First of all, Chris Meloni (Law and Order: SVU) looks like a total badass. Cold and unfeeling with a little sadistic smirk – everything we’ve come to expect from a vampire personality. He makes Edward Cullen look like a giant vagina. The Authority looks as if it will bring a little background into the lives of vampires and a broader view of their society.
Continue reading Why ‘True Blood: Season 5’ Won’t Make You Sad
“The Last of Us is shaping up to be one of the most intriguing triple A titles to be announced in a long time.” There’s a sentence that, if you were to read to me just after the game’s announcement, would make me laugh and call you names (If you then explained you were quoting me from the future, I’d probably call the authorities and/or ask to use your time machine for some…uh…private matters). That’s because the undead/mutant/alien apocalypse thing is one of the most tired ideas in video games, maybe only drawing a close second to gritty military shooters. Leave it to Naughty Dog, though, to take a concept I couldn’t care less about and infuse it with character, atmosphere and a story that bears delving into.
The Last of Us centers around Joel and Ellie, two survivors making their way through the remains of Pittsburgh after a pandemic has decimated the general population. As far as we can tell from what’s been revealed so far, the plague has mutated or otherwise turned its victims into grotesque, mindless swarms, making the environment fraught with danger at every turn. Resource management is a must, with the city in ruins and survival tools hard to come by.
At E3 Judge’s Week just nine days ago journalists were shown the first demo of the game, and though no footage was provided, Shane Satterfield of Game Trailers transcribed the experience for all to see on Side Mission. The demo apparently coincides with the latest trailer to come out, which appears to be the opening cinematic to the gameplay Satterfield and others were exposed to last week:
From Satterfield:
“As it begins the pair is driving in a car and they pull up to an overgrown urban area. Joel has second thoughts and decides to keep going. As they drive along the player is shown the decay of a post-apocalyptic Pittsburgh until, eventually, a pair of staggering feet are shown. Joel draws his gun and tells Ellie to put on her seat belt. Ellie begins to panic as Joel barrels towards the injured man. She asks if they should help the injured man and he quickly states, “He’s not injured at all.”…“
And some highlights from what we didn’t see in the trailer:
“…Now the first guy who was feigning injury on the road comes in with a gun. Joel pulls out his own and the game goes into Uncharted’s cover-based gunplay as two more enemies appear. Eventually he runs out of ammo and Ellie tosses a brick, smashing the enemy in the head. Joel then rushes in and finishes him with a melee attack. He then drops another enemy with fisticuffs and finishes him off by bashing his head with a plank he finds on the ground.
…In a panic they climb out a window and begin hiding behind various vehicles. Joel has the plank he used earlier strapped to his back and eventually he creeps up behind one of the enemies and strangles him. He then scavenges his bullets utilizing the same exact interface and icons used in Uncharted.“
Most interesting of all, though, is what Naughty Dog reportedly said before showing off the demo:
“…Representatives from Naughty Dog took the stage to explain that the game is their take on the survival action genre. Set 20 years in the future after an outbreak has taken over the US, The Last of Us chronicles a cross-country journey shared by a middle-aged man named Joel and a young girl named Ellie. Naughty Dog stated that their main goal is to parallel the emotions of the player with Joel and Ellie and create a reality that you can invest in so that you believe that they exist. They want you to feel the same tension and survival instincts that they’re experiencing.
Lighting is paramount because there’s no electricity, so more ambient and soft lighting is used to make the environments feel richer. They also added that the music is not typical video game fodder. It does not parallel the action because they want it to foster some sort of emotional impact. They want the characters to feel real as they experience what Naughty Dog calls the balance of power. They explained that the pair will react differently based upon what resources they have and how many enemies they’re facing.“
The survival horror/action genres are heavily dependant on atmosphere and emotion. Anyone who has played a success like Amnesia: The Dark Descent or a failure like Silent Hill: Downpour can attest to that. Naughty Dog certainly seems to be taking that into account, and considering the Uncharted series is one of the industry’s best in those categories, The Last of Us has potential to be another massive hit.
The Avengers has been destroying records left right and center and I will be listing all of them below so bathe in the glory that is the Avengers.
The most impressive record they surpassed was the one for the biggest opening weekend of all time, that’s a big one. Disney estimates the film raked in $200.3 million at North American theaters over the weekend, compared to the previous largest opening of $169.2 million ($172M after inflation) for Harry Potter and the Deathly Hallows: Part 2 (loser). It would have probably done even better if IMAX theater had enough seats to meet demand, apparently this was a problem in many places and raises the question would it have made even more money on its opening weekend? But I can live with it beating nearly every record.
They made an estimated $80.5 million on its first Friday, the second-largest one-day total of all time after Harry Potter and the Deathly Hallows: Part 2 ($91.1M). CinemaScore reported on the first Friday that moviegoers were giving the film an average grade of A+, which suggested there were great sales through the weekend from word of mouth. Sure enough, The Avengers did even better than the opening day numbers suggested it would do, and now analysts estimate it will take over Harry Potter and the Deathly Hallows: Part 2 for 3rd highest grossing film of all time. The film hasn’t even opened yet in some profitable markets (like for example Japan on August 17th).
The movie also made an additional $151.5M overseas that weekend. The film’s worldwide gross now stands at $1.29 billion. It passed $600 million in sales in only 12 days. It only needs $34M more to be 3rd highest grossing films and will take that spot from Harry Potter and the Deathly Hallows: Part 2. I doubt it will make it near avatar or titanic though you never know.Walt Disney Pictures announced this weekend that the global blockbuster has crossed the $500 million mark domestically in a record 23 days (the previous record of 32 days was held by Avatar).
