ends up victorious. But he won’t. Anyhow, after the match AJ comes skipping out, and announces that all 4 of them will be in a tag team match later in the show, with Big Show and Daniel Bryan being paired up, and Cena and Punk  on the opposing team. I can’t decide If I like AJ as a GM or not, but she is following the Teddy Long school of GM-ing, which is tag team match ad infinitum. Somehow though, she’s not as grating. It must be because she’s so beautiful. Perhaps if I was attracted to elderly, bespectacled, balding black men I’d be missing Teddy something fierce.

On second thought, no I wouldn’t.

Cutting backstage, JTG and uh… Krystal? I think her name is? I’m not sure because she’s one of the Divas who we never ever, EEEEEEVER see. Well they’re both there, complaining about not getting matches, because frankly they never do, until AJ shows up. She listens to their plight, cocks her head the way she does, and gives JTG a match. He walks away happy, ignorant of his dire fate to come later. AJ then asks Kailtlyn? God I don’t know her name. She asks Kristen if she thinks that she’s unstable, to which Kristina answers no. AJ seems pleased with this answer, despite Katalinn’s answer being a blatant lie. Seriously, I have no idea what her name is.

Google said her name is… Kaitlyn. So I got it right the second time. Too bad I’m literally already forgetting about her as I type this sent- wha? What was I talking about? Why I am I typing this? Who is this woman whose picture I’m writing under? Why am I wearing an evil lizard mask?

The Ryback is unleashed on JTG, and unsurprisingly, he Ryback’s him pretty hard. JTG becomes yet another in a long line of delicious man meat to be fed to The Ryback, who continually begs us to feed him more. I know I’ve given him crap before about his catchphrase, but it’s almost like they’re daring me to not make jokes about how subtly homo-erotic a giant super muscley man with a very phallic bald head, constantly demands to be fed more men to sate an unstated appetite that is insatiable, and can only be staved off by multiple men “taking him on”. If that doesn’t sound a like a cock-thirsty young upstart ready and willing to prove himself in The Biz, well I guess you just don’t think about gay stuff as much as I do. Ahem.

Backstage, we see Rowdy Roddy Piper and Shaun Michaels talk to each other for a moment about Brock Lesnar, to set up the chekov’s gun for when Brock, “gets” Shaun Michaels, as he alluded he would on last week’s Raw. Shaun then gets on the phone with Triple H, although that’s who I inferred it was, because they were trying to keep it ostensibly a secret. They did this a lot back in the Attitude Era, where the audience was guessing who it was that was “on the phone”, and it was always Vince McMahon or whoever “The Commissioner” was. Whatever happened to the Commissioner? Is that still a fake/real job? Or was it superseded by the General Manager? I don’t know, I should probably just do what all the WWE writers do and ignore it.

I’ve grown to love Heath Slater. There was a time when I saw him on my screen and tuned out, but his incredibly delivery of “ONE MAAAAAANNNN BAAAAANNNNDDD BABAAAAYYYY”, as well as his pretty great ability to sell, has warmed him up to me. Even though he lost to R-Truth, seeing the both of them trade spots was entertaining, and despite Truth’s gimmick getting a bit stale, and Slater’s only just coming into blossom, the match itself worked well. After the match ended, The Primetime Players showed up to ruin Truth’s celebratory victory dance with Lil’ Jimmy, and demolish him pretty swiftly.  I should note, they showed up without AW, because AW was fired. While I personally didn’t even notice the “offensive” joke he made in last week’s Raw, I’m not really missing him that much, because his God-Voice was irritating, and he didn’t bring much to the Primetime Players that they didn’t already have on their own. I’m worried this will mean their presence will be buried, since they’re good heels, but I’m optimistic that it won’t.

So long AW, your voice was impossibly loud.

I didn’t write this article as I watch the show live like I usually do, so when it came back to reviewing the show again, I had entirely and completely forgotten about this match, because it was so boring and pointless. I’ve repeated enough times why I don’t like Tensai, and his match here is another carbon copy of all his other matches, up until the end. While I want to like Sin Cara, I actually watch other wrestling promotions, as well as, you know, actual Luchador wrestling, like the CMLL, and Sin Cara would be fired in one night from any half-decent Luchador promotion because the dude is sloppy. There’s a meme online that calls him “Botch-Cara”, which while exaggerated, isn’t wrong. Mostly, he’s a mediocre at best wrestler of his style, and the fact that the WWE seems so poised to push him as such a “revolutionary and innovative” Luchador style wrestler really irks me, when there are actual, truly revolutionary, truly innovative Luchadors out there, that they could be recruiting RIGHT NOW. Luchador style wrestling is AWESOME, and very hard to screw up, but somehow, Sin Cara manages to make it boring every time I see him. Botched moves or not, that is his main problem. Period.

