All posts by Josef Rodriguez

Hey, I'm Joey and I'm a (usually) film and pop culture blogger, but I'll write about pretty much anything.

Grizzly Review: 21 Jump Street

Remakes, reboots, and sequels are getting so desperate that at this point I’m starting to lose hope. Every crappy ’80s show and every crappy ’80s movie is getting remade or rebooted or is being blessed with an unnecessary sequel that really just does nothing for the original film’s reputation. Granted there are some pretty great ones, like Fright Night and TRON: Legacy, but overall, it’s sad how little creativity there is in Hollywood.

Thankfully, not only does 21 Jump Street belong in the same league as reboots like Fright Night and TRON: Legacy, it surpasses them. Set as a sequel taking place in the present day, a good 25 years after the original show, Jonah Hill and Channing Tatum star as Schmidt and Jenko, respectively, two dim-witted bicycle cops who, after failing to follow through with a drug bust, are reassigned to the 21 Jump Street division.

This particular division uses police officers who look young and puts them in high schools where drugs are being circulated and spread throughout the county. The mission this time? Sagan High School. The goal is to stop a synthetic drug that is quickly gaining popularity with Sagan High students. Schmidt and Jenko, along with some other young-looking officers, are sent to stop the distribution of the drug, as well as to find the supplier. Told to blend in, the pair of bumbling cops do anything but as they try to stop the dealers from spreading the drug to other schools.

During their first day at Sagan, Schmidt and Jenko learn that things definitely aren’t how they used to be. People are more sensitive, studying is cool, recycling is cool, gay rights are cool, even environmentally friendly cars are cool. At the top of the food chain is Eric Molson (Dave Franco), who Schmidt and Jenko suspect is the school’s major dealer. Together, Schmidt and Jenko work with the student body to bring Eric to justice.

Ice Cube plays boss to the bumbling duo.

When you think of ’80s TV shows that should be remade into movies, 21 Jump Street, probably isn’t at the top of your list. As it should be because, frankly, the original show just isn’t that good. Transforming Johnny Depp into a superstar is pretty much the only thing the show ever did right, and after its cancellation, it was kind of forgotten about. But through Michael Bacall’s genius screenplay, 21 Jump Street becomes one of the best teen comedies of the past few years.

Before I continue I’d like to celebrate the revelation that is Michael Bacall. In short, the man understands teenagers better than teenagers understand themselves. Writing the script for the 2001 film Manic, starring still budding stars Joseph Gordon-Levitt and Zooey Deschanel was only the beginning. From there he wrote Bookies which starred a still relatively unknown Johnny Galecki and Lukas Haas, but it was with 2010’s Scott Pilgrim Vs. The World where his writing career really took off. 2012 brings two of his screenplays, this film and Project X, to life. Looking at a resume like that, it’s no wonder the man is able to create a film that simultaneously contains loads of action as well as the fact that it rings so damn true to the trials and tribulations of adolescence.

The self-aware, smart, and raunchy jokes are in full effect as directors Phil Lord and Christopher Miller, known for their animated film Cloudy with a Chance of Meatballs, go so far as to almost break the fourth wall with the film’s realizations of how tired and overused cliches and remakes are. With a pitch-perfect script and some great direction, 21 Jump Street was already on its way to becoming a comedy classic, but it’s the dangerously bromantic chemistry between Jonah Hill and Channing Tatum that really catapults the film into genius territory. The two play off each other so well, I could have seriously just watched an entire movie about them just hanging out, eating pretzels, and talking about whatever the hell they wanted to.

Dave Franco also turns in a surprisingly strong and rounded performance, changing up the usual douchebaggy teen villain, and actually creating a character worthy of his own subplot. Rob Riggle and Ice Cube also bring in a lot of laughs as one of Sagan’s teachers and Captain Dickson, respectively.

In short, 21 Jump Street is a quintessential teen comedy that will be remembered for years to come as that movie that defied all expectations, and literally stopped everyone in their tracks. The balance of crude and sentimental humor makes it appealing to almost anyone who sees it, as I saw everyone from 14-year-old boys to 75-year-old couples walking out of the theater, raving about how much they loved it. Not only is 21 Jump Street the funniest comedy of the year, it’s also one of the best films of the year, something I never thought I’d actually be saying.

4.5/5 Bears

Grizzly Review: The Lorax

The notion that adults can enjoy films intended for a younger audience is another reason that cinema lets parents breathe a deep sigh of relief. Through companies like Pixar and more specifically through films like Up, TRON: Legacy, Finding Nemo, the Toy Story trilogy, and more, the idea that kids’ movies are solely for children is a thing of the past. No more are the days of those stupid My Little Pony flicks invading the household of every toddler across America. Now, animated movies are so well made, they’re sometimes even nominated for Best Picture at the Oscars.

Continue reading Grizzly Review: The Lorax

Grizzly Review: Project X

Every teenager wants the opportunity to be the coolest kid in the school. The dream that one day everybody will be chanting your name is sometimes what keeps students going for what can be the worst four years of their lives. It’s true, though, when people say that all it takes is one amazing night to change everything you know about being popular, and what everyone else knows about you. Project X is that night. Project X is that dream come true. Project X is that party.

As I’ve mentioned in reviews for films like Chroniclefound footage has been plaguing cinemas for the past few years. I’m actually quite a big fan of found footage, but I guess I’m the only one. Regardless, it puts the asses in the seats and brings in the dough. Found footage works, in my opinion, because it brings the viewer closer to the characters. It helps them feel like they’re actually there. For some films like the Paranormal Activity and REC series, found footage really works. In fact, 2012 marks the first year that found footage films haven’t been dominated by horror flicks. The genre is expanding rapidly, and the results are actually quite astonishing.

Project X follows three teenagers who throw the biggest high school party of all time. Thomas Mann, Costa, and JB (who all use their real names), plan a “little get-together” for Thomas’ birthday that soon turns into anarchy with 1500+ guests. There is some footage of before the party with all the planning, as well as after the party, AKA, the cleanup. Most of Project X is just people partying. Things like plot and character development take a backseat to things like booze and boobs.

Advance screenings have described Project X as “the best party movie ever” and “Superbad on crack”. These claims are all 100% correct. If you’re willing to accept the silliness, the cliches, and the sometimes very raunchy humor, Project X is actually quite enjoyable. Many critics have deemed the film misogynist and mean-spirited. One critic called the characters, and I quote, “unrepentant, nihilistic, vile, venal, animalistic, avaricious, charmless, entitled, sub-Kardashian, stunningly irresponsible brats.”

All I have to say is, congratulations, sir, you just described a teenager. I related quite a bit to the characters, their plight, and their search for fame. In fact, that’s what makes Project X worth watching. While the dialogue is nowhere near genius, it’s honest. The movie is honest. It knows teenagers just as well as teenagers know teenagers.

Granted, the constant insanity can get a little tiring until something new happens, but there’s no doubt that Project X is chaos cinema at its finest. The direction by music video director Nima Nourizadeh definitely shows, as there are some sequences throughout the film that actually play out like music videos, but it’s impossible to not marvel at the sometimes visionary camerawork that makes this party seem so damn enticing.

Much like Chronicle, the main cameraman, Dax, isn’t the only one shooting the footage. In fact, producer Todd Phillips equipped certain members of the cast with recording devices like iPhones and camcorders so that him and Nourizadeh could go through all of it later and pick out snippets to put in the film, truly making Project X a found footage film.

Project X is an experimental film in its heart. Utilizing guerrilla film making as its medium for storytelling, the often uncontrollable environment finds a delicate balance between film and documentary, giving the impression that the events in the film are actually happening. But at the end of the day, despite all the “misogyny” that is contained within the film, Project X has a big heart, and makes a point to let us know that even though on the exterior, characters like Costa are douches and asses, they’re just kids who love their best friends just as much as anyone. And in the final shot, when Thomas looks at Dax and signals for him to cut the footage, we know, just as much as he does, that we’ve reached the end of a journey. No matter what the future brings, Thomas had that one night. And it was a night that he’ll never forget.

4/5 Bears

Grizzly Review: Goon

Everyone loves an underdog. The idea of a loser rising to the top and beating all odds is something that a lot of people can relate to. We root for these characters because we love them, and we know that they deserve nothing but the best. Sports films are especially good at this, and last year’s Warrior AKA, the MMA movie that had everyone crying, is a prime example of the sports genre at its finest.


I’ll be honest I’m not too keen on the entire sports genre. Frankly it’s because I’m not a sports fan in general and I don’t even know what the hell is happening most of the time. But there are certain sports films that are just great. How do you know they’re great? Because you love it just the same, even if you aren’t familiar with the sport portrayed.

Seann William Scott has made almost an entire career out of being an ass. From the American Pie series to pretty much everything else he’s done, he’s had the honor of being that one douchebag that we hate to love and love to hate. Still, when taking a deeper looking into Scott’s filmography, there’s some solid evidence that he’s actually a good actor.

In particular, films like The Promotion and Southland Tales have given him the opportunity to do some much-needed flexing with his acting muscle. But I don’t think he’s had a role quite as contrasted as the role he plays in Goon. Scott plays Doug Glatt, a dim-witted but good-hearted bouncer at a local bar. Making minimum wage, Doug spends most of his days kicking out drunks, brawlers, and underage kids who try to sneak in.

After going to a hockey game with his best friend, the filthy mouthed Ryan (Jay Baruchel), and getting into a physical altercation with a player of the away team, Doug is drafted into the local hockey team as the goon. In hockey world, the goon is basically the guy who goes onto the ice and beats the crap out of anything standing in his way. The team, known as the Assassins, is one of the worst in the league. After Glatt shows that he has true talent as a goon, he gets moved up to the Halifax Highlanders, home to Xavier Laflamme (Marc-Andre Grondin).

After an encounter with notorious hockey player Ross “The Boss” Rhea (Liev Schrieber) three years prior that resulted in a major concussion as well as a 20 game suspension for Rhea, Laflamme has been unable to recover from the incident due to a fear of being hit again. Now it’s up to Glatt to get Laflamme out of the minor leagues, and back on top where he belongs. Rhea, on the other hand, wants nothing more than to fight Doug Glatt. And win.

Goon is an interesting and successful blend of raunchy comedy and inspiring sports drama. With a script co-written by Jay Baruchel, an avid hockey fan, and Evan Goldberg, a screenwriter known for his ability to aptly mash together comedy and drama (see: Superbad). Together, the two craft an original and surprisingly heartwarming story of an underdog rising to the top. Seann William Scott plays the role to perfection, stepping out of his comfort zone for a role that requires an emotional vulnerability that he’s not used to.

Michael Dowse serves as director and includes some breathtaking on ice shots of Doug’s games, fights, as well as his fellow teammates. The thing that separates Goon from the rest of the other sports movies that have come out recently isn’t just its endlessly quotable script, pitch-perfect performances, or visionary camerawork. It rises above the rest because, like its protagonist, it’s an unexpected bending of genres because no matter how much the film makes us laugh, it also puts us in a story that had me at the edge of my seat. The subtleties of factual accuracy enhance the story, especially considering it’s based off a true story.

Goon is a sports film that despite the often crude humor that encompasses most of its running time, is a treat for the entire family to enjoy. It has the makings of a comedy blockbuster, with a good amount of action, comedy, inspiration, drama, and romance to keep the story interesting at all times. It’s a film that demands your attention, and transcends most of the sports cliches that it comes into contact with. As far as sports movies go, it’s this year’s Warrior, but funnier.

4.5/5 Bears

Will Ferrell Talks ‘Step Brothers 2’, ‘Three Mississippi’, and ‘Anchorman’

Well, folks, there’s good news and bad news. The bad news is, the Anchorman sequel is pretty much a no-go. Will Ferrell claims that there were places for the film to go, but the sequel itself isn’t really holding up. Now for the good news. Back in May, Ferrell said that he, John C. Reilly, and Adam McKay were considering doing a sequel to Step Brothers. That consideration has now become a reality. The trio is now working on a script that they will hopefully begin to film in Fall of 2012.

Another script that Ferrell and McKay have been talking about is the film Three Mississippi. The story would follow an annual game of Thanksgiving tackle football that gets a little bit out of hand. Knowing Ferrell and McKay, they can make literally anything funny, so I’m actually really excited to see that finally come to life. But until then, Step Brothers 2 is something that I’m also quite excited to see come to life. The first one, to me, is a modern comedy classic just based on how raunchy and childish it is. Ferrell, until that point, had found a nice niche in PG-13 comedies, but as soon as the line, “I’ll drop that motherf–ker!” was uttered from his mouth, I knew I was in for a good time.

It’s just that John C. Reilly is such a talented and respected actor, and it was hilarious to see him like a complete man-child. When you’re watching Mr. Cellophane tell somebody, “We’re here to f–k shit up!”, there’s a little bit of shellshock going on.

If you want to relive some of the zaniness that was Step Brothers, check out this video right here:

‘The Human Centipede III’ Is Definitely Happening

For those of you brave enough to watch The Human Centipede II: Full Sequence, you know that anything that resembles dignity or decency is completely void for those 88 minutes. The first film had at least a little bit more self-respect, and played out like a movie. But the second just threw away anything that can even be confused with art and really just gave us what we wanted; gore.

Writer and director of the first two films, Tom Six, has confirmed that a third Human Centipede film, entitled The Human Centipede III: Final Sequence, is now in production, with a shoot slated to begin in either May or June. Here’s the thing that makes it interesting, though. Both Dr. Heiter and Martin, who were the villainous surgeons from the first two films, will be returning for this third and final installment in the series. Tom Six himself will also have a supporting role (time to get a taste of your own, medicine, you bastard!), and considering the meta-film turn that the sequel took, I can only imagine what the third film will bring.

I’ll be honest, I’m a big fan of the first two. I know damn well that they aren’t well made movies, but they’re a hell of a lot of fun to watch, and I get a kick out of seeing people sewn together. Not in a sadistic way, I just think it’s amusing in the context of a movie. Regardless of the masochistic pleasure I take in watching a film of such degraded morals, The Human Centipede III, as promised by its title, will be 100% politically incorrect.