It passed the global box office totals for Iron Man ($585M), Iron Man 2 ($624M), Thor ($449M), and Captain America ($364M) within its first 12 days. It also has the highest per-theater average for a nationwide release, $46,063 per theater which is a lot. Highest domestic Saturday gross of all time ($69.7M). And this lot fastest to $100M, fastest to $150M, and fastest to $200M. When will it end Avengers? When?
It accounted for 82.7% of grosses for the top 12 movies, which is the second-largest market share ever. It was the biggest superhero midnight show opening (8th highest-grossing midnight movie). Highest grossing IMAX opening weekend ever (one of them was me!). The biggest opening weekend of all time in North America, Central America, Mexico, Brazil, Argentina, Ecuador, Peru, Bolivia, Hong Kong, Malaysia, New Zealand, and the Philippines (wow).
I think they are imagining money raining over them:
Funny facts from GIZMODO about how it would actually cost the city of New York for the damage that happened in The Avengers final battle if it were to happen in real life. The damage to NYC in would cost $160 Billion to repair! Ouch! (Don’t think that it’s going to make that much at the cinema).
It was calculated that the physical damage alone would cost $60-70 billion, with economic and clean-up ramifications adding $90 billion. To put that in context Hurricane Katrina cost $90 billion, and the tsunami in Japan last year cost $122 billion.
This is an open thank you letter from Joss Whedon sent out for the people who went to see The Avengers and it’s a great read if you have really liked some of his previous work (Buffy the Vampire Slayer., Angel, Firefly) because he really deserved this win and I hope he only does better in his future projects.
Dear Friends,
Well, it’s been quite a weekend. Someday, long from now, I will even have an emotional reaction to it, like a person would. I can’t wait! But before I become blinded by this “emotion” experience, there’s a few things I’d like to say. Well, type.
People have told me that this matters, that my life is about to change. I am sure that is true. And change is good — change is exciting. I think — not to jinx it — that I may finally be recognized at Comiccon. Imagine! Also, with my percentage of “the Avengers” gross, I can afford to buy… [gets call from agent. Weeps manfully. Resumes typing.] …a fine meal. But REALLY fine, with truffles and s#!+. And I can get a studio to finance my dream project, the reboot of “Air Bud” that we all feel is so long overdue. (He could play Jai Alai! Think of the emotional ramifications of JAI ALAI!!!!)
What doesn’t change is anything that matters. What doesn’t change is that I’ve had the smartest, most loyal, most passionate, most articulate group of — I’m not even gonna say fans. I’m going with “peeps” — that any cult oddity such as my bad self could have dreamt of. When almost no one was watching, when people probably should have STOPPED watching, I’ve had three constants: my family and friends, my collaborators (often the same), and y’all. A lot of stories have come out about my “dark years”, and how I’m “unrecognized”… I love these stories, because they make me seem super-important, but I have never felt the darkness (and I’m ALL about my darkness) that they described. Because I have so much. I have people, in my life, on this site, in places I’ve yet to discover, that always made me feel the truth of success: an artist and an audience communicating. Communicating to the point of collaborating. I’ve thought, “maybe I’m over; maybe I’ve said my piece”. But never with fear. Never with rancor. Because of y’all. Because you knew me when. If you think topping a box office record compares with someone telling you your work helped them through a rough time, you’re probably new here. (For the record, and despite my inhuman distance from the joy-joy of it: topping a box office record is super-dope. I’m an alien, not a robot.)
So this is me, saying thank you. All of you. You’ve taken as much guff for loving my work as I have for over-writing it, and you deserve, in this our time of streaming into the main, to crow. To glow. To crow and go “I told you so”, to those Joe Blows not in the know. (LAST time I hire Dr. Seuss to punch my posts up. Yeesh!)
Mr. Joss Whedon participated in a Reddit AMA recently, touching on everything from a Dr. Horrible sequel to season two of Firefly, to Scarlett Johansson’s prevalence as a “sex object” in much of the marketing for The Avengers.
First off is his answer to a Dr. Horrible Sequel (yay there might be sequel):
“We’re not shooting right now; we’re still in the early stages of writing. But we hope to make a great deal of progress this summer. And you can expect the death of someone you love… Yes, the original cast will be back for Dr H 2, but Penny will be… um… I don’t want to say ‘decomposing…”
Secondly his answer to Scarlett Johansson’s prevalence as a “sex object” in much of the marketing for The Avengers which I thought was actually a good idea because it was a shock when she wasn’t just some hot girl but actually a good character.
“All I can say is that Scarlett gets to do a lot more than be hot in Avengers. It’s definitely dispiriting to have a woman play a heroic role and then be reduced to body parts by fan commentary, but that can only change slowly. And is.”
The one most people want to know about is will there be a second season of Firefly? You have to kind of agree with what he says as sad as it makes me. The first step is a Kickstarter project.
“Step 2: Cancel Castle. Step 3: Cancel Homeland. Step 4: Generally destroy everybody’s careers. Step 5: Avoid Step 2.”
Next, we have this low budget video which was actually really funny and well thought out… Nah it’s just some good YouTube fun which I would have loved to have seen at the cinema straight after The Avengers finished. The best parts from this video would definitely be the fat Captain America with a small shield and Nick Fury dropping the f-bombs everyone wanted Samuel. L Jackson to do in the film (might just be me).
Grizzly Bomb 