Oh yeah. Sin Cara wins, and Tensai beats his asian manservant while we pretend that’s not really racist. Boring. Next.

Backstage Shawn Michaels keeps asking people if they’ve seen Triple H, and we’re supposed to keep pretending to not know it’s Triple H.

So it’s the Piper’s Pit! And the WWE Universe voted who’d be in it! And thankfully, they picked a good choice of Jericho, who is now in full Y2J mode. While I like Y2J Jericho, I prefer his heel, “f*** all this” Jericho that he had been up until recently. The main problem with this promo, is that despite ostensibly being a comedic bit, that would build momentum and re-establish roles in the Ziggler/Jericho feud, it mostly made me sad at how much Roddy Piper has lost his knack for cutting a good promo. The guy seemed really confused, and openly admitted to not remembering things, and it didn’t seem kayfabe at all. At one point he just starts to ramble like your weird old drunk uncle, and even starts to say random things to Jericho, like “I know how you feel, I KNOW YOUR DAD.” Read that through a drunken sad Uncle filter and you’ll know where I’m coming from. Eventually Vickie Guerrero thankfully interrupts Roddy from flailing about like an old drunk fish out of water, and EXCUSE ME’s her way to the ring, with Dolph Ziggler in tow.

Ziggler comes out and berates Roddy Piper for being an old, out of touch weirdo, and rightfully points out how sad it is. Roddy tries to insult him about his pink shirt, but Jericho hilariously comes to Ziggler’s defense by saying “They’re summer colors”. All of them continue arguing about this and that, until The Miz enters. He points out how Ziggler and He both can actually win matches, and backs up Ziggler’s point that Jericho has lost his touch. He then attempts to take over Piper’s Pit, telling Roddy and Jericho to get out of “his” ring, and Roddy starts NO NO NO-ing, which I thought was gonna cue up Daniel Bryan, which confused the hell out of me. But they both attack Miz and Ziggler instead, and throw them both out of the ring, thus winning?… Piper’s Pit? Can that happen? What is Piper’s Pit for again? Save us Ziggler, save us from weird sad segments like this where we’re forced to watch legends slowly crumble away before our eyes.

AJ then makes a pretty smart decision, and schedules a match between Ziggler, Miz and Jericho, that was by far the highlight of the actual wrestling on tonight’s show. All three of them worked amazingly together, and i’d have loved to seen the actual match go on another 15-20 minutes. If this is part 1 of a potential PPV feud, where we get an awesome part 2, I’m all in. The highlight by far was this AMAZING Superplex-Powerbomb that involved all three of them. As much as I tried, I just couldn’t find a GIF of this move to show you either, but rest assured, it was goddamn awesome.

Well despite all three of them being excellent, and putting on an incredible match, there had to be one winner, and after a trio of finishers, near falls, and chain counters into other finishers, Ziggler got the Zig Zag on Jericho and pinned him successfully. I’m really hoping they’ll build this 3-way feud up more, because it’s one of the few 3 way feuds I’ve seen in a long time that totally works.

Backstage, CM Punk is stretching, and Eve comes over to talk to him, looking all sexy and shit. She thanks him for his “new” attitude, basically trying to confirm his Heel status. He rebuffs her, reiterates that he deserves respect, and that’s all he’s fighting for. She says he better go tell that to Cena. I say “F*** JOHN CENA’S OPINION PUNK, YOU GOTTA BEAT HIM, NOT MAKE HIM LOVE YOU!”. Then I go back to looking at Eve’s cleavage.

We then cut to Shaun Michaels dicking around backstage more, asking about Triple-H. Why he doesn’t, I don’t know, wait for Triple H in the green room, is beyond me, but whatever. Punk then approaches Cena and gives him the usual, ” We’re working together, and we don’t like each other” speech, and then makes some solid points explaining himself and his actions to Cena/The Audience, despite his actions being self-evident and justified. I’m guessing the writers feel it necessary to have Punk try to ride his whole “Tweener” thing right now right down the line, despite him being clearly in the right if you just put any thought into the status quo at all. But asking the WWE Universe to think is like asking for Wade Barret to not be british. Oh snap! Segue!

I know they showed this promo last week, and you may be wondering why I’d be talking about it again, but goddamnit if I’m not totally stoked for Guy Ritchie’s™ Wade Barrett to debut, and make his BEAR-AGE known to all who stand in his way. I’m hoping he shows up, speaking in that weird Pikey language from Snatch, asks John Cena if he likes dags, and then just one hit KO’s him. When Big Show comes out complaining about Barrett stealing his finisher, Barrett caves his face in while screaming OI GUVNA as loud as possible. Either that or have him come back and literally beat down Randy Orton with face punches until Orton is blind, deaf and dumb.

Hey! Another Divas match! And Krissy or whatever is even in it! Good for them! Despite the amount of botched pins, (I seriously don’t understand why these women cannot handle any kind of roll up pin whatsoever), the match was a pretty average Divas match. Layla hit her moves, stopped to dance for a little bit, everyone looked adorable, and Karoline actually even got a roll up pin on Beth Phoenix for the win! Good for her! Whoever she is!

So this match was functionally the main event of the show. 2 hours and some change in, and the match began, and while the match ended in 15 or so minutes, it was pretty standard tag team fare between the four of these guys, who we’ve all seen interact with each other one way or another for the last month at least. The highlight by far though, was when Punk, after seeing Cena wanting to be tagged in, copies Cena’s trademark 5 Moves of Doom sequence, and is interrupted right after pulling off the “YOU CAN’T SEE ME” taunt part right before the 5 Knuckle Shuffle. Cena interrupts it, by tagging himself in, and copies Punk’s corner turnbuckle flying knee/running bulldog combo. Punk then obstinately walks out of the ring, leaving Cena to finish the match alone. While some would say it’s a tit for tat sign of mutual disrespect, I’m on Punk’s side because… well because he’s just cooler dammit. F***. Sometimes that’s all the reason you need.

Look how cool he is! 

Anyhow, Cena wins because he’s Cena, and fails to notice Big Show about to brutally sneak attack him. Punk then runs up and conks Show in the head with his belt, thus saving Cena. Punk then becomes the bigger man, and offers his hand in respectful reconciliation, and Cena refuses to shake it, officially being the biggest weeaboo paranoid crybaby pussy ever. Punk rightfully walks away angry, and I and everyone else with a brain who isn’t under 10 years old, finds yet another reason to hate Cena.

After the match, Josh Matthews catches up with Punk to ask him “what happened” at the end of that match, and Punk sums it up perfectly. Cena is out here to make Cena look good. He doesn’t care about winning as a team, or anyone other than himself.  He then rightfully points out Cena’s incredibly rude sign of disrespect by not shaking Punk’s hand, and vows to “teach him, and everybody, respect.” You know, just watch the end of the video above, because he says it a lot better than I can paraphrase it here. My point is, that CM Punk is and has been unfairly treated, despite being the goddamned champion for nearly a year now, which in WWE is quite a feat, that legitimately and truly does deserve respect. Why would anybody boo him for this? Why?

Now, while the Daniel Bryan/Cena/Big Show/CM Punk match was supposed to the main event of the night, common knowledge dictates that the last match in a wrestling show is traditionally the main event. So with much glee, I can now say that DAMIEN SANDOW, THE INTELLECTUAL SAVIOR OF THE UNWASHED MASSES, IS NOW THE MAIN EVENT OF MONDAY NIGHT RAW!

Thank you Damien. Thank you for annihilating Funkasaurus. Thank you for crushing Christian in the ring. Thank you for ignoring Funkasaurus’ attempted interruption-causing-you-to-get-distracted-and-lose-to-a-roll-up thing. Thank you for doing a cartwheel to celebrate your victories. Most of all, thank you for wearing pink wrestling briefs, the most sophisticated color of wrestling briefs you could wear.

Thank you Damien. Thank you.

 

So the last half hour of tonight’s Raw was all dedicated to this impossibly stupid Triple H/Brock Lesnar feud, where we get the EXCITING PLEASURE of watching them SIGN A CONTRACT.  The tension had me on the edge of my seat! Either the tension, or the shit I needed to take, that I took while this segment dragged on and on. We get it. Brock bad. Triple H good. Things personal. Paul Heyman talky because Brock is a effing moron who can’t string 2 sentences together. Shaun Michaels stand there confused for reasons! Important reasons! And the beat goes on. Then a few minutes of some more Touts, (which I’ve started doing, because  I’m weak and IT’S STILL REAL TO ME DAMMIT) and then cut to a parking lot. Any knowledgeable longtime WWE fan knows that NOTHING good ever happens in a parking lot in the WWE.

So Shaun Michaels is trying to leave, and gets boxed in by Paul Heyman, who sits there screaming ‘I’LL MOVE IT I SWEAR REAL SOON MAN SORRY I’M SORRY”, until Brock Lesnar shows up, and kidnaps Shaun Michaels by dragging him out of the car. He also knocks down the camera guy, making the camera cut to black, while we hear loud thuds, and HBK screaming or something. In my mind’s eye, Brock Lesnar was just ripping his skin off in large chunks and eating it like huge strips of man-jerky, but that’s almost definitely not what was happening.

Coming back from a commercial break, we see Triple H overlooking the damage done to HBK’s car. Apparently Brock Lesnar smashed HBK through the window shield, and broke all his windows for good measure, as well as denting the sides of the doors. Basically, Brock Lesnar pulled an old-fashioned Street Fighter Car Smash Bonus Level on HBK’s car. Triple H runs in horror, desperate to find HBK, and we cut back to the main arena. Lesnar shows up with HBK on his shoulders, being carried like a freshly killed deer. I actually can picture Brock Lesnar doing this exact same thing to a deer, only he snatches it from the woods, suplexes it into a random car nearby 8 or 9 times, and then just punches it to death to end its suffering.

So Lesnar takes the now ragged HBK into the ring, and F5’s him, because an F5 in the ring is WAY more brutal than, I don’t know, smashing a dude into a car or something. Triple H then shows up to defend his gay frenemy, and Brock Lesnar puts HBK into a fake Kimura. Now, while this is an indirect nod to this UFC career, in which he NEVER put dudes in Kimura’s, the hold itself is actually dangerous, if only anybody like Triple H or HBK knew how what bone the damn hold actually broke. When Lesnar “broke” Triple H’s arm 3 months ago, he clutched his elbow like an asshole, because the move looks like it breaks your elbow, when in fact it snaps you upper arm/shoulder bone area.

Well Paul Heyman tries to warn Triple H to not save HBK, or else Lesnar will break his arm. Triple H stalls, because they need to pad out their airtime. 8 minutes of show left with 2 minutes of material does that. Lesnar then kayfabe snaps HBK’s arm, and Triple H chases Brock out of the ring, while Paul Heyman screams OH MY GOD YOU BROKE HIS ARM. YOU BROKE HIS ARMMM. YOUUU BRRROOOKE HIS AAAAAARRRRRMMMM!!!  I’m guessing Heyman was fearing the legal repercussions, or is super squeamish. Either way, the show ended with HBK writhing around in pain, actually selling the Kimura arm break better than Triple H, despite rolling multiple times onto his “broken” upper arm. Lesnar and Triple H point at each other, and Triple H takes his shirt off for some reason while pointing. End.

Then Lesnar continued his transformation into a living Cabbage Patch Doll.

In conclusion, tonight’s Raw had a good amount of wrestling in it. I can’t stand the Triple H/Lesnar feud and will be so happy when Brock Lesnar shoot quits to go… well I presume suplex and punch deer to death or whatever the hell he does in his free time. I’ll be glad to see it all come to an end at Summer-Slam. As far as Raw goes, the 3 hour time expansion so far seems to be beneficial, and not too much time is wasted. Or maybe it is, and the mind controlling waves are starting to sink in, and soon I’ll be a member of the Cenation. A FATE WORSE THAN DEATH.

Take it away, Rodney!

American Idol: A First-Hand Look at the Nitty-Gritty World of TV Production

You know how when you watch your favorite TV show you only see the actors, celebrities, or contestants’ faces the entire time and you can usually rattle off their names without a sweat?  Now try watching all of the credits and recognizing any of those names.  Can you do it?  Probably not.

For many TV viewers, terms like “boom operator” and “gaffer” are foreign lingo (and when I say “gaffer,” I don’t mean Samwise Gamgee’s papa in The Lord of the Rings).  Usually, the people’s names that show up next to these titles receive the same treatment, automatically being disregarded as unimportant and too obscure to be worthy of note.  However, it’s people just like boom operators and gaffers that make your favorite shows possible.

This weekend I had the opportunity of being a production assistant for season 12 of American Idol, and I can now officially say I know what it’s like to be one of those workers whose name will not be remembered by anyone watching the show, yet the bus crew who stopped to audition local talent would not have been able to get through the weekend without me.  And that is literally the most humble way I can explain the importance of mere “no-namers” in TV production and all that they do.

American Idol Tour Bus
This thing had marble counter tops. For realz.

For example, the first thing I did on Friday was chauffeur several of the Idol crew to the audition location so we could scout out the best areas to park the tour bus and set up the audition tents and tables.  I also was in charge of driving the crew back to their hotel every day, toting them around town to run errands, and picking up meals.  Normally, driving does not seem like a large task; anyone could do that, right?  Wrong.

When you’re an assistant, you are not always just driving yourself.  You drive any crew members around and suddenly their lives are in your hands.  This is a particularly scary thought at 5 a.m. the next morning when it’s still dark out and you’ve had four hours of sleep and are hopped up on coffee.  You pray to the Lord that you won’t drift across lanes, hit a deer, or, worse yet, fall asleep at the wheel.  Suddenly I realized why they’d asked for a copy of my official driving record!

Also, can you picture Ryan Seacrest or Simon Cowell running out to get their own lunches when they also have to be getting to hair and makeup in preparation for filming in the evening?  Don’t try to picture it because it rarely — if ever — happens.  The same situation was true with the tour crew, as well.  They were more directly involved with the food selection than they might have been in-studio, but I was the one who ultimately went and picked up the food, paid the restaurant with production money, and made sure to get a receipt so the production manager could claim it as a company expense.  You simply can’t have a hungry, grouchy crew or cast on your hands if you hope to get anything filmed every day.

Coffee is very important on location!
Coffee is very important on location! And, no, this is not me. (photo copyright Paragon Videography)

Though most people don’t want to deal with paperwork, this is one of the final and most important elements that goes on behind-the-scenes of TV shows.  Thousands of sheets of paper for employees are processed so that they can get paid properly, yet you never see any of these sheets.  That’s because it’s the job of assistants, the legal department, and human resources.  I, too, had to take care of making sure all the paperwork was properly signed by the other temporary production assistants hired to work this past weekend.  Had I not done so, one of my friends would have missed a good chunk of money due him because he did not sign in three different, required places.  Imagine how many other people in the industry miss signing and how some worker in the TV company has to catch each error, yet you may never know his or her name.

Auditioners wait in line
Line control is seriously important, guys.

I haven’t even covered the jobs the other production assistants did, like line control and monitoring, registration table, paperwork for the “winner’s circle,” and more.  What you need to remember is anyone who works behind the scenes of a TV show clearly has a purpose, no matter how insignificant it may seem.  So the next time your favorite show is on, do the boom operators and gaffers a favor by acknowledging first their existence and second their efforts.  Should you ever have an opportunity like mine or theirs, I can assure you that you will appreciate all the positive attention and “thank you’s” that you get.

* All pictures in this story are copyright Woman Friday (Bree Brouwer), with the exception of the header and one indicated photo which are owned by Paragon Videography.

Graphic Novel Review – Enormous

 Imagine if you will a world like ours. A world where there is no pollution and no crowds. Sure it’s because most of the population has been killed off but that’s not a problem hey? Oh did I mention the massive mutated animals that roam the landscapes eating folk? Yeah probably not every ones holiday destination but it is the basis of the new graphic novel from Image.

Continue reading Graphic Novel Review – Enormous

Grizzly Review: The Bourne Legacy

There is an irony to The Bourne Legacy. The soldiers in the movie blindly do what they are told and never question the mission or authority. If an important task needs to be accomplished, they go head first, with an eye on the prize and don’t blink. They are only controlled by what seems to be a reliance on the same two sets of pills. The redundancy of these tasks echoes the movie. The film charges forward without questioning its path despite the ripe material it glances upon but we continue to eat it up because we don’t question the monotony of what we view on the screen, which results in a generic action thriller that only scratches the surface of a greater story.

In the fourth installment of this series, Aaron Cross (Jeremy Renner) is a genetically enhanced field agent similar to Jason Bourne (Matt Damon, who shows up in spirit only). He is part of the Outcome program, a more sophisticated, controlled program than Treadstone from the first three films. These soldiers are genetically enhanced for higher motor and physical skills, as well as better mental dexterity and ability. They have a reliance on a set of two pills, as previously mentioned, which breaks down into the blue and green. It does remind of The Matrix in which the control and enhancement of their abilities is based on whether they take the pills or not. The major difference is if they take the pills, they play into the control aspect of being reliant on their prescriptions from their providers (granted, if they don’t take the pills, they probably get shot).

Unfortunately for these Outcome members, Jason Bourne is happening. More specifically, the third movie’s events, The Bourne Ultimatum, is running concurrently during this movie. He raises the profile of the possibility of other programs in the CIA so in turn, all evidence must go. That includes Outcome and its members. So Aaron Cross must survive and find answers, and of course, he is almost out of the pills so he must find a doctor connected to Outcome (Rachel Weisz, who follows the Hollywood tradition of aging backwards) in order to get his dosage and survive.

The best part about the Bourne movies were its ability to take a small detail and make it rich in detail, or provide an essential purpose. Whether looking at the limits of patriotism or the idea of fighting for freedom with people who had theirs taken from them, I loved the Bourne Trilogy because there was that underlying message of the cost of ‘whatever it takes’. Of course, being able to use a magazine to disarm someone or a towel to take out a knife wielding villain helps too. I feel this movies brushes against these issues yet won’t attach themselves to them.

Edward Norton plays Eric Byer, the guy tasked with cleaning up the Treadstone mess and anything related to it but him and his character were surprisingly one note. There was no tension on what he provides on-screen, no sense of urgency that he felt like a character born out of the necessity of moving the plot along. He was there to explain to the audience why Aaron Cross is the person we were following in this movie. Byer and his team were into the players from The Bourne Ultimatum like Pamela Landy (Joan Allen), Ezra Kramer (Scott Glenn), Albert Hirsch (Albert Finney), Noah Vosen (David Strathairn) and the most frustrating thing was to not watch their stories unfold. I wanted to know how or if there were going to be punished for their roles in the clandestine world of black ops, whether Landy uncovering Treadstone made her a patriot or a traitor to the country; if CIA Director Kramer covered up what was the best means possible to get the job done and if the ends justified the means; if Dr. Hirsch opened up the gates to super soldiers; or if Vosen was correct in his definition of patriotism and loyalty to his nation. I got none of this. Writer and director Tony Gilroy went the wrong way for this movie because it merely scratches the surface and nothing more.

It doesn’t help that the movie was boooorrrriiinnngggg. This is of no fault to Renner or Weisz, who were both good in their roles. The flick just comes up short and as it just wants to be a carbon copy of actions movies. For the first third of the movie, I felt I was watching The Grey. The chase was straight out of The Bourne Ultimatum. Heck, I felt like I was watching Spy Game during certain pockets of the movie. I wasn’t sure if I was watching a survivalist movie, a straight action flick, or a detailed espionage flick. Regardless, we’ve seen the movie before. It brings nothing new to the table and sadly, felt like it had no purpose. This movie did not follow its namesake and expand upon the legacy of Bourne. The action was decent but never anything ground breaking or having cause to talk about it right after the movie about “hey, did you see that one part?!”

There were good parts in the movie, such as the Manila rooftop and car chase (although I’m biased coming from the motherland myself) and less reliance of shaky-cam but this movie could have been so good. Maybe my expectations were too high dealing with the Greengrass/Damon combination. There is no creativity in the movie and that takes away from the mythology of Bourne. Even more frustrating is how the movie just ends with no real resolution to the plot or characters in this story. This movie is nothing more than diversionary ploy to look aesthetically pleasing yet provide no answers while asking the wrong questions. Skip the Bourne ‘Letdown’.

On a side note, another program that is chasing Cross all around Manila, is a beta subject that exhibits even less empathy. He basically came off as the Asian T-1000. Sunglasses, police motorcycle, him running and giving the quick turn and stare before launching him arms in perfect 90 degree swinging motion…seriously entertained Dr. Kronner and myself. Some of my exes might even think that’d be me considering how “emotionally unavailable” I am…So apparently based off of that, I am the next Jason Bourne – with NO EMPATHY.