All posts by Adam Popovich

I once shot a man named JR. Incidentally it was in Reno, but it wasn't frivolous, it was for many deeply personal, guarded reasons I shall not share.

WWE Monday Night Raw Recap & Review 10/15/12

Tonight’s Raw opens up with Big Show walking down into the ring, and giving a promo. He basically just comes out and says how shitty and mean Sheamus has been to him for the last few weeks or so, but shows a video from Smackdown. In the video, Sheamus goes to Brogue Kick Big Show, but because Sheamus is dumb, and Big Show is the f–king BIG SHOW, he just catches Sheamus’ stupid bicycle kick and flips him out of the ring violently. Then we cut back and Big Show goes on to let us all know how stupid it is of Sheamus to try to bully a 7′ tall, 500lb man who can knock you out with a single punch. Because that’s really all that’s happening here. Sheamus is a bully, through and through. The dude just does whatever he wants,to whoever he wants, with no sense of what’s right or wrong, and because he’s “cool” the average WWE fan just laughs off his actions, no matter how despicable, racist, or objectively terrible they are. So when It comes down to it, am I looking forward to Big Show knocking his stupid ginger head off his albino shoulders? Yes. Absolutely. I have no idea why Big Show is even supposed to be the bad guy in this, other than he hit John Cena once. I guess unless you’re a retired wrestler turned shitty movie star, hitting John Cena is an unforgivable, terrible offense that makes you worse than Hitler.

Eventually somehow Big Show’s whole spiel turned into him talking about his original WHC title run, which lasted only seconds until Daniel Bryan cashed in his MITB case to take the title from him. This in turn got spun around into a “redeeming” rematch between the two, and led to Daniel Bryan facing Big Show in a match.

I love both of these guys, but this is in my opinion, the one kind of match Daniel Bryan doesn’t excel at. Daniel Bryan does best in matches that have him going one on one with another person who can sell his more technical moves, or can match his technical prowess on the mat. His entire thing is about beating guys by wearing them down and slapping a submission on them, which generally works really well, but with bigger guys it’s not always the best. That’s not to say the match was bad, but compare it to say, CM Punk, and it’s a different story. CM Punk is always at his best when he’s up against a big, unstoppable force sort of wrestler. Your John Cenas, your Mark Henrys, or your Samoa Joes, if you were to go back into ROH territory. Daniel Bryan on the other hand, always seemed overwhelmed when taking on bigger guys, but perhaps that’s to his credit. All I’m saying is when Big Show slammed Daniel Bryan to the ground and pinned him for the win, I wasn’t shocked.

It was pretty nice to see Kane come out to defend his Tag Team partner, in a twisted show of affection between team mates. Of course, Big Show just held up his fist and screamed at Kane, which made him back off until Show left. I don’t blame him, because the dude could probably just hold up his hand and scream at a f–king grizzly bear and it would run away shitting itself in fear.

After the break we’re in the ring with Paul Heyman, who is there with the WWE title, and a poster board with a drape over it. He takes his time to announce CM Punk, and remind us he has held the title for 330 consecutive days, (a feat that merits respect, I still don’t understand how you cannot respect this, it’s ridiculous) and that he’s making his decision for his opponent at Hell In A Cell. CM Punk comes out and teases us for minutes, until finally revealing that he needs more time to make his decision. He’s really trying to milk for heel heat here, and as Vince McMahon promised last week, if Punk didn’t make up his mind, he would for him. So Vince shows up, and tells Punk that TONIGHT, that he will pick his opponent. Just, you know, not right now. It’ll be at the end of the show. For reasons.

The main and fatal flaw with this entire match, is that somehow this one is the match deemed necessary for Punk to FINALLY gain respect and be considered “one of the best”. Despite almost singlehandedly making the WWE relevant again with a single promo last year, or his laundry list of achievements in all of professional wrestling, including multiple championships and a current record holding reign. For some reason, everything he’s done to earn our respect and admiration of all last year, is wiped away because he clotheslined The Rock. It’s funny, because as much as I love The Rock, everything he does now for the WWE just hurts it. What value does he add by defeating John Cena? What value does he add by showing up randomly, promising a bunch of shit, and then disappearing again? And most importantly, what value does he add by making another attempt at becoming the WWE champion again? Sometimes you gotta know when to hang it up dude. You WERE The Great One,now let it go.

First and foremost, CM Punk is by definition of being the WWE Champion, the best in the world, so there’s that. Secondly, there’s this quote from JR tonight, that really tells it all.

“I think CM Punk has done an amazing job of being a WWE Champion. My point has always been, if wants to be considered in the same breath as the Undertakers, The Triple Hs, The Austins, The Rocks, The Shawn Michaels, then… You… you gotta do… you gotta do a Hell In A Cell in some point of your career.”

I put emphasis on the stutter in that quote, because JR is basically saying that to be considered a WWE legend, in line with some of their all time greats, unless you’ve done a Hell In A Cell match, that EVERYTHING ELSE you’ve done doesn’t count. Somehow the allure of a HIAC match brings with it magical greatness that takes you to a new echelon of superiority. How this logic works in JR’s mind baffles me, and I’m convinced it was a line he was fed through his earpiece to say, because it sounds exactly like the inane bullshit the writers come up with to justify a match, or more likely, to justify why a character who’s really never done anything that was actually wrong, as a bad guy. If you want us to hate CM Punk, I dunno, have him do mean, awful things that don’t make sense, and bully people needlessly. Oh wait, that’s Sheamus, and we’re supposed to love him. Goddammit.

They did us a favor this week, and skipped Funkasaurus’ 10 minute dance intro and got right to the match. Lately I’ve noticed Alberto Del Rio hasn’t been arriving in his cars anymore either, which could only mean one of two things. 1.) He’s been pretty drastically affected by his current pseudo rivalry with Randy Orton, and has filtered thousands and thousands of dollars into researching some kind of apparatus to predict when an RKO is coming. Because they always arrive OUT OF NOWHERE.

2.) WWE is tired of renting luxury cars.

So you know, it’s probably 2. Regardless, defeating Funkasaurus isn’t that big of a deal. You just gotta hit him in any of his major joints and the dude goes down like a gimped horse. Slap his arm into the Cross-Armbreaker, and he’ll tap almost instantly. For such a big guy he has a very small tolerance for pain. Alberto Del Rio winning is NOT surprising, to say the least.

Backstage we see CM Punk and Paul Heyman having lovers quarrels. Or arguing about Vince McMahon. I say should point out that it’s not technically a lover’s quarrel, because Punk doesn’t seem to reciprocate the unabashed, adoring love that Heyman has for Punk. Heyman is friend-zoned. Hardcore. Poor Heyman.

As much as I’m loving the newly reinvigorated tag team division, I’m still not a fan of these teams that consist of 2 previously mostly singles only wrestlers becoming a team. You can’t often hit gold like they have with Team Hell No, and Team CoBro (ugh) just doesn’t cut it. Apparently someone in creative agrees with me, because The Primetime Players pretty much put the smack down on them hard, and won within minutes. I like The Primetime Players, and I think they could use some more segments, or time to make more promos. I don’t think they get enough character exposure, as opposed to their wrestling time. I think we see the right amount of time for them in the ring, to keep them relevant. Let’s just give them a skit, or a promo here and there, and it’ll all be good.

This new 3-Man Band of Heath Slater, Jinder Mahal, and Drew Mcintyre coming out to stomp on Zack Ryder’s corpse and play air guitar to their theme music was pretty hilarious. They’ve managed to take 3 guys (well 2) who deserve more air time, and successfully make them a stable that seem to exist solely to beat up dumb guys, and play air guitar. How you can not love that, I don’t understand.

Awesome.

Suddenly we’re privy to the ear-splitting screech of Vickie Guerrero, who introduces Dolph Ziggler in her typically shrewish way. A fun note, I just recently attended a taping of Smackdown, and can dutifully confirm that people HATE Vickie Guerrero more than every other heel combined. The outpour of boos for her were utterly deafening, and during her entire time speaking you could not hear a single word spoken. If they were ever gonna try to turn her face, I have no idea why, but if they were, it’d be impossible. She could go up there and promise free WWE merchandise for life for everyone in attendance if they just stayed quiet, and it’d never, ever happen.

Anyhow, Ziggler says some stuff about how hard he’s worked for his MITB contract. How he’s jealous that The Ryback gets all the talk these days when comparatively, Ziggler has worked far harder than The Ryback to get contendership recognition. David Otunga then comes out, and spouts about his mental attenuation along with physical fitness. He says he’s worthy of a title shot, and this is what leads to their fatal flaw. Their fatal flaw here is saying The Ryback’s name enough times to awaken him from his hibernation, thus unleashing his insatiable hunger. Along with The Ryback, they’ve gotten notice of AJ, who brings The Ryback in tow with her, and schedules a triple threat match between the three of them right then and there.

While watching this match, my friend Vera pointed out something I had never noticed before about The Ryback. Namely, his teeth are totally busted. For a dude who talks a lot about being fed, the guy needs dental work. Maybe that’s why he’s always hungry? Perhaps it’s hard for him to really get anything down when he’s nursing such a terrible dental issue? Maybe Tressa is right about him really just being a big baby, and he’s just teething. Like he’s literally just a giant baby transplanted into a huge man-body. It makes sense when you think about it. The marching, the tantrums, the heavy breathing, the teething, the constant crying for food… I’m just saying, there’s been weirder storylines in WWE history.

Anyhow, The Ryback Ryback’s both Ziggler and Otunga. After Ziggler ditches Otunga and runs away, The Ryback devours Otunga’s corpse messily, and we all rejoice.

Backstage, Paul Heyman is trying to butter up Vince McMahon in CM Punk’s favor, and puts for a challenge in Punk’s name. He pitches a rematch between Vince and Punk, with the stipulation being if Punk wins, he gets to choose his opponent. Vince then makes the match with Heyman, to Heyman’s disarray, and then proudly claims to love himself. No really. He does.

Afterward, we see AJ walking by, and is interviewed by Matt Stryker about something or other. Stryker makes the foolish mistake of even saying the word “crazy” around AJ, and she suddenly schedules him to be in a match as punishment. Punishment for ostensibly being a person who was alive around her at that time, I suppose. AJ, why is your character so fragmented? Why are you sometimes good, sometimes bad? It doesn’t come off as unpredictable, unstable, or edgy like your writers want us to think, it just comes off as inconsistent and shitty. For somebody who used to have the deepest, most intricate and multifaceted character in WWE, you sure have gone a long way down from those heights.

…God I still love you though.

I really can’t say enough good things about Antonio Cesaro. The dude is shoot strong enough to lift a guy as heavy as the Funkasaurus, and makes is look easy. On top of that, he’s incredibly dominant in ring, and has an excellent signature move where he just throws a guy almost 10 feet up into the air, and then just uppercuts their goddamned head off.

Just imagine Justin Gabriel in the place of Tyson Kidd there. It’s just as amazing.

 

So when Antonio Cesaro comes out, pumps his fists, and then talks about how much ass he can kick in five languages, he tends to get my respect. His win over Justin Gabriel was pretty definitive, and just adds more luster to his current prestige.

Apparently Matt Stryker found it necessary to get into his full wrestling gear, just to grab a mic and beg Kane for mercy. He emphasizes how unnecessary it is for Kane to even face him, and more or less says he’s a non-threat. He pleads with Kane, who then spreads his arms in embrace. Stryker then accepts Kane ostensible proposal to hug it out, and they proceed to hug. It lasts for a minute, then Kane ends up choke slamming him to death any way. The brilliant part was his little post-match promo, where he lays down with the dying Matt Stryker, and mocks him by putting the mic in front of his mouth, before declaring himself to be the Tag Team Champions.

Somewhere, Daniel Bryan is shouting angrily and stomping. Dr. Shelby needs to come back and help these guys one last time.

Okay, I love The Miz. Honest, I do. I think he’s a perfectly competent wrestler, and great on the mic. I love his douchebag smarminess, and his sense of self entitlement that he brings with him. I think he makes a great heel character, and an even better commentator. However, I cannot STAND Miz TV. Even more so now, because he’s feuding with Kofi Kingston, who might as well be poison for my attention span. The two of these together, honestly I had no interest in watching, and still have none. I can’t tell you what actually happened, but I’ll guess they shit talked each other, and then promoted their stupid match on Main Event for the Intercontinental title. I swear if Kofi Kingston wins that title, I’ll just… I’ll just die inside. I will.

I like Wade Barrett. I hate Sheamus. I wanted Wade Barrett to crush Sheamus in this match, but of course that didn’t happen. I have difficulty watching any matches with Sheamus in them now, because I just want to see him get beaten until all of his skin is a deep dark black and blue. When Big Show showed up with a chair, I nearly jumped for joy at the prospect of a Sheamus beat down at the hands of Big Show and Barrett. But then Big Show just sat there on the chair, watching them both from a distance. Wade Barrett batted around Sheamus for a few minutes, briefly giving me hope that we’d see Sheamus lose a shameful defeat. Those hopes were dashed when Big Show interfered in the most lame way possible, and just held down the top rope, making Sheamus fall out of the ring when he was whipped into the ropes. That resulted in a DQ win for Sheamus, and Big Show walking out of the place like he was somehow proud of that decision. Lame.

Backstage Vince McMahon is on the phone, and hangs up to have a meeting with John Cena. Cena then says some more bullshit about never giving up, and ignoring doctors orders. I’m not sure, because I really just tune him out now. It’s the only way to stay sane.

I’m not gonna lie, I spent the most of this match trying to look at Layla’s boobs. I kept imagining how big they really were, because of the nature of the wrestling bras/tank-tops they wear. I then snapped back to reality when I realized that the match itself wasn’t half bad. I mean, not half bad for WWE standards anyway. The women’s division is one place that Impact Wrestling has them beat, hands down. Why the WWE doesn’t just blatantly copy them I don’t understand. Regardless, they seem to be re-using the old Foot-On-The-Ropes, Bad-Referee-Call thing they did for CM Punk and John Cena a few weeks ago. There’s not much a difference there, except that instead of get all righteously angry like CM Punk did, Layla just sat there and cried about it. I like your boobs Layla, give me a reason to respect them. Stand up for yourself. If Eve cheated, call her on it. Until then, you’re not above ogling.

Backstage, Daniel Bryan and Kane are talking about their respective relationship woes. After some remarks are traded about what they both did or didn’t find funny, Daniel Bryan says that next week Kane should fight Big Show. He then declares himself the Tag Team Champions.

He then cut off his ear and declared himself the new Vincent Van Gogh.

Cut to Vince McMahon talking to The Ryback, talking him up as the toughest SOB in the biz. The Ryback just stands there breathing heavily, until Vince asks him what his response is to everything said about. The Ryback replies with 3 obvious words: “Feed. Me. Punk.”

I don’t have anything against Primo and Epico really. Their gimmick doesn’t particularly grab my attention, but they’re definitely not immediately aggravating unlike certain other WWE Superstars. When compared to the greatness that is Rhodes Scholars however, they pale in comparison. Damien Sandow and Cody Rhodes pretty much annihilate them, using more tags throughout this match than almost all the other tag team matches in recent memory put together. I’d dare to say they use this aspect of the tag team rules the most effectively I’ve ever seen. They work together really cohesively, and end up defeating Primo and Epico resoundly, ending with the perfect finishing taunt of the assisted cartwheel.

Perfect.

So this is a grudge match thing now? Between Miz and Kofi? And we’re supposed to believe that somehow Kofi is supposed to better than Miz? All I saw was a big pile of boring, with The Miz struggling to work with that pile he was given. I have two different kinds of hate for wrestlers in the WWE, and I’ll clarify it for you.

There’s Sheamus hate: Where a wrestler’s actual in-ring ability is overlooked or otherwise rendered obsolete or negated by how terrible a character he has. See: Tensai.

And then there’s Kofi Kingston hate: Where a wrestlers in ring ability is non-existent, yet somehow still gets face heat, and is inexplicably popular despite being unwatchably boring in the ring and on the mic. See: Randy Orton.

Which do I hate more? I honestly can’t decide. All I know is I hate them both. So when Kofi Kingston won the match, all I can say is that I’m not looking forward to ignoring the Intercontinental Champion entirely. Hopefully Miz will retain, or somebody worth half  a damn will take it from Kingston.

After that shitfest, we come back from the break to Vince McMahon preparing the contract signing to decide Punk’s opponent at HIAC. The Ryback enters, along with John Cena. They all hurf durf around for 5 or so minutes. John Cena gets especially hurfy and extra durfy, and makes sure to say something about never giving up. Punk continues his streak of saying perfectly reasonable things, and getting booed for them. Calling Vince McMahon and John Cena egomaniacs, is by NO MEANS uncalled for, and is probably the most accurate and telling thing you could call them. Cena for some reason acts like this is THE MOST OFFENSIVE THING, and even tries to talk down Punk’s achievement of the record making championship reign. Then he goes on to say how tough The Ryback is, and steps down from the ring, saying The Ryback is the man to “whip CM Punk’s ass”. The Ryback signs the contract, and then Rybacks CM Punk. Everyone chants about how hungry they are on The Ryback’s behalf, and the show ends on a close up of The Ryback’s oddly shaped head.

MORE TACOS!

 Incidentally, as of this writing, I am pretty hungry. Perhaps I should FEED ME MORE. FEED ME MORE. GRAMMAR BE DAMNED, FEED ME MORE.

In Defense Of The New ‘RoboCop’ Suit.

We’re passionate about RoboCop here at GB. We’ve covered his news, a lot. Probably about 7 or 8 times since we first heard serious word of it. We’ve actually had multiple discussions on the film, and when those first pictures leaked of the new RoboCop suit, the majority of us were… unhappy. However, being ever the contrarian I am, I expressed my caustic disappointment VERY specifically, because I knew the more I thought about it, the more I could understand it. In that article I said, and I quote:

“I’m…. Just really gonna keep hope that it’ll work in the movie.”

And I still stand by that statement. At first It was meant in a way to express dread, but the more I looked at this new RoboCop I kept trying to understand why it was so drastically different from what we’d all expect, and so seemingly cookie cutter and generic looking, when it suddenly hit, and everything made perfect sense. You see, when you’re a passionate nerd about something, seeing it changed to something else in a “new” form is a bit shocking, and tends to illicit knee-jerk reactions of imminent hatred or dismissal. I think that’s the natural state of all nerds. We see something that maybe takes an old favorite, and turns it on end, or tries something completely different with it, and usually we hate it. At first anyway. I remember the old internet reaction to Heath Ledger’s Joker, when the first pics of him leaked. People were VERY critical and dismissive. I would know, because I was one of those people. Of course we all know how that story turns out, because The Dark Knight is one of the best films of all time, and a huge part of it is due to the game changing performance by Heath Ledger.

I took a vow that day to never immediately judge something as a failure based on preview pictures alone. That potentially, it could all work out in the finished product, and a good movie could come from it. I even held this view for The Amazing Spider-Man, right up until it proved to be an unwatchable mess. So what was it that clicked for me? What changed my initially reserved but dreadfully optimistic view on this RoboCop remake? Well before I get to that, let’s take a second look at the new suit, so you’ll have a fresh idea in mind of what I’m talking about.

via [JoeBlo]

Again, the first things that come to mind are how UN-original it looks. How it seems reminiscent of countless other generic cyborg/soldier characters from all types of media right? I believe this is ENTIRELY intentional. If you’re going to remake RoboCop, one of the greatest missteps you could take would be to not carry over the brilliant social satire it had throughout the film. In the same way that the original RoboCop’s look represented the pinnacle of faux-futuristic 80’s excess, so does this modern RoboCop’s look reflect the polished, materialistic, and factory formed look of almost all modern technology. The sleek embossed sheen to his hood is indicative of most modern cell phones, right down to the bright red visor.

The style, layout, and font choice are all intentionally similar.

If you’ve ever seen a Droid commercial you’ll have no trouble making the visual connection. What they’ve done is rather than rehash the old story(and suit) note for note, they’ve gone and taken the initiative. It makes sense that in a modern world where everyone has the same looking cell phone, same looking cars, and same looking computers, we should have a similarly themed RoboCop. Of course he looks generic, because a massive, money-making corporation churned him out like yesterdays cheap cell phone update. It’s a theme that’s very welcome for a RoboCop remake because the whole thing was about criticizing the faceless corporations that would literally put a brand name on justice if it made them an extra dollar at the end of the day. Steamlined robotic officers? Mass produced cybernetic equipment? Bargain basement justice? I’d buy that for a dollar!

So yes, the new RoboCop suit looks incredibly generic and uninspired, but that is precisely the point, and ultimately what ends up making it ironically, very inspired and unique. It’s a pretty effective way to establish a visual motif of social commentary, that even our CYBERNETICALLY ENHANCED ROBOT COPS get the shiny, red laser LED lined look to them. That’s exactly what any modern technology company would do. The proof is all around your living room, or even in your pocket. Sure the movie may end up sucking something fierce still, (I don’t think it will, but I have been wrong), but at the very least the intention to establish and bring back that sense of social commentary, updated now for relevant social context, is laudable and worthy of note. That’s not even to say what the whole suit will look like after filming effects are completed, because I have a strong feeling it’ll get a much more visually striking look once it’s complemented with added CG lights and whatnot. Furthermore, between the strength of its cast, director, and what we’ve seen so far, I’d say everyone has good reason to get their hopes up. This is the RoboCop for our generation, and it most certainly is reflecting that, as it should. So sit back and relax RoboCop fans. We may have a good remake yet.

Superman & Spider-Man Getting Costume Changes: Creative Decision, or Marketing Scheme?

Recently it’s come to my attention that both Spider-Man and Superman have gotten new costumes. Regardless of their semi-permanence or not, the first thing that comes to my mind is always: Why? For Spider-Man, dude has had probably an entire closet full of costume changes, anything from the infamous (and creatively sound) Black Suit, to the stunningly forced and ugly Iron Spider suit from Civil War. You know, the one that was somehow bulletproof yet could be torn by glass. Superman on the other hand, seems to get a suit change every once in a while, until the editor who approved it realizes how stupid they were being and switches back to the iconic, perfect original suit.

Well anyhow, they’re at it again, this time Spider-Man gets a new suit for his debut in the brand new Spider-Man title, The Superior Spider-Man.

Picture via [Newsarama]

Spider-Man is pretty much the poster boy for superfluous suit changes. Every couple of years he seems to get a new suit change so I’m not surprised really. It’s no secret here at GB that I’m not the biggest Spider-Man fan, but even so I still have to say this new suit is just kinda weaksauce. It more or less seems the same, with the exception of a color palette swap, and maybe a few more minor changes that either aren’t visible or I haven’t noticed. At least with the Black Suit that was noticeably different, and worked on its own terms. On top of that, it had a good creative argument behind it. Spider-Man is inherently kind of stealthy character, and why would a guy like him wear such bright colors? Follow it up with the suits excellent reveal of actually being the living Symbiote that would create Venom, and you’ve got more than enough justification for a suit change. In that case, a writer had an idea that made sense, was new and interesting, and helped tell a good story. Time will tell as far as for the storyline implications of this new suit, but I don’t think it’d take much to successfully predict it’s not a fully creative decision. The new suit, the cancellation of Amazing Spider-Man and launch of this “Superior” Spider-Man, reeks of executive business decision. It looks and feels like something that was decided solely to try to get more readers and/or mainstream press about this sudden “new” suit change.

I think the problem with Spider-Man, in my opinion is that he’s a character ruled and governed with such executive care. Everything about him seems so obviously handled by a suit, making sure their cash cow isn’t somehow accidentally caught doing something original or daring. It’s the main reason why we keep getting endless origin stories of him, and sensationalist gimmick stories that don’t really do anything interesting. One More Day, his identity reveal/pro-reg siding in Civil War, and of course that most recent terrible movie, are all plagued by this. It’s one of the main reasons I hate costume changes in general, because it actively reminds me that the guys running these businesses, (and that’s what they are) are just trying to maintain IP security. Make sure people are talking about our character, no matter what! Any press is good press! Who cares if we color him in terrible red and gold and give him lots of useless extra limbs!

It’s like staring into a giant dumb lens flare. Or a J.J Abrams film. HEYOOOO.

But as much as I’d love to keep hating on Spider-Man all day, DC is also to blame for this same stupid tactic. In a lot of ways, Superman is victim to the same company paradigm that Spider-Man has. Protect the IP, raise character awareness, etc. The difference is, he generally gets far fewer costume changes, and due to his ironic modern lack of popularity, ends up with better stories. The people who writer Superman generally get to tell the stories they want to tell, and don’t have to follow any company mandates TOO hard, although occasionally you’ll end up with some real stinkers like the Superman Red/Blue outfits from years back. Of course, we’re talking about Superman’s most recent costume change, and really, it’s literally nothing we haven’t seen before.

Picture via [Newsarama]

Compare it the old black suit he wore from Return Of Superman, and a bunch of other things, and you’ll see it’s not a new design at all. They just added the red cape to it.

DC has always had trouble with Superman’s outfit in one way or another. It seems like every once in a while some idiot comes along and thinks they can improve it, or give him an outfit that will supersede the original in some way. As I mentioned earlier, the most egregious example of this is the Blue/Red suits, which were an embarrassment that DC and nearly all Superman fans would like to forget. So understand it brings me no pleasure to re-live this horrible outfit again by showing them here.

My eyes! The goggles do nothing!

Those costumes were from a TERRIBLE old storyline that involved Superman going into the sun, getting supercharged (whatever that means), and then needing the new suit to “contain” his powers. Then he split into two for… reasons. One was evil or something, and that’s about all I can remember before blood starts to violently leak from my nose and I pass out.

This isn’t the first time DC has made superfluous and needless costume changes. They did it very recently pre-New 52 with Wonder Woman, and gave her an idiotic, tacky 90’s jacket and some pants:

Damn the man!

Or the time they did that whole Azrael/Batman thing, after Knightfall happened:

But the thing is, we’ll keep getting new costume changes, because people will still buy the comics to see them, if only out of curiosity. We’ll have to deal with all of the slutty Invisible Women:

Stupid mohawk Storms: [Editor’s Note – Mohawk Storm was badass!]

And asinine Mr. Fixits:

Seriously, this happened. Hulk in a suit and fedora. WHAT WERE THEY THINKING?

Because it’s a tactic that works. Very rarely is there ever any true creative incentive to actually change a long-established character’s costume, and when there is, it’ll still be met with controversy, and likely sales no matter what. In terms of a gamble, it’s kind of no brainer, because if it’s good, it’ll sell and fans will like it. A good example is Carol Danvers AKA Ms. Marvel, who’s had plenty of costume changes as written about here on GB. She ended up with a new costume that fared far better than her original costume, and is now arguably more iconic and representative of her than the one she started with. However, if the costume is bad, you’ll end up with a Superman situation, where the book sells but it ends up damaging the character, and the whole thing is looked back on as a huge mistake. In the short-term though, it all generates sales, and this is the main problem with the whole costume changing concept. Executives will just demand a costume change any time they see sagging numbers, and short of actually trying to tell a good story, will simple implement a costume change to see those numbers go up. It doesn’t always have to be a costume change, sometimes it’s a gimmicky story element, but more often than not it is.

It’s easier to get an artist to draw up a new suit, print a couple thousand comics with him on the cover, animate the tv show with him in it, license the look to an action figure company, and switch back later when the heat dies down. For every Ms. Marvel, we’re gonna get 10 other totally craptastic costume changes we’ll have to live through. Such is the life of being a comics fan.

Comic Rack: Hickman’s Avengers Plans, X-Force Loves The 90’s, & Garth Ennis Has A Red Team!

Welcome to Comic Rack! My pick of the top five comic news stories in no particular order…

Jonathan Hickman’s Plans for The Avengers

One of the most distressing things about this new Marvel NOW! thing is the dichotomy of feelings it gives me about Jonathan Hickman. On one hand, I love the idea of a man as brilliant as him writing Avengers stories, that will undoubtedly be amazing. On the other hand, I can’t afford to buy all the books Marvel prints, with their 50 tie ins and side stories and everything. It really seems like If I wanted to buy Hickman’s Avengers, I’d at least have to buy 3 other books to get the full story. And being a total completist nerd, I either go whole hog and get everything, or none at all. In my case, it’s currently none at all, because following DC in this fashion is making my wallet look at me every Wednesday like I’m slowly skinning it in a laboratory. However, reading ABOUT Hickman’s Avengers is still fascinating, and the news of what he’s doing with them piques my interest.

“The conversation shifted to the mysterious “New Avengers” team, which Jonathan revealed consists of the Illuminati, which was introduced in Brian Bendis’ “New Avengers.”“It’s about the guys that very quietly and secretly run the world,” he said. “It’s thematically much different than what’s going on in ‘Avengers.’ The plan that I’ve worked up is that the Avengers are the utopian Avengers. They’re the ideal Avengers, whereas the New Avengers are real-world. They live in the world as it is, which is dark and apocalyptic. It’s very old-school. We’re pretty excited about it. The books will work together, in tandem. You don’t have to read both of them, but if you do, there will be things that echo across the books.”

via [CBR]

This is a classic example of something comics writers say, but never do. “Oh you don’t have to read them both/all/whatever, but there will be bonus story connections between…” blah blah blah. I know this game. I’m not falling for it mister. My wallet shrieks in pain every time I open it now from the trauma of Civil War, and that was YEARS ago.

Cable & X-Force Bring Back The 90’s

I know, I know, we’ve talked about this Cable series before, but sometimes a book is so interesting you just gotta follow up on it when you hear more about it. Especially if it involves Cable. In the 90’s Cable was a pretty big deal. I remember seeing lots of comics with him holding big guns, doing stuff, and having lots of pouches. I know it’s very hip to hate on 90’s pouches, but you know…. It’s fun. I always imagined he had ammo of course, but also just an entire spectrum of things in each pouch. Sort of like an Uber-Bat-Utility Belt. Regardless of pouches though, the thought of a comic being printed today with that ultra macho, pouch-tastic sensibility appeals to what very little bit of nostalgia there is in me to appeal to. Hopeless seems to be taking that idea and running with it.

Newsarama: Dennis, the first thing I wanted to ask about stemming from your first couple interviews on Cable and X-Force is the idea of not shying away from the inherent ’90sness of the characters and concept. Why is it important for you to embrace that, and not run from it? And though obviously the point is to present those things in a modern context, but what kinds of ’90s motifs and practices do you find still work today?

Dennis Hopeless: I think there’s something about badass for badass sake. I was a kid when those early X-Force issues were coming out. My friends and I loved them because they were badass. Everything was high-octane and over the top. It’s the same reason we all loved Schwarzenegger and Stallone and Robocop.”

via [Newsarama]

So I’ll avoid the easy joke of a guy named Hopeless writing a comic about Cable who has a daughter named Hope, and instead just mention how this book actually seems pretty interesting. I’ve never read anything by Dennis Hopeless, but he seems to be doing good work, and I love his name. The fact that he mentions Stallone, Schwarzenegger and Robocop just seals the deal for me. He seems like he gets it, and will actually produce the kind of book Liefeld was always going for, but ended up failing at. It’s the difference between a delicious, fluffy croissant and a rice cake. They’re both mostly air, but one is way better than the other.

Garth Ennis Assembles A New ‘Red Team’

After wrapping up his long running series The Boys, Ennis doesn’t look like he’s taking any breaks. The man certainly is full of ideas, and this new mini-series he’s developing sounds like one of the more tame ones, compared to the usual shock tactics he’s famous for.

In Red Team, Garth Ennis and Dynamite described “up-and-coming artist” Craig Cermak team for this new seven issue limited series that features a Major Crimes task force in the NYPD who make a bad call that leads to lots of drama. The team decides to murder a suspect, and things don’t go well after that. Dynamite described the series as “in the tradition of The Wire and The Shield” in a press release.”

via [Newsarama]

Aside from Preacher, I’ve always thought that Garth Ennis worked better with his mini-series. The Boys trailed off around issue 23 in my opinion, and never really recovered for me since. His mini-series have always appealed to me. I like the idea of him returning to another reality themed book, and think tackling a concept like a task force in the real world could work well for him. The guy has the chops to do more down to earth, gripping stuff in him. He did it really well for his Punisher run way back when, and Battlefields is the only modern example I can think of. I’ll be looking forward to this one because I know it’ll be done in 7 issues, and for a guy like me that’s comforting from a monetary standpoint, but disappointing if I end up REALLY liking it. Everything’s a catch-22 for me. Shit.

Mark Waid Is Taking On The Green Hornet

Now that Mark Waid has made himself a bigger deal with the success of Irredeemable, it seems his name has some clout to it that will bring more attention to what he’s doing. Specifically, Green Hornet. A character who is pretty famously non-popular. Not that he’s UN-popular, which means people hate him ala Aquaman. He’s just non-popular. Like… Red Tornado. Most people haven’t heard of him, but those who have probably don’t have any strong feelings about him. You’d have a hard time being pressed to list a seminal Green Hornet story the way you would with nearly any other superhero. That being said, perhaps Mark Waid will give Green Hornet his.

“It should come as little surprise that I have an affinity for all costumed crimefighters no matter if their adventures are ‘period pieces’ or not–heroism is heroism regardless of whatever year’s on the calendar,” said writer Mark Waid in a press release.  “With this Green Hornet project, which I’ve been percolating on for more than ten years, I’m able to meld my love of the Hornet’s legacy with a little bit of Citizen Kane and a lot of Lawrence of Arabia to tell a story never before told–the dark years of the Hornet’s later career and the one mistake he makes that nearly costs him everything.”

via [Newsarama]

So… Green Hornet will make newspapers in the desert while freeing slaves? And go sledding? Or something? Okay so I’ve never actually seen Citizen Kane (I know), but still. The man at least knows what he’s trying to accomplish. They even made that Green Hornet movie a year ago didn’t they? Then there was Kevin Smith’s comic, right? So maybe this whole thing has been building to this. Perhaps The Green Hornet will finally get his due? Being unfamiliar with his character in almost every dimension makes it hard for me to feel anything about this other than bemused indifference. I really loved Irredeemable though, so maybe it’ll be good. It’s weird, it’s almost like I have to try to purposely make an effort to like Green Hornet. I’m hoping soon I’ll be able to change my mind about him. Or not. Whatever.

Frank Cho Brings Us Savage Wolverine

Frank Cho is one of those names that’s known in particular for one thing. Cheesecake. No, not the delicious dessert, but rather the term for gratuitous shots of gorgeous, lusty, busty women posing seductively in some manner. Personally I have no problem with this. Who doesn’t like beautiful, busty, buxom, bouncing babes busting out of their brassieres? (+5 Alliteration skill)You know what else everyone loves? Wolverine. Now thanks to Frank Cho, we’ll get a book with BOTH!

See?

The new series will start off, appropriately enough, in the Savage Land. Shanna the She-Devil, who Cho previously worked on in the Shanna the She-Devil limited series, will guest star in the series’ opening story arc, which features a stranded Wolverine waking up in the Savage Land with no memory of how he arrived. “The story takes place in the forbidden area of the Savage Land where an evil ancient god slumbers,” said Cho. “Wolverine and others accidentally unleash it, while trying to get home.”

via [ComicsAlliance]

I know this might rile up some weird Wolverine fanboys who don’t want their cheesecake mixing with their Wolverine…salad. Or whatever. All I can say is why not? Why not make a book with Wolverine fighting dinosaurs in the Savage Land, assisted by a busty,  scantily clad sidekick who stabs dudes with her spear? Must everything be so dark all the time? The book sounds like it’ll be a hoot, and most importantly, actually interesting. A lot of writers get so caught up with making Wolverine such a gritty, broody, dark mother f-er they lose sight of the potential to just make him a badass awesome character who gets shit done. Best he is at what he does and all that. Plus boobs! Boobs! If you can’t get behind that, man… I dunno how to help you.

That’s it for this week! Be sure to check out more Comic Rack here!

CM Punk Hits Fan Live On Raw!

Sometimes things happen in live events, and at the end of October 8th’s Monday Night Raw, one of those things happened. Visible even on the live broadcast, a fan can be seen to be assaulted by CM Punk, right as Vince McMahon was speaking to him in the audience. For those unaware, the scene took place at the end of a match between McMahon and Punk. Punk had run into the crowd, as many wrestlers often do to escape for one reason or another, and was apparently being shoved by fans. Punk than lashed out and struck a fan twice in the face, on live television, as seen here:

The fan in question who was hit, unfortunately does NOT seem to be the one who provoked, and looks to be an unfortunate victim who took the blame for the guilty party behind him. If you look closely, this video shows a fan in white behind the guy who got hit, clearly giving Punk the middle finger before slapping him on the back of the head.

With what was already a literally touchy crowd, Punk seemed already riled up by the teenaged fan in the black Brock Lesnar shirt to his left, who can be seen shoving Punk very hard just before punk lashes out on the guy behind him. The actual fan who was attacked has released a few comments and pictures on twitter, saying he did NOT hit Punk. After watching the videos I have to agree, he’s just a victim of his unfortunately proximity to Punk at the time.

https://twitter.com/Colereporting/status/255525261196541953

2 things I gotta say first off. #1.) That guy has every right to be upset. Punk should NOT have lost his temper in this fashion, and if there was anything that would actually make me lose respect for him, it’s this. Knowing Punk though, I’m sure he’ll make a statement of some sort, or an apology to make things right. My faith in him doing this is a big factor in me keeping my respect for him on a personal level, rather than a professional one, which he’ll always have.

 

#2.) I don’t believe this is a work. Something like this seems too spontaneous and real to be faked for publicity. Incidentally, if it WAS a plant, it does the WWE no favors. Sacrificing the integrity of the safety that’s supposed to be upheld by security at live events is never good, no matter how badly you want your main heel to get hated by fans.

One last thing, as a security guard myself, I do have to point out that the security who is seen walking into the video’s frame towards the end, is responding relatively quickly. I’ve been in the middle of a lots of fights, and having someone respond to your situation can take many long seconds, that can lead to many different kinds of injuries. The guy who got there in my estimation, seems to be the only one who made it within what I would call an acceptable amount of time. Which is unfortunate because the situation Punk was in shouldn’t have happened. The kid in the black Brock Lesnar shirt clearly agitated Punk in the video, along with the rest of the audience being a bit too close in general. That’s not to excuse Punk’s behavior, but it’s something to be expected realistically. There’s a reason they make an announcement to NOT TOUCH the talent in any live sporting event, and it’s probably this one. In my opinion, they should have had security much closer, tailing Punk from the beginning. However the response time is about as good as could be realistically expected from security. I’ve personally seen response times go on seconds longer, and that’s in a room with a few thousand fewer people in it.

So will the guy be pursuing legal action? Probably, I wouldn’t blame him. He did seem to get accidentally shoved into Punk, but that’s not worth getting punched in the face. It’s the fault of the asshole Guy In The White Shirt behind him, and black Brock Lesnar Shirt Guy for forgetting that Punk is a real dude, who can get hot-headed, and will probably knock you out if you f–k with him. How Vince McMahon and the WWE will respond, is another thing entirely.

:EDIT:  WWE and CM Punk have officially issued a statement:

via [Bleacher]

“WWE security was unfortunately not in the appropriate place at the time. Given CM Punk’s persona as a ‘bad guy’ fans were naturally heckling him, but unfortunately a few fans began shoving him and one struck him in the kidney and on the back.”

The rep adds, “WWE regrets that proper security measures were not in place, and CM Punk apologizes for reacting in the heat of the moment.”

After reflecting on this further, I’ve changed my stance a little bit on how I felt. Personally I feel it’s incredibly rude and disrespectful of any fan to ever lay their hands on these performers who give their all 300+ days a year for our entertainment. The fan(s) who incited this reaction from Punk are jerks who can’t separate fiction from reality, and need to realize that it’s all just a show. I can’t say I blame Punk for reacting the way he did, and it’s a shame he hit the wrong guy. Sure Punk shouldn’t have done it, but I cannot say he overreacted.

Boondock Saints 3 is NOT HAPPENING.

Like so many college bros, I too have seen Boondock Saints and loved it for it’s over the top stylized charm mixed with light social commentary on vigilante justice. What could have been a full on movie franchise based on cult popularity turned pretty sour due to the directors own selfish, arrogant hubris. The film’s own quality and buzz ended up costing him any and almost all connections and bridges he once had, before burning them to the ground as documented in Overnight. It was pretty harrowing watching Troy Duffy turn from a seemingly talented, almost Tarantino-esque indie filmmaker into a total douchebag. After the events that transpired as documented in that film, and the subsequent release of that film, it seemed like we’d never get a sequel to Boondock Saints. Suddenly though, we did. And it was… Less than good. Pretty bad actually.

Continue reading Boondock Saints 3 is NOT HAPPENING.