NY Rangers (51-24-7) vs. Ottawa Senators (41-31-10)
There’s no reason the Rangers shouldn’t win this series, unless they have a major injury to someone who happens to reside between the iron during the games. While Lundqvist has been a little dinged up lately and Ottawa won the regular season series 3-1 including shootout victory, I still don’t see it happening. The Rangers aren’t going to blow you away with scoring, although Gaborik and Richards have been solid scoring threats all year, they are dominate defensively and will grind away softer teams like the Senators. It has been a feel good year for 39-year-old Daniel Alfredsson, emerging superstar defenseman Erik Karlsson and some of the non-Swedes on the team but Ottawa lost it’s divisional battle with the Bruins and therefore have to face the mighty Rangers. If it wasn’t for John Tortorella behind the Rangers bench you might give the Sens a punchers chance in the series but there is no way that Torts lets his team look past Ottawa and he will have them focused as they need be.
For those who wondered what historical time frame Mad Men was currently operating in, we got a pretty definitive answer Sunday night as much of the episode revolved around a murder case that occurred in July of 1966. We first get news of the infamous murder case when Peggy’s Time magazine photographer friend crashes the copy-writer meeting to show off the grizzly photos she’s collected from the crime scene. We get a taste of all of the societal elements being touched upon in this week’s episode in a nice little package. The re-introduction of Peggy’s professional lesbian feminist friend let’s us know that we will be seeing elements of the women’s rights movement. The discussion of how the murder case is trumping stories about the race riots in Chicago is a tip off that we will be dealing with more of the civil rights movement, and finally we get the juxtaposition of attitudes about the murder case itself as Ginsberg is horrified by everyone’s giddy fascination with the explicit photos. Before we follow through on these topics and visit the first true “Holy Shit” moment of the season lets get move on to bigger and better things, ie. Joanie.
Greg has returned from Vietnam to the anticipatory arms of Joan and his newborn son but we soon learn that he’s returning for another year of duty, as a volunteer no less. The somewhat hapless doctor has found a place where he is important and respected and is eager to return. Joan doesn’t take guff from anyone and lets face it, Kevin isn’t really Greg’s son anyhow, so she promptly shows him the door. Goodbye Greg, good luck in the late 60’s Vietnam, I bet his return in a year won’t be so damn proud and patriotic. As we see in the teaser at the end of the show Joan will soon be returning to the office where the awkwardness between her and Roger can resume.
Meanwhile at SCDP Roger is again caught with his pants down as he is completely unprepared for the upcoming Mohawk Airlines meeting, and he is forced and coerced into bribing Peggy to get his campaign in order. I missed the mark when it came to a potential Peggy/Roger romance last week, but their exchange was peppered with a bunch of great one liners.
In retrospect, it’s a little bit embarrassing to think that Lockout was on my most anticipated films of the year list. But I mean, how can you blame me? The film’s first preview was engaging enough, and for God’s sake, the movie had Guy Pearce in it. For those not familiar with the powerhouse of legendary action that is Guy Pearce, he’s the actor to beat all actors. I’ve only recently become a Guy Pearce fan, but after seeing some of the films in his resume, I can safely say that the guy is one of the most eclectic and talented guys working in film today.
So why would he accept a role as amateur as this? To be honest, I don’t know, but here are five reasons that lead me to believe that Lockout will not live up to its potential. I’ll also include three reasons why the inner action film fan in me is going to love this movie.
5. Lockout is rated PG-13.
Yes, yes. The dreaded PG-13 rating. Very few films have been able to truly push their PG-13 to its full potential (The Dark Knight and Titanic specifically), and I highly doubt that Lockout will be the film to break new ground with this MPAA certificate of approval. Had the film been rated R, it probably could have had the appeal of graphic violence in its favor. But alas, money is everything in Hollywood, and the more asses you can get into the seats, the happier the execs are.
Personally, I don’t think this film will work as a PG-13 film. The premise and central villain seem to be too gritty for a PG-13 movie. Then again, screenwriter Luc Besson kind of made Taken work as a PG-13 action movie, but just barely. I’m also definitely not expecting the Christopher Nolan level of genius that came with The Dark Knight.
4. The film’s writers/directors, James Mather and Stephen St. Leger have never made a feature film before. They’ve barely even made one short.
This reasoning can be considered invalid by a lot of readers, and I completely understand that. But look at this from my perspective. If your first film seems to be a witless, joyless, and ultimately brainless action film that happens to star a great actor, what can we expect from you in the future? I agree with the whole “where would we be as filmgoers if we never gave first time directors a chance?” mentality. But what I don’t agree with is letting what are pretty much two amateurs make a film like this. Granted, Lockout has a fairly modest budget of $30 million dollars (compare that to the $250 million dollar price tag on The Dark Knight Rises), but I’d like to see a feature film debut more along the lines of the ingenious Tucker & Dale Vs. Evil.
The last time we let a first time director make a big budget Guy Pearce movie, the result was the god-awful Don’t Be Afraid of the Dark, and much like Lockout, it was vouched for by a very popular filmmaker (Guillermo Del Toro). I theorize that the only reason Lockout had a chance of being produced was because of Luc Besson who came up with the original idea and co-wrote the screenplay for the film. He also serves as executive producer on the picture. In other words, he really wanted to see this movie hit the big screen.
3. Luc Besson hasn’t written a truly good action movie in years.
This is one that I hate to have to bring up, but it’s true. It really is. Sure the guy has made a couple cool looking movies over the past few years with some great martial arts and some admittedly great gunplay, but have things really been great since The Professional? No, they haven’t. Sure, From Paris With Love and The Transporter trilogy had some moments of greatness, but overall, they were just pretty good. Really good even, but not great.
I respect Luc Besson, I really do. But at the end of the day, he’s great at one thing. Mindless action films. He rehashes his ideas and uses fast paced and slickly edited action sequences to get things moving. Like my mother always said, you can polish a turd but at the end of the day it’s still a piece of shit. (Had to throw in a Jody Hill reference to keep things moving!)
2. From Lockout‘s previews, it seems like the film has only so-so special effects.
Earlier this year, a little $17 million dollar film called Chronicle was released and it completely turned the superhero genre on its head. I’m not sure if you guys remember, but the CGI in that film was pretty freaking fantastic. Now, after reading some advance reviews and rewatching the previews for Lockout, I can honestly say that without seeing the movie, the effects in this movie border on…pathetic.
Don’t believe me? Take a look at the preview again, and when Guy Pearce is riding the futuristic looking motorcycle, tell me with a straight face that those CG graphics don’t look like something straight out of a video game. Which leads me to my final point…
1. The previews just suck…a lot.
Upon a first viewing of the preview for Lockout, I was intrigued and ultimately began to really anticipate this film. Now, I look at the preview and I just laugh. The cheesy one-liners, the crappy CG effects, the awful dialogue, and the borderline plagiarism that occurs in the story line (Escape from L.A. meets Die Hard, anyone?) On top of that, the cast is full of B and C list actors, not including Guy Pearce, that look flat out embarrassed to be on camera.
Now that I’ve basically shit on this movie before it’s even come out, here are three reasons why Lockout might not be as bad as we think…
3. Guy Pearce.
Need I say more? The man is a god in his arena. He can do anything from a western to a sci-fi to a horror to a family drama, and he can do it damn well, too. I’ve never really seen him take on a role that he couldn’t handle. If anything else, Lockout will benefit from a committed performance by Pearce himself.
2. The premise is interesting enough, even if it’s been done before.
I’ll just be the asshole that goes ahead and says that even though this premise has been done to death, it still looks interesting in the context of this film. By essentially stealing from every other great breakout sci-fi action film of the 80s and 90s, Lockout mashes them all together into one big super movie and expects the audience to not know the difference. And while this is true for some to most regular movie-goers, film buffs are rather outraged by the film’s shameless borrowing tactics. I for one am open to the idea of derivative and mindless. It gives me a reason to waste 95 minutes of my life and for a decent enough reason at that. Action movies are fun, and the ones that aren’t fun can just go end up in the $5 dollar bin at WalMart.
1. Come on, people. That villain with the Scottish accent is pretty awesome.
Joseph Gilgun. A name not familiar to many, but to fans of “Misfits” and This Is England, you probably just jumped for joy at the sight of his name. For those who need to catch up, Joseph Gilgun is, for all intents and purposes, a bad ass. With an intensity similar to that of Tom Hardy in the 2008 film Bronson, Gilgun is able to channel what can be characterized as a slight bout of aggression, into some pretty phenomenal roles. I, for one, am thrilled to see him as Lockout‘s predominant villain. I have a feeling that after Pearce, Gilgun is definitely going to steal the show.
Here you have it folks. My reasoning behind why Lockout might suck, and why it might not. Feel free to comment and agree or disagree.
Original Lockout trailer:
Also, you can watch the first five minutes of the film, as well as a couple of other clips:
As he repeats throughout his interview with Newsbeat reporter Steve Holden, David Morrissey is “very excited!” about being The Walking Dead‘s new Governor.
Check out the clip:
David Morrissey was not one of the two actors we were lead to believe were the options for this prestigious role (The original battle for Governor article). I don’t know much about David Morrissey, which makes me both nervous and very intrigued. (I would refer to him by his last name, but one of my favorite musicians happens to share the last name.) I am seeing a lot of excitement on message boards, and I am looking forward to season 3. As is said in the video of the interview, The Walking Dead has such a large fan following (9 million viewers watched the Season 2 finale) that the new Governor better bring his A game. No one wants 9 million people pissed off at them.
Grizzly Bomb